First Shift

This was a really generic cop drama that is almost a ridiculous stereotype of the genre. Eastwood did the exact same movie over and over in the Dirty Harry franchise. But worse, its obviously a pilot for a tv series that no one bought.

Uwe Boll has always been a hack, but this seems more like a director for hire tv movie right out of the 70s.

All that said, I liked the cast. I hope this earns them some more roles. It wasnt their fault the story wandered all over the place, and really had no plot or direction. The ending leaves you looking for the next episode. Its not a bad watch, and I dont feel like I wasted 90 minutes, but it just isnt original at all.

Uwe Bolle the writer, director and producer of this filmed watched too many bad New York City cop films, before he wrote this one. This film is full of cliches and cliched characters. I'm always leery of films where the writer, producer and director are the same person, I'm more leery when they're also the star.

The first incident that they attend, a guy with a clever has been cutting himself but he stops bleeding and the only blood is on the clever. Where is the continuity, the guy should have blood dripping from him.

The dialog is inane. Angela has diarrhea of the mouth, I'd want to get away from her too. The acting is low budget. I gave up, there are much better films I'd rather watch.

In a departure from high-profile blockbusters, this film presents a refreshingly grounded narrative that captivates through its sincerity and charm. The story centers on a seasoned New York detective who, despite his initial reluctance, is paired with a dynamic female officer recently transferred from Atlanta. This classic setup-where a grizzled veteran must adapt to a new partner-forms the backbone of the film's engaging plot.

While the storyline unfolds within the familiar confines of a New York detective thriller, it distinguishes itself through its focus on character development and realistic, heartfelt interactions. The film skillfully delves into the personal backgrounds of its characters, adding depth to their motivations and relationships. Although the antagonists may adhere to certain genre conventions and lack complexity, they serve their role effectively within the narrative.

Overall, the film succeeds in delivering an entertaining and emotionally resonant experience, despite its adherence to genre tropes. Its strength lies in its authentic portrayal of human connections and the understated charm of its characters, making it a worthwhile watch for those who appreciate a more nuanced approach to the detective genre.

Movie #6 in me watching every Uwe Boll movie at least once for a video essay. I took a small break since the last movie I watched and decided for my first one back I'll watch what literally JUST released, especially since the crowdfunding for the POSTAL 2 movie just went up. I do wish I could've seen it in theaters just for personal satisfaction, but I rented it on Amazon and will buy the Blu-Ray in the future.

Probably one of the more serviceable films I've watched recently. It's certainly not unwatchable, but there's some acting that just seems goofy, the whole movie feels weirdly disconnected though and it doesn't feel like some scenes really make any impact. Both main characters are genuinely insufferable for the first 2/3rds of this movie and then they suddenly start to get along. It does have some surprising emotional moments that Work. Generally I wouldn't recommend to watch it unless you're an Uwe Boll fan like me. There's a stinger for a part two eventually which I mean, sure? I'd watch it I guess.

It's a trifecta... poorly written, poorly acted and poorly directed. A possible career ender for all involved. From its nonsensical plot to the painfully wooden performances, this movie is a masterclass in cinematic mediocrity, leaving viewers with a profound sense of wasted time and a yearning for something, anything, to engage with on screen.

The narrative, if you can call it that, is a jumbled mess of poorly connected subplots that seem to have been thrown together haphazardly. Characters are introduced with no apparent purpose, their motivations unclear, and their arcs abruptly truncated without any satisfying resolution. The story attempts to tackle themes of love, loss, and redemption, but falls flat at every turn, leaving the audience bewildered and questioning if they missed some crucial piece of the puzzle that never actually existed.