Joan Baez: I Am a Noise

Joan Baez has spent over six decades as one of the major figures in music, first coming to prominence as part of the folk revival, and writing a number of protest songs over the years. It was inevitable that Baez would get a documentary. "Joan Baez: I Am a Noise" chronicles her music career and her activism, as well as something that most people probably didn't know about: possible sexual assault during her childhood.

I don't know if I would call this the greatest documentary ever, but it was an eye-opening experience to learn so much about a woman whom we mainly know for her songs. I would've liked to see a clip of her performance at Woodstock.

Overall, I liked what the documentary had to say about this icon. I recommend it.

An honest and thought-provoking documentary about a woman with an incredible life. The tender honesty displayed throughout the film shows the difficulties of a young woman who became famous at too young an age and the later self-reflection and examination that helped her to begin healing.

We all should be so lucky to have our lives chronicled with such tenderness and wisdom and brilliance. This is an Oscar-worthy film and should definitely be nominated for best documentary. My husband and I are still talking about it all day today.

Her family issues. The fame that probably brought her stress and trauma. Her activism. Joan Baez is an icon and an inspiration.

Even at the age of 79, she has "promises to keep in miles to go before she sleeps."

Joan Baez I am a Noise was enthusiastically received at its North American Premiere at the SXSW Film Festival. The film appears to start out as a tour film of Baez last tour in 2018 at age 78. But it really becomes and incredibly honest and intimate behind-the-scenes examination of her life as well as her music. She shares intimate details of her relationship with Bob Dylan and her husband David Harris. But really the focus in more on her and her struggles with depression and anxiety - subjects that are often hidden from public view. There was clearly a lot of darkness behind her beautiful voice. Some of the parts of the film related to the dysfunction in her family are deeply disturbing. The film also journeys through the connections between her music and her political activism.

The showing was greatly enhanced by Baez's presence at the end of the premiere in which she was enthusiastically welcomed. Clearly, she is a transcendent figure whose music has influenced generations. The film is a powerful record of her life. I also hope that it will give those suffering from mental illness more space to speak about their struggles. Highly recommended for fans as well as those who don't know much about her.

Another reviewer discusses this under "TMI", and I'm not sure other reviewers understand the issue, unfortunately I know far too many who do. To put a topical spin on this, I'm going to mention the "Satanic Panic" referenced in the last "Stranger Things" series. The panic that Dungeons and Dragons was introducing children to witchcraft and Satanic ritual was only the start. There was another converging phenomenon, of therapists recovering memories of their patients' childhood under hypnosis. It would start with sexual abuse, but there were also several extreme cases where therapists continued hypnosis sessions until the patients started remembering being part of Satanic rituals as children, where other children were sacrificed in Black Masses. This became part of several lawsuits and unfortunately not all the parents were declared innocent right away. There was several years of recovering their reputations as well as having sentences overturned. However sad, there were also many cases that did not rise to such extremes. These were later categorized under "False Memory Syndrome". The therapists were very motivated to find reasons for patients adult dysfunctions in childhood, the patients eager to please therapists and have them solve all their psychological problems. The two motives converge and patients start vaguely remembering abuse, even without hypnotism these false memories can bubble up. And, of course, the patient is alienated from parents, and has to turn to their therapist, and the mental health system generally as kind of "substitute parents". The power rush for the therapist is intense, the patient turns to them for replacing the parent figures who have problably been with them their whole life. This is a serious problem, that continues to go on, in a country that has a generally substandard mental health care system, with many substandard therapists and inadequate therapist education. Does Joan have one of these therapists? Is she being misled about her parents? There's no way of knowing from this documentary, or probably any documentary. Is it a real problem that under-recognized? Absolutely. Tragically.

Greetings again from the darkness. The often-barefooted Joan Baez absolutely built a legacy of activism and social consciousness through the civil rights movement, Vietnam protests, prison reform, environmental issues, and other causes, making her easy to admire. Her music made her rich and famous, and has left a mark and influenced many others This documentary was initially intended to cover her farewell tour in 2018 at age 78, and while it is structured around that tour, the three co-directors, Miri Navasky, Maeve O'Boyle, and Karen O'Connor, have ended up with an intimate look that covers more of Joan Baez the person, than Joan Baez the talented singer.

The film opens with a clip of a very young Joan performing. This is fitting because at age 18 she became an overnight sensation thanks to the Newport Festival and the cover of Time Magazine. Ms. Baez provides a great deal of personal insight for the film, and speaks to her three lives: a public life, a private life, and a secret life. The public life is Joan Baez the singer and activist. The private life is Joan's relationship with her sisters, Pauline and Mimi, and her secrets - too many of which are shared here - involve the therapy she has been involved with since she was 16 years old.

By 'too much', I am referring to the prolonged and detailed discussions about her mental illness, depression, and therapy sessions. In fact, the final product here feels like a therapy session for Joan. It's one thing to share the struggles in hopes that you can inspire others to get the help they need, but this one goes a step too far. Joan discusses the childhood abuse she and her sister "may" have suffered at the hands of her father. Mind you, she doesn't remember anything specific, but her therapist has made this scenario likely, so it has become a reality for Joan. While I fully support therapy, the idea of putting this on the table during this documentary is inexcusable to me.

Other segments are more befitting of the platform as Joan admits she was a bit lost after Vietnam because she no longer had a cause to support. Of course, the next few decades provided many opportunities for her, but the 'need a cause' comments provide insight into her persona ... as does the notebook she wrote at age 13 entitled, "What I Believe" ...an early indication that her observation skills were special. Hearing her speak of how Bob Dylan broke her heart is fascinating, especially as we note the painted portrait of him hanging over her piano - and the fact that she speaks of him frequently. She did meet her husband, journalist David Harris, while both were in jail, which has made for a fun story over the years, and we learn that their son Gabriel accompanied her on the final tour.

Somehow the filmmakers never mention Joan's performance at Woodstock, but we do get a clip of her presence at Martin Luther King's "Freedom" speech, and learn she was heavy into quaaludes for eight years. She discusses how being of half-Mexican descent impacted her life, and she's credited with leading the Peace Movement. The only issue with any of this is how deeply the film dives inside her head. Bringing her depression and mental struggles to the forefront is a valuable service, but dragging a deceased parent into this affects how we view Joan Baez and the film. Fare thee well, Joan. Fare thee well.

Opens in NYC theaters on October 6, 2023, and then other markets on October 13.