Hellboy: The Crooked Man

This film has an unique place in my cinema viewing history. It's the only series I've ever seen on a big screen where I've been the only person in the auditorium for each one. This latest episode sees the eponymous devil (Jack Kesy) escorting a lethal spider on a train with aspiring para-psychologist "Bobbie Joe" (Adeline Rudolph) when an accident sees them deposited into the middle of the Appalachian forest. Here they encounter long-since abandoned coal mines and an equally out-of-touch community that smacks a great deal of "The Deliverance" (1972). With little sign of their spider, they encounter the returning local lad "Tom" (Jefferson White) and are quickly helping him repatriate his dad to the cemetery and keep his ex-girlfriend/local witch "Effie" (Leah McNamara) out of the hands of the real devil. It's dark and misty settings do go some way to creating a slight sense of mystical peril, but the rest of this is badly acted and written with zero originality and few opportunities for action or humour. Kesy seems content to take his fee for wandering around wagging his pointy red tail and smoking whilst the director Brian Taylor uses plenty of tried and tested cinematic techniques to try and breathe some life (or death) into this derivative drudge of a film. I kept thinking he's got a pair of goggles on his head - but them's what used to be his horns. Like his horns, whatever made this work first time round has long gone and I can't say I'd even bother with this on a streaming service on a wet Wednesday in February. No more, please.

Our introduction to Hellboy and possibly most of the general public was the 2004 movie directed by Guillermo Del Toro, which offered the comic book franchise it's push to mainstream. Hellboy felt at home in the hands of Del Toro who went on to spawn a second film 'The Golden Army' in 2008. While both being generally well received and are modest box office successes, a third Hellboy film with both Ron Pearlman (as Hellboy) and Del Toro never came into fruition - instead rebooting in 2019 starring David Harbour as the titular half-demon hero.

To be fair, despite a good performance by Harbour, we were no fans of the action packed and gratuitously violent reboot, - mostly due to the comparative superiority of the first two Del Toro versions that also beautifully handled Hellboy and his peers' themes of othering and self-acceptance, which proved more appealing than doubling the action and blood. The reboot eventually bombed in the box office and was met with generally negative reviews leaving the franchise dormant.

Now 5 years later, on its fourth live action iteration, this Hellboy movie is firstly, the only one with Mike Mignola, the creator himself, with direct writing credits for the screenplay. It is also the most faithful adaptation of it's chosen source material 'The Crooked Man'. It also has the lowest budget out of all the live action films and the shortest run-time clocking at 1 hour and 36 minutes only.

As a fan of Hellboy, this was a very enjoyable watch, especially it's stripped down and claustrophobic feel that stands out against a plethora of explosive and bright blockbusters - these included the three prior Hellboy films. But, with an understandably lower budget, the creature special effects could use a little more polish. We do appreciate the rest of the film prioritizing the use of practical effects.

Jack Kesy who portrays Hellboy, at least for this variant and theme, actually dons the character well. The rest are portrayed as they are in the comics, and it mostly leans on how people like the source material - which is great for us, but may leave much to be desired for the general viewer.

Perhaps if this was the first Hellboy film, then maybe there's some leeway for more praise and less negative comparisons to, ultimately still, the better Del Toro films. We would argue however that it is above the overall experience of the 2019 reboot, and it uniquely stands out as a slow burning horror piece where-in you may seem less frightened knowing you have 'Anung Un Rama, Son of the Fallen one' on your side.

I loved the first two live-action Hellboy movies and I even enjoyed the two animated movie and on the other hand, I absolutely couldn't stand the 2019 movie and I'm glad that it failed because that wasn't my Hellboy. Now, I've just finished watching Hellboy: The Crooked Man (2024) and I'm surprised by how decent this movie especially since I wasn't excited for this movie.

Positives for Hellboy: The Crooked Man (2024): First off, I appreciated that this movie decided to go the fantasy-horror route only especially since one of my main criticisms of the 2019 movie was that it couldn't decide which genre it wanted to be in. I liked that the filmmakers kept the look of Hellboy practical with no CGI. I also appreciated that this wasn't just another generic superhero movie that have been coming out nowadays. I also loved that the movie is more small scale with its approach to the story. And finally, Jack Kesy is good as the version of Hellboy and he's able to stand on his own without having me comparing him to Ron Perlman.

Negatives for Hellboy: The Crooked Man (2024): The movie is very low-budget and it clearly shows in the final product. There are also some wacky CGI that are bad, but not horrible. And finally, I don't know if this movie will start a new franchise due to the limitations and that would suck because there's a lot that can work and be improved on in sequels.

Overall, Hellboy: The Crooked Man (2024) is a solid enough superhero horror movie that breathe some fresh air into the superhero genre and I would like to see this turned into a franchise.

"Hellboy: The Crooked Man" tries to revive the iconic character's universe but faces serious challenges that prevent it from reaching the heights of Guillermo del Toro's films. The low budget is not enough to capture the grandeur and complexity of Hellboy's world, resulting in a rather limited effort overall. It feels like they tried to reboot Harry Potter with a budget equivalent to an episode of a mediocre CW show. While the production team clearly made their best effort to address the shortcomings, it was a tough task.

Additionally, the supporting cast is another weak point. The performances are weak and often unconvincing, even less realistic and more frightening than roles in "Power Rangers." However, Jack Kesy as Hellboy is one of the few positive aspects. I hope this role opens doors for him, as it is one of the few things that really work in the film.

The makeup and special effects also appear cheap and uninspired, failing to create an immersive experience and making the attempt to build a scary atmosphere fall short, giving it an amateurish feel.

On the other hand, the film's atmosphere, though limited, is a positive aspect, along with the soundtrack featuring eerie melodies that contribute to the dark and mystical tone the film aims for. However, the sound editing, especially the jump scares, is overly excessive.

"Hellboy: The Crooked Man" is a film that tries to capture the essence of a complex universe with limited resources, resulting in a movie that feels more like a fan-made project than a true reinvention of the character. It is an example of how a low budget can severely compromise a film's potential, even with genuine effort from the production team.

You'd expect Hellboy to be a wild ride full of intense action, epic battles, and the kind of adrenaline-pumping scenes that keep you on the edge of your seat. Instead, what we got was a movie bogged down by endless, mind-numbing dialogue.

And the worst part? Most of that talking wasn't even from Hellboy himself! He felt more like a background character in his own movie.

It was mostly the other characters driving the narrative, leaving Hellboy sidelined and underused. The film dragged on, with far too many unnecessary conversations and not enough of the action we came to see.

Honestly, it was baffling. You sit down expecting a badass, fiery adventure with a legendary comic book hero, and instead, you get a tedious mess where Hellboy barely even shines.

The pacing was slow, the character development weak, and it felt like the filmmakers completely missed the essence of what makes Hellboy so beloved.

It wasn't just bad-it was so, so, so bad. The disappointment was overwhelming. It's hard to believe they dropped the ball this much on such a promising character.