La detective de Los Ángeles Renee Ballard supervisa una nueva división de casos sin resolver en el departamento.La detective de Los Ángeles Renee Ballard supervisa una nueva división de casos sin resolver en el departamento.La detective de Los Ángeles Renee Ballard supervisa una nueva división de casos sin resolver en el departamento.
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I have been waiting for this show to arrive. Almost 2 hours after it's release I went to look up a few cast members, and I see 3 reviews, horribly rated. How did you watch 8 hours of show already? I chalk this up to two things. Misogynists or Bosch lovers who can't let go.
I only know Maggie Q from a failed, very decent sitcom...and Bosch.
Elevator Pitch: It's like "The Sandlot" meets "The Shield" with goodness.
Almost every episode, there is a 'sort' of win, for this rag tag team. Some story lines seem too quick and too wrapped up, but over all, this is quite entertaining. So much better than 3/4 of the American made tripe. Maggie Q is wonderful. The whole, "rag tag" team are fantastic. The "tussles" are great as are the police car barricade scenes. So worth it, Don't pay attention to nay sayers.
I only know Maggie Q from a failed, very decent sitcom...and Bosch.
Elevator Pitch: It's like "The Sandlot" meets "The Shield" with goodness.
Almost every episode, there is a 'sort' of win, for this rag tag team. Some story lines seem too quick and too wrapped up, but over all, this is quite entertaining. So much better than 3/4 of the American made tripe. Maggie Q is wonderful. The whole, "rag tag" team are fantastic. The "tussles" are great as are the police car barricade scenes. So worth it, Don't pay attention to nay sayers.
The project is pitched as a spin-off of the iconic Bosch, and it shows right away: the atmosphere, narrative structure, and visual style are carefully carried over from the original. Everything works in the familiar key - restrained, dark, and refreshingly unflashy.
Casting deserves special mention. In the role of Renée Ballard is Maggie Q - an actress who masterfully combines steely resolve with emotional depth. She's magnetic, compelling, and perfectly at home in the action genre. Her character isn't just a narrative device but the emotional and dramatic core of the story. On a personal note, I've been a fan since Nikita, and she doesn't disappoint here.
Narratively, the show doesn't reinvent the wheel. It's a procedural machine: clashes with the system, cold cases, bureaucratic rot, personal demons - the playbook is well-worn. The clichés are not hidden, but rather presented openly. And that's fine - because what matters is the execution. It's solid, measured, and stylishly done.
Not a masterpiece. But far from a failure. A confident, competent crime drama made with respect for the genre and its legacy. For Bosch fans, it's a must-watch. For everyone else - a decent one-evening binge, as long as you manage your expectations.
Casting deserves special mention. In the role of Renée Ballard is Maggie Q - an actress who masterfully combines steely resolve with emotional depth. She's magnetic, compelling, and perfectly at home in the action genre. Her character isn't just a narrative device but the emotional and dramatic core of the story. On a personal note, I've been a fan since Nikita, and she doesn't disappoint here.
Narratively, the show doesn't reinvent the wheel. It's a procedural machine: clashes with the system, cold cases, bureaucratic rot, personal demons - the playbook is well-worn. The clichés are not hidden, but rather presented openly. And that's fine - because what matters is the execution. It's solid, measured, and stylishly done.
Not a masterpiece. But far from a failure. A confident, competent crime drama made with respect for the genre and its legacy. For Bosch fans, it's a must-watch. For everyone else - a decent one-evening binge, as long as you manage your expectations.
As a longtime Maggie Q fan, I've always felt she hasn't been given nearly enough roles that showcase her full range. Outside of Nikita and the criminally short-lived Stalker, we rarely got to see her dig deep into a role that matched her capabilities. Ballard changes that-and then some.
As Detective Renée Ballard, Maggie Q doesn't just lead the show-she owns it. Her performance is a compelling mix of grit, intelligence, empathy, and quiet resilience. It's the kind of nuanced, powerful work that reminds you just how underutilized she's been until now. This is the role she's long deserved, and she meets it with both power and grace.
Centered around a team of volunteer detectives working the LAPD's Open-Unsolved Unit, Ballard focuses on cold cases-those emotionally charged, high-stakes investigations that don't always come with easy answers. The fact that they're digging into the past makes every win harder-earned and every clue more precious. It raises the emotional stakes and the degree of difficulty.
The storytelling is tight and layered, often weaving together multiple cases per episode. This approach mirrors the chaotic, overlapping nature of real police work and adds to the show's authentic feel. The pacing stays sharp, the stakes stay high, and the suspense rarely lets up.
The ensemble cast is another strength. Each team member brings depth, personality, and a bit of emotional baggage, creating a group dynamic that feels lived-in and real. Their chemistry is effortless; their interactions laced with humor, friction, and genuine camaraderie. You don't just root for them-you care about them.
One particularly thoughtful detail is the inclusion of Ballard's former partner: a retired, gay officer who's happily partnered. His presence is handled with subtlety and respect-never feeling like tokenism, just honest, well-executed representation. It's one of many small touches that reflect the show's integrity.
If you're a fan of The Closer, Ballard will feel like coming home-with fresh energy and a sharper edge. I binged the entire season in one sitting and ended up hungry for more. A lot more. Like Bosch, this show has the foundation to go the distance-and it deserves to.
So, pour a glass of wine, round up your fellow crime procedural junkies, and dive into Ballard. It's smart, gripping, grounded television with real staying power. And once you're hooked (and you will be), join me in manifesting not just a second season-but a long-running Ballard legacy.
