Una serie de robos a bancos y autos asusta a las comunidades del Pacífico. Un agente del FBI cree que los delitos no son obra de delincuentes tradicionales con motivaciones económicas, sino ... Leer todoUna serie de robos a bancos y autos asusta a las comunidades del Pacífico. Un agente del FBI cree que los delitos no son obra de delincuentes tradicionales con motivaciones económicas, sino de un grupo de peligrosos terroristas domésticos.Una serie de robos a bancos y autos asusta a las comunidades del Pacífico. Un agente del FBI cree que los delitos no son obra de delincuentes tradicionales con motivaciones económicas, sino de un grupo de peligrosos terroristas domésticos.
- Dirección
- Guionistas
- Elenco
- Premios
- 2 premios ganados y 7 nominaciones en total
- Bank Manager
- (as Bryan McHale)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Resumen
Opiniones destacadas
Despite all these important aspects, the movie didn't really pull me in. The pacing was slowish, not in a way that builds suspense or depth, but rather in a way that made it hard to stay emotionally invested. Scenes lingered without always adding much, and I often found myself waiting for something to fully click.
I think the main issue is that the film lacked some much-needed background, particularly when it came to crucial character development and the broader historical context. While I understood the general facts and timeline, I never really felt connected to the people involved or what was truly at stake, both for them as individuals and for the country as a whole. It felt like there was an emotional distance that the film never bridged.
In the end, it's a film I admire for its craft, but not one that truly moved me. They really were spot on in some crucial areas, the acting, the visuals, the tone, which only made it more disappointing when the film didn't quite come together as a whole. It had so much potential to be powerful and immersive, but instead, it left me feeling a bit cold and unfulfilled.
One scene that really stuck with me was the discovery of the body. I think it's my "favorite" one; it felt disturbingly real and visceral, especially with the character using his hands to dig up the grave instead of a shovel. That detail made it feel grounded, almost like you were right there, literally watching dirty work.
The pacing is slow, but it builds towards a more gripping third act. The motel shootout was shock, and it's in the final act where everything comes together. I think you usually have it in the back of your head, absentmindedly even, that the main characters will make it so the theatre gasped. The film touches on themes of hate , and it's always ironic and unsettling to hear people using the guise of faith to spread such. It was pretty interesting to me that the book referenced in the story is connected to real-world events like January 6 as well.
While I wasn't blown away, the movie met my expectations-which were sorta high. It's well-made and believable, even if it leans on familiar archetypes and tropes: the hate-filled ideology, the cult dynamics, the people working to dismantle it. So while nothing in the movie really surprises or blows you away, it's that familiarity makes the story feel real because characters like these do exist.
In the end, while it didn't resonate with me on a deeper level or stick with me after the credits rolled, it's a solid film with strong performances and a compelling, relevant narrative.
What Nitram did though, and this film never managed, was it made me look at things from a different perspective. The concept that the person behind a mass shooting is, exactly that, a person, is just nothing I had given consideration to before. Easier to label a monster (which they are, but there are reasons behind this) and move on than to think about it.
I guess therefore I was expecting to try and understand something here. Like it was going to say something. But in the end it felt very procedural. Some white guys are racist because they are and some other guy hunts them down because he does. Honestly, that's about it.
I never felt for a second like I understood anything about Nicholas Holts character or why he was a complete (insert word rhyming with duck) head. I guess there is an argument that you don't want to give oxygen but I feel this film maker has had a lot more to say in the past and if you aren't going to say anything then probably don't say anything at all.
Anyway, not offensive but just very very average.
The positives: The casting is great and the idaho landscape makes for beautiful shots. I really liked the exciting bank robbing parts as well as well as a being a grizzled detective drama. Bob Matthews is a interesting but vile character who has a weird personality of being a "family-man" and friendly but also blowing up p*rn theatres and killing innocents. I thought he was the best character in the movie, however the rest of the character's are pretty much one-note. I will get to that in the negatives, I also liked the score as well with it being very melodic but brooding at times (not your average detective drama score). The plot overall is fascinating and can be thrilling at times with well done robberies, chases, and some emotional moments.
Negatives: Like I said the characters besides Bob Matthews are pretty one note. I liked Jude law as a detective but he really dosen't do much except be the veteran grizzled detective with a young naive partner. The movie dosen't have the story structure to really make you care all that much about anyone. Sometimes scenes would bounce from one to another just to get to the next thrilling moments (which were solid). Also some dumb moments like a multiple moments where characters risk their lives in obvious situations where the cards are stacked against them and they don't need too.
All in all I would recommend if you wanna watch a pretty alright detective drama with some beautiful shots. I do not dislike the movie but its more of a vehicle for this great cast to handle a interesting story rather than interesting characters.
¿Sabías que…?
- TriviaNicholas Hoult told reporters how he and Jude Law, adversaries in the film, did not speak or interact with each other for the first four weeks of filming in an attempt to distance themselves from each other.
- ErroresAgent Husk enters Torres' cell while wearing his firearm. No law enforcement or corrections official would enter an inmate's cell with a firearm. Husk, Carney, and Bowen would have had to secure their weapons before entering the area where prisoners were held. In the film, they're wearing their weapons.
- Citas
Alan Berg: You know what my problem is with every fanatic fundamentalist, from the Catholics, to the Orthodox, to the KKK? The one thing you all have in common is, and you're too ignorant to see it, is that you're too inept to get by in the world, so your only recourse is to try and curtail the enjoyment of others.
- ConexionesReferenced in Film Junk Podcast: Episode 974: Nosferatu (2025)
- Bandas sonorasKOA Radio Jingle
JAM Creative Productions, Inc.
Courtesy of Jonathan Wolfert
Used under license
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Detalles
- Fecha de lanzamiento
- Países de origen
- Sitio oficial
- Idioma
- También se conoce como
- Порядок
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Total en EE. UU. y Canadá
- USD 2,010,901
- Fin de semana de estreno en EE. UU. y Canadá
- USD 877,855
- 8 dic 2024
- Total a nivel mundial
- USD 2,270,354
- Tiempo de ejecución1 hora 56 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.39 : 1