La tripulación del USS Enterprise explora los confines inexplorados del espacio, donde encuentra a un enemigo sin piedad que pone tanto a la tripulación como a lo que la Federación represent... Leer todoLa tripulación del USS Enterprise explora los confines inexplorados del espacio, donde encuentra a un enemigo sin piedad que pone tanto a la tripulación como a lo que la Federación representa a prueba.La tripulación del USS Enterprise explora los confines inexplorados del espacio, donde encuentra a un enemigo sin piedad que pone tanto a la tripulación como a lo que la Federación representa a prueba.
- Dirección
- Guionistas
- Elenco
- Nominado a 1 premio Óscar
- 3 premios ganados y 29 nominaciones en total
- Lieutenant Uhura
- (as Zoe Saldana)
Opiniones destacadas
I admit the plot could be better and the villain is a bit confusing. It's still a film in good spirits and I like all the little references to the old show, how subtle or blatant they might be. One important note. I remember hearing that in this movie the character Sulu was going to come out as gay as a way to honor his original actor, George Takei, coming out. Takei himself didn't like this idea. It is never stated that Sulu is gay, but we do see him briefly hold hands with another man implying he is. I guess it was sort of a compromise with George Takei. I like the idea of openly gay characters, but if the actor or people involved don't want it, that's just fine. It's great to see how creative and beautiful this amazing world looks and you really in on the action with the Enterprise. ***
It's Star Date 2263.2 and Kirk (Chris Pine) is into the third year of their "5 year mission" (which seems to somehow throw away a lot of potential sequel opportunities already doesn't it?). Less buoyant and confident than he used to be, Kirk is feeling a little emotionally 'Lost in Space': after all, as the Hitchhikers Guide to the Galaxy put it "Space is big REALLY big". Spock (Zachary Quinto) also receives some news of a personal nature that unsettles him. They are both in need of a vacation, and Starbase Yorktown (queue some spectacular special effects and an operatic Michael Giacchino track) appears to be able to offer them that. The crew disperse for a bit of R and R: Sulu (John Cho) goes off to spend time with his family (after the big internet furore, the gay aspect of this is very subtle); Kirk gets career advice from the Admiral; and Spock and Uhuru (Zoe Saldana) go their separate ways since – like Ross and Rachael – they are "on a break".
The reverie is rudely interrupted by the arrival of a frantic alien called Kalara (Lydia Wilson) from the other side of a dense nebula. She needs help to rescue her crew, stranded on a planet there. Kirk's rescue mission however goes far from to-plan, and he and his crew are caught in the clutches of the warlord Krall (Idris Elba).
What's nice about this film is that the core crew of Kirk, Spock, Uhuru, Bones (Karl Urban), Scotty (Simon Pegg), Sulu and Chekov (the tragically departed Anton Yelchin) gel together really nicely as an ensemble cast. The traditional by-play between the characters feels unforced, comedic and provides a warmth at the heart of the film. There is also a touching tribute to Leonard Nimoy, who died while the film was in pre-production, woven into the story of which I'm sure he would have approved.
Supporting the crew as a potential new character is the strikingly attractive and kick-ass Jaylah played by Sofia Boutella (the evil amputee Gazelle from "Kingsman").
There's also some fine and innovative alien technology on display with the 'swarm-like' alien fleet harking back (in an expanded scale) to the invulnerability of the nanites from an original episode.
Unfortunately, all of these positives are severely offset by a largely planet-bound Simon Pegg and Doug Jung story (didn't the woeful "Insurrection" teach writers that this tends not to be a good idea?) and action sequences that are so manically fast-moving that it is almost impossible to keep track of what exactly is happening. (Perversely, this is a film that might actually make more sense on the small screen than the big one, which is just BAD CINEMA!). There was even one point in a final fight scene where I seriously feared Kirk and Krall might have a 'sharing of mother's names' moment (if you know what I mean) but fortunately this script apocalypse is avoided.
At the conclusion the story actually makes no sense to me at all: without spoilers, it is difficult to discern exactly what the motivations of Krall actually were. Throw in a graphic in the final reel that looks like Krall is attacking the Death Star (no, seriously – watch for it!) and the concoction just doesn't hang together very well. I know Simon Pegg and director Justin ("Fast and Furious") Lin are huge Trekkers, but – sorry guys – this was a C- for me.
It's a mildly diverting popcorn movie, but with (for me at least) yet another disappointing film, its getting to the point where the best 'summer blockbuster' is likely to be Deadpool and that was released in February!
