Agrega una trama en tu idiomaA social gathering is rocked to its core when Jack accuses his best friend's wife of infidelity. But as the allegations start flying, it soon emerges that a far more sinister game may be at ... Leer todoA social gathering is rocked to its core when Jack accuses his best friend's wife of infidelity. But as the allegations start flying, it soon emerges that a far more sinister game may be at play.A social gathering is rocked to its core when Jack accuses his best friend's wife of infidelity. But as the allegations start flying, it soon emerges that a far more sinister game may be at play.
- Dirección
- Guionistas
- Elenco
- Premios
- 7 premios ganados y 3 nominaciones en total
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
The moment this film started I should have switched off, due to the cringe-worthy acting on display. I'm surprised there wasn't a little man in a prompter's box feeding the lines to the actors, it really was that reminiscent of amateur dramatics at the village hall. I sincerely hope none of these actors will include Candlestick in his or her CV as they all deliver shocking performances, complete with 2-second pauses before the next line is due.
The premise doesn't really work either, mainly due to the fact that parts which are meant to be out of earshot of the other characters would never be out of earshot in a tiny London loft apartment like this (note to director/writer; loft apartments are ALL ONE SPACE - you can't just go upstairs and have a private conversation as the people in the living room ARE RIGHT BELOW YOU!) The behaviour of the characters is ridiculous, as is their way of talking to each other.
Written as a 30-minute TV play by people who knew what they were doing (for instance, the team behind Inside No 9), this could have worked quite well. But stretched out over 82 minutes it has little to redeem it. Even the music is so reminiscent of Psycho that it had me humming that movie's signature theme long after I forgot the misery of sitting through this pile of refuse.
As a final note, and to show how little care went into making this film, there is a tiny bit part at the end played by someone with an American accent in a role where the character would be extremely unlikely to have an American accent. It distracts the viewer from the final scene and only serves to put the final nail in the coffin of one of the worst films I've ever seen.
The premise doesn't really work either, mainly due to the fact that parts which are meant to be out of earshot of the other characters would never be out of earshot in a tiny London loft apartment like this (note to director/writer; loft apartments are ALL ONE SPACE - you can't just go upstairs and have a private conversation as the people in the living room ARE RIGHT BELOW YOU!) The behaviour of the characters is ridiculous, as is their way of talking to each other.
Written as a 30-minute TV play by people who knew what they were doing (for instance, the team behind Inside No 9), this could have worked quite well. But stretched out over 82 minutes it has little to redeem it. Even the music is so reminiscent of Psycho that it had me humming that movie's signature theme long after I forgot the misery of sitting through this pile of refuse.
As a final note, and to show how little care went into making this film, there is a tiny bit part at the end played by someone with an American accent in a role where the character would be extremely unlikely to have an American accent. It distracts the viewer from the final scene and only serves to put the final nail in the coffin of one of the worst films I've ever seen.
We really liked this thriller. Some people might find the writing and acting a little "arch", but if you realise that the film is clearly a reference to some classics, it works very well. There are clear nods and homages to Hitchcock, such as Rope, Psycho and Vertigo, but the film also has a real Ealing/Gainsborough Studios feel to it that adds another layer of entertainment. A cinephile's gem.
Director/Co-Writer Christopher Presswell has created cat and mouse game in the style of Alfred Hitchcock. It's a drawing room suspense film built around a handful of high quality actors and a malevolent conceit.
The invitees to a small gathering are rocked by an accusation of infidelity, and the ensuing events play out with style. Both the shooting and the soundtrack have a classic clever suspense film feel.
Also, Candlestick deliberately references the idea of board games both with the game played in the movie and the title itself, which hearkens back to Clue, the classic murder mystery game.
I hope Presswell keeps working in the genre, making intelligent suspense films like this.
The invitees to a small gathering are rocked by an accusation of infidelity, and the ensuing events play out with style. Both the shooting and the soundtrack have a classic clever suspense film feel.
Also, Candlestick deliberately references the idea of board games both with the game played in the movie and the title itself, which hearkens back to Clue, the classic murder mystery game.
I hope Presswell keeps working in the genre, making intelligent suspense films like this.
This would have been a half-decent play.
The film mainly takes place in an ugly loft apartment in London, where a man (Andrew Fitch) is some sort of sick manipulator trying to engineer the perfect murder - committed by someone else.
He invites his best friend from childhood (I mean, if you could say this guy is capable of friendship), the man's wife, with whom he is having an affair, and a loquacious relative, "the Major," over for drinks and a game.
It's a very unpleasant evening, and why anyone stayed is beyond me. And it's about to get worse.
There's a twist at the end you could see coming a mile away.
The film mainly takes place in an ugly loft apartment in London, where a man (Andrew Fitch) is some sort of sick manipulator trying to engineer the perfect murder - committed by someone else.
He invites his best friend from childhood (I mean, if you could say this guy is capable of friendship), the man's wife, with whom he is having an affair, and a loquacious relative, "the Major," over for drinks and a game.
It's a very unpleasant evening, and why anyone stayed is beyond me. And it's about to get worse.
There's a twist at the end you could see coming a mile away.
I'll start by saying that I may very well be partial to this films style in general. The trailer sucked me in from the very beginning. It's well shot, well acted and tightly directed. Given the genre they were playing in I was especially fond of the score as well
As i'm sure many will tell you, any Clue (or murder mystery) fans will most definitely enjoy the ride. It's smart and well crafted. I'll be curious to see what other works the filmmakers have on hand or coming up.
Give it a go and see what you think for yourself. I'm sure you'll enjoy it as well.
As i'm sure many will tell you, any Clue (or murder mystery) fans will most definitely enjoy the ride. It's smart and well crafted. I'll be curious to see what other works the filmmakers have on hand or coming up.
Give it a go and see what you think for yourself. I'm sure you'll enjoy it as well.
¿Sabías que…?
- TriviaIn one scene, Major Burns expresses his discontent with the current series of Los asesinatos de Midsomer (1997). The Major is played by Tom Knight, who appeared as Colin Fleming in the 2011 episode, A Sacred Trust.
- ConexionesReferences The Speckled Band (1931)
- Bandas sonorasCareless Love Blues
Performed by Lulu Jackson
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Detalles
- Tiempo de ejecución1 hora 23 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1
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By what name was Candlestick (2014) officially released in India in English?
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