Update: After binging the entire season and letting the afterglow settle for a few days, one detail still lingers in my mind: I wish the show had offered a clearer explanation behind the killer's first victim. That particular murder didn't quite match the pattern he developed later-and considering she wasn't alone and he had to kill someone else just to get to her, it feels like a key moment that begged for more context. Like, did he just need a cover for his storage unit? A murder of opportunity that unleashed his inner demons and turned into a series of murders? Exploring that could've provided insight into what actually triggered his descent into serial killing.
To be fair, every other case wrapped up cleanly (cliffhanger aside!), which makes this feel like a missed opportunity rather than a flaw. It doesn't take away from how much I loved the show-at this point, I'm just nitpicking. Still, here's hoping the writers take note for future seasons.
As Detective Renée Ballard, Maggie Q doesn't just lead the show-she owns it. Her performance is a compelling mix of grit, intelligence, empathy, and quiet resilience. It's the kind of nuanced, powerful work that reminds you just how underutilized she's been until now. This is the role she's long deserved, and she meets it with both power and grace.
Centered around a team of volunteer detectives working the LAPD's Open-Unsolved Unit, Ballard focuses on cold cases-those emotionally charged, high-stakes investigations that don't always come with easy answers. The fact that they're digging into the past makes every win harder-earned and every clue more precious. It raises the emotional stakes and the degree of difficulty.
The storytelling is tight and layered, often weaving together multiple cases per episode. This approach mirrors the chaotic, overlapping nature of real police work and adds to the show's authentic feel. The pacing stays sharp, the stakes stay high, and the suspense rarely lets up.
The ensemble cast is another strength. Each team member brings depth, personality, and a bit of emotional baggage, creating a group dynamic that feels lived-in and real. Their chemistry is effortless; their interactions laced with humor, friction, and genuine camaraderie. You don't just root for them-you care about them.
One particularly thoughtful detail is the inclusion of Ballard's former partner: a retired, gay officer who's happily partnered. His presence is handled with subtlety and respect-never feeling like tokenism, just honest, well-executed representation. It's one of many small touches that reflect the show's integrity.
If you're a fan of The Closer, Ballard will feel like coming home-with fresh energy and a sharper edge. I binged the entire season in one sitting and ended up hungry for more. A lot more. Like Bosch, this show has the foundation to go the distance-and it deserves to.
So, pour a glass of wine, round up your fellow crime procedural junkies, and dive into Ballard. It's smart, gripping, grounded television with real staying power. And once you're hooked (and you will be), join me in manifesting not just a second season-but a long-running Ballard legacy.
Update: After binging the entire season and letting the afterglow settle for a few days, one detail still lingers in my mind: I wish the show had offered a clearer explanation behind the killer's first victim. That particular murder didn't quite match the pattern he developed later-and considering she wasn't alone and he had to kill someone else just to get to her, it feels like a key moment that begged for more context. Like, did he just need a cover for his storage unit? A murder of opportunity that unleashed his inner demons and turned into a series of murders? Exploring that could've provided insight into what actually triggered his descent into serial killing.
To be fair, every other case wrapped up cleanly (cliffhanger aside!), which makes this feel like a missed opportunity rather than a flaw. It doesn't take away from how much I loved the show-at this point, I'm just nitpicking. Still, here's hoping the writers take note for future seasons.
I am a huge fan of all the novels of Michael Connelly!!!
In the book "Desert Star" Ballard and Bosch work TOGETHER to solve two main cold cases: the Gallagher family massacre and the murder of Sarah Pearlman. I was so thrilled because I wanted to see them BOTH hunting the killer... Unfortunately in "Ballard" TV series Harry Bosch just apears for a while in some episodes...
"Ballard" TV series lack the emotional depth and complexity of the novels of Michael Connelly...
I miss in "Ballard" the strong visual presence of Los Angeles, that in "Bosch" it was a significant part of its appeal and contributed to its emotional impact...
In the "Ballard" TV series, the character of Ted Rawls is significantly different from his portrayal in the Michael Connelly novels...
Those who haven't read the book may find the series more enjoyable because they lack the pre-conceived expectations and comparisons that readers often bring to adaptations.
In the book "Desert Star" Ballard and Bosch work TOGETHER to solve two main cold cases: the Gallagher family massacre and the murder of Sarah Pearlman. I was so thrilled because I wanted to see them BOTH hunting the killer... Unfortunately in "Ballard" TV series Harry Bosch just apears for a while in some episodes...
"Ballard" TV series lack the emotional depth and complexity of the novels of Michael Connelly...
I miss in "Ballard" the strong visual presence of Los Angeles, that in "Bosch" it was a significant part of its appeal and contributed to its emotional impact...
In the "Ballard" TV series, the character of Ted Rawls is significantly different from his portrayal in the Michael Connelly novels...
Those who haven't read the book may find the series more enjoyable because they lack the pre-conceived expectations and comparisons that readers often bring to adaptations.
Originally I gave this a 5 after the first few episodes but I'm taking one star off because of the dretch I had to sit through to finish the season. Everything everyone else has said is true. The writing is bad and the acting is even worse. I feel like there were at least 3-4 people miscast. Parker is horrible and I hate every scene she's in. The usual basement motley crew of diverse heroes delivering cheesy lines you've heard a million times in CSI and other shows while fulfilling every modern day trope and social justice crusade. Unfortunately it's tone deaf and about a year out of date. I love Bosch and that's the only reason this doesn't get a 1 star. Anybody giving it a 10 should have their internet privileges revoked.
¿Sabías que…?
- TriviaLola the dog is a rescue dog trained for film and television
- ErroresThe Storyline section refers to Pearlman as a congressman, but he is a councilman in the show.
- ConexionesFollows Bosch: El Legado (2022)
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