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The difference with the past 2 Trek movies was that unlike the original films we didn't bond with this cast over 100 or 200 episodes of slower paced TV. These guys were just tossed into it. This movie gives us an idea what a show with them would be like. It's impossible of course to do. But it was such a nice break form the overreaching drama from Into Darkness.
This is still serious and has tearful moments and sincere motivations from characters... but it's also fun. Some people forget the original trek as Justin Lin told the crowd at the premiere that the original series was fun. It was funny. It was a pure comedy at times. and he's right. This movie takes all the elements the series was... (serious, funny, action, fantasy) and mixes it into one giant movie. Including the Shatner like fist fight.
Loved it.
Dialogue from Simon Pegg and Doug Jung was absolutely natural to the characters and everyone had their moments. The scenes of different characters sharing moments with each other was great.
New characters Jayla is terrific. Sofia was great in the part.
It's sort of a typical Justin Lin movie too as in the set pieces, action scenes fx were simply amazing... breathless... the character moments fantastic, warm, sweet... the story was very good but some holes and confusion at times but it's so worth having that for the pure fun this is.
Given all this, and that Star Trek now has to fit this terrible template, this movie could have been SO much worse. Yes, it has plot holes galore (they're on purpose, don't you know? So the fans can have "insane theory" videos on YouTube), but it also has lots of references to the Star Trek Universe over the last 50 years to celebrate the 50th anniversary. These are subtle enough to indicate that they were put there for the real HARDCORE fans, which I thought was respectful and made me sit up and pay a bit more attention every time I spotted one. One thing that really bugged me though - some of the actors, as they get older, look even LESS like the characters should on screen. For instance, Simon Pegg would want to start piling on the pounds to play an older Scotty, and in the same vain Zachary Quinto should probably lose a few. But these are minor details for sure.
To finish on a positive note, Sofia Boutella who plays the alien Jaylah is really good, and a very likely contender to replace Anton Yelchin who sadly passed away recently. As I've read they won't be recasting Chekov (good!) then I think she would make a fine addition to the crew. Someone make this happen!
If you're a Trek fan at all you SHOULD go see this one. It's SLIGHTLY dragged out near the end, but there is at least a solid 90 minutes of big screen action to be enjoyed in there somewhere. A fitting way to celebrate 50 years of Trek? Maybe. I certainly didn't feel like walking out like during the last outing.. and during Star Wars... and during SPECTRE....
¿Sabías que…?
- TriviaAfter production on the film was completed, and a month before the release, Anton Yelchin died in a freak vehicle accident at age 27. During the ending credits, there is a dedication that reads, "For Anton." J.J. Abrams announced that Chekov would not be recast, "I would say you can't replace him. There will be no new casting. I can't imagine that, and I think Anton deserves better."
- ErroresThe number of ships and soldiers that the enemy has in its swarm changes dramatically during the final battle, from a few thousand to tens/hundreds of thousands when they attack the station. However, previously in the film, it is stated that the planet has deep and large underground caverns so it is entirely possible that there were more ships underground.
Also, the number of soldiers that would be needed to pilot all the ships would be huge as it was shown that they contain at least one soldier in each ship. But when they were watching the video logs near the film's ending, Captain Edison clearly states that they found drones. It is quite possible that the bulk of the enemy fleet is made up of drones and controlled by the hive mind that the music disrupts.
- Citas
Doctor 'Bones' McCoy: [after removing shrapnel from Spock] Yeah. They say it hurts less if it's a surprise.
Commander Spock: If I may adopt a parlance with which you are familiar, I can confirm your theory to be horseshit.
- Créditos curiososThere is a giant green energy-hand, in the closing credits, mentioned in the movie as one of the possibilities for a ship lost in space.
- ConexionesFeatured in The Nostalgia Critic: How Right Are Trailers? (2016)
- Bandas sonorasTheme from 'Star Trek' TV Series
Written by Alexander Courage & Gene Roddenberry
Selecciones populares
Detalles
- Fecha de lanzamiento
- Países de origen
- Sitios oficiales
- Idioma
- También se conoce como
- Star Trek Beyond
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 185,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 158,848,340
- Fin de semana de estreno en EE. UU. y Canadá
- USD 59,253,211
- 24 jul 2016
- Total a nivel mundial
- USD 343,471,816
- Tiempo de ejecución2 horas 2 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1
- 2.35 : 1(original ratio)
- 2.39 : 1(original ratio)