The Escape Artist

This BBC mini-series was short on credibility but pretty long on tension and suspense, helped by convincing acting and pacey direction. David Tennent, who appears to be everywhere on TV at the moment, is a hot-shot young city barrister who gets a sadistic murderer off on a technicality, but who by snubbing him after the trial wreaks a terrible fate for his family. Although an eye-witness to the horrific crime perpetrated on his wife in their holiday cottage, Tennent finds himself the biter-bit as the perpetrator turns to his chief rival in the "Young Lawyer of The Year" stakes, Sophie Okinedo, who also appears to be everywhere on TV at the moment, as his defence solicitor, her character's detachment and ambition now ironically reflecting Tennent's own character earlier.

Like I said, the plot was unbelievable but once you cottoned onto this and surrendered to it as a sort of UK-based John Grisham entertainment, it was an engaging enough production. The acting helped to paper over the plot holes, Tennent as the high-flier brought to earth with a crash, Toby Kebbell as the clinical but devious psychopath Liam Foyle and Okinedo as Tennent's young legal rival, her ambition clouding her judgement in taking on the case of such a brutal killer.

Spread over three nights you could see the padding and as I indicated earlier the sensationalist story-line probably belonged more in a Stateside rather than London-based setting, over the top final confrontation and all.

I personally prefer my thriller dramas when they're a bit more grounded in reality but as escapist nonsense I suppose it just about justified three hours of my time.

Well, we love David Tennant (late of his Phileas Fogg presentation on PBS & Dr. Who, in the past). So, when this 2013 entry popped up on PBS-Prime, we jumped at the chance. Tennant plays an emerging Brit Solicitor (defence attorney) who is undefeated. Hence, he is given a case involving a nasty young man who (allegedly) ritualistically murdered a young female.

Tennant is happily married, with an adolescent son of his own in this 3-part story. He has misgivings about the case, but finds a way to get a result. Sadly, soon, things begin to go wrong. No spoilers here, but in part 3, Tennant is forced to take drastic action to protect himself & son. The outcome was nothing like one might expect, and, really incongruent to the story we started with.

I often find Brit mystery shows will deliberately omit details or fabricate plot holes to make the story work. Most of these are forgivable, but, in this story, it almost seems the writers had an axe to grind with the courts allowing dodgy defence tactics to win acquittals. I enjoyed the first 2 episodes, but the closing was WAY out of left field. No problem with the performances, mind you-but I would like to have a long chat with the writer.

7/10.

Suspenseful, dark and frankly more than a bit creepy in paces. David Tennant is excellent in this. The (brilliantly cast) adversary is uncomfortable to watch,. If you took the facial features of Tim Curry, Stephen Mangan and Steve-o and removed the menacing parts from each and smooshed them all together, you would get an oddly attractive bad guy. This is him.

As others have pointed out, there are irritating problems with logic throughout the story. But I found the show clearly worth viewing - because the dialog was great, the premise was a good one, the acting and directing were outstanding, I cared about the characters, and the ending was satisfying.

The writing of a screenplay has a number of important components, and not every good writer is a master of all. David Wolstencroft was the author, and his dialog is very good, his character development excellent, the basic scenario good, his plot creativity good, his resolution of the story rather brilliant. His one fault, as I see it - and it's a big one for me - is believability. In order to advance his story, he resorts to plot twists that defy logic, and characters who act stupidly and have emotions that don't fit - and he does it over and over. A serious failing. I've often thought that every screenplay that wants to be considered as serious art should go through a logic evaluation process before screening.

Still, it was a riveting series, and I couldn't wait to see how it would turn out. I worried about some of the characters, the villain was memorable, and I loved the ending; it was so clever that a little implausibility there didn't ruin it for me.

You might love or hate this piece, however one thing is absolutely sure: David Tennant has given us some brilliant acting in this show, and even if it is for that only it deserves 10/10.