The Retrieval

1864. The civil war between North and South is intense and nearing its end. Will (Ashton Sanders) and Marcus (Keston John) try to earn some money during their miserable existence as a slave and serve as bait for the bounty hunter Burell (Bill Oberst Jr.). By using their directions, Burell captures escaped slaves and they receive a small portion of the premium. Strange but true. I didn't know oppressed slaves were misused like this. Their survival instinct drives them to do such insidious practices and thus betray their own fellow-sufferers. They seek the company of those white bounty hunters, so they are safe for other white men. A contradictory situation. On the one hand there's this sense of security. But then they are still under the rule of ruthless bounty hunters, who have no human feeling whatsoever for black people who they see as inferior.

Will's life basically revolves solely around treason. Treachery towards his own people and treachery also towards himself. Deep down he feels resentment and remorse about the fact that he's forced to chase poor women and children into the hands of these bounty hunters. The ultimate task Burell asks them to do, is a search for the runaway slave Nate (Tishuan Scott) who buries fallen soldiers in the north. The reward probably will be sufficient enough to buy back their freedom. They just need to convince Nate to return with them. To accomplish that they use the excuse of a dying brother who wants to see Nate one more time.

The feeling of guilt that's bothering Will, grows even stronger because of the bond of trust that grows in between him and Nate. The lack of a father figure in his young life begins to weigh and Will starts to look up at Nate. When both of them save each other's lives during the trip, Will's resistance against the original plan begins to rise. He's forced to take a well-defined hard decision.

"The Retrieval" is, just like the movie "Django Unchained", an attempt to show the life of an African-American from a completely different angle. Django was a free Afro-American. An individual who had the same rights as his white oppressor. In the eyes of these white masters this was unacceptable and hard to accept. Here, African Americans are forced to commit terrible acts. And they committed these acts merely to safeguard their own lives in these tragic and disgraceful times. Unfortunately, there is an oversupply of genres in this film. It's a war movie (with brief excerpts from the battlefield), a drama about slavery, a kind of road movie and finally a coming of age story. All these genres together make that the movie can go in any direction.

The interaction between Will and Nate is the most interesting portion of the film. A masterly combination of poignant conversations. Maybe this unvarnished version without stunning backgrounds and colorful images shows a more realistic view than the bigger Hollywood productions. The barren winter landscape with its gray, pale colors underline the human sorrow and melancholy tone of the story. Perhaps the pace is a bit too slow, but this is compensated by the dynamic between