Una Buena Mentira

This is one of those films that I wish they had made 20 years ago when this project began. I knew about the "lost boys" because I saw something about them on the television show 7th Heaven. It is really a sad state of affairs when you have to find out about the relocation on Sudanese refugees to the United States from a TV show (smh). The story begins with the back story of a group of children that survive a brutal attack on their village by rebel soldiers. The understanding of the back story is essential in order to understand the title of the film. The children spend many years in a refugee camp until one day the group is informed that they will be relocated to America, which is all they have ever wanted. Mamere (Arnold Oceng), Jeremiah (Ger Duang), Paul (Emmanuel Jal) and Abital (Kuoth Wiel) all arrive in the U.S. together only to find out that Abital is going to a different state. A lot of the film centers around trying to get everyone back together. Once the men get settled in, there is a bit of brevity just because there are a lot of things that we take for granted that these folks have no idea what their use is. It also demonstrated how ill-informed Americans were to the culture that these men came from. I do have to say that the Americans that were portrayed in this film all had good hearts (for the most part) and it was refreshing to see a film that showcased that level of generosity. Carrie (Reese Witherspoon) is responsible for finding employment for the lost boys and eventually becomes entangled in their lives and their pursuit to reunite with their sister. I have to say that when this film was over I had a new found respect for anyone who comes to America to escape the horrors of war. The lost boys that came to this country did not have it easy although once they got here they took full advantage of the opportunities that this country offers. I think that much too often we all tend to forget that. There has already been some Oscar buzz around this film; I'm not sure that I agree, but I think that it is a story worth telling (especially for our younger generation). Even if you don't make it to the theater, I urge you to put it on you "must rent" list.

We saw this movie on the spur of the moment while vacationing in Tel Aviv. I was worried it would be a hokey version of "The Blindside," where the focus of the story is on a white woman helping some underprivileged people of color, but instead it was a captivating, beautifully written story that was both authentic and deeply moving. The film skillfully portrays the enormous difficulty facing the Lost Boys of Sudan as they try to adapt to America while absorbing the unbearable trauma of their childhoods. Reese Witherspoon was a delight, and was surprisingly restrained -- the movie was not all about her. The acting was superb, performed by Sudanese who did a remarkably good job. The writers did a great job of not allowing this story to wander off in to mawkishness or sentimentality. There is no attempt to tie it all up in a neat bundle, yet it's ultimately uplifting. It's a great film that I have continually recommended to friends.

This movie is based on true events and plays on the audiences emotions on every level. It tells a tale of brother-sisterhood, love, friendships, and dedication to family. Most importantly, it shows the extremes of humanity...how we as human beings can be so cruel but yet be so kind and caring. And as dramatic a movie as this was, there were several humorous points to ease the tensions of what this movie was really about. Also, just when you're thinking you're watching a movie starring Reese Witherspoon, the accompanying cast of Sudanese refugees steal the show. Great story, great directing, great cast, and great acting all around.

'A Good Lie" was possibly the best movie at TIFF this year.

I literally just got home from the movie right now and this is the very first thing I do. Rate 10 and write this review.

The movie premiered today in my country, Cambodia. And guess how many people had show up??? 1. It was me.... Lol. I honestly sit the entire movie theatre alone. Yes, I am a horror films fan and that creep me out very much. However, this is the very good opportunity for me to enjoy the film alone without those annoying cinema's rat people. I can laugh, cry loudly without worrying nobody. My country's people is not a drama fan... They probably squeezing each other at the comedy's and action's section.

Oh right.... the film is a masterpiece. The storyline and scenery, the cast and everything about the film is just wonderful. It's like one of the most beautiful film I have ever seen since Blackswan. This film should win an Oscar just for its existing. The storyline was beautiful. And the fact that it is real made me cry even more. At the beginning of the film it was so so touching and sad, and then it made me laugh somewhere in the middle, and it ended with me crying like a baby alone in the theatre. Like literally. The cast performance is wonderful. They should probably need to win some awards or i'll hate everyone.

The film ended, and I walk out alone from the entire theatre, with red eyes, tear all over my face and every single cinema's employees stare at me like what wrong with this guy LOL. And I drove home thinking about the movie and cry some more. And yes, just like after Blackswan, it took me at least a few hours for me to recover from the film's effects.

The Good Lie, it's a great movie about humanity and values. It's not a documentary about the civil war in Sudan. The trailer is very misguiding, letting the viewer thinking of a cliché' comedy which is not. Nor it's an informative guide about the who and why of a civil war. What I've found interesting, listening to the Q&A at the Tiff, is that the writer took ten years to build this story mixing the life real event of few Sudanese refugees. During the first part of the movie, I was expecting more blood, more extreme violence. But then, the more the movie was going, the more I understood that skipping graphic brutality was a choice, and the whole product was becoming more poetic at moments without losing that neorealism characteristic of Philippe Falardeau's work. At times, I felt like when I was watching for the first time Benigni's "Life is Beautiful" or the work of a modern De Sica. Acting wise, Whiterspoon's work is great in this movie, realistic and never overwhelming and so Corey Stoll does a great job.

But I was greatly pleased with the excellent performance of Arnold Oceng, all the Sudanese actors in the movie, all former refugees, and the stunning newbie Kuoth Wiel.

Overall, I'd suggest to bring your preteens to watch this movie: it would set an example on how family and value should never be forgotten no matter how hard life gets.

Thank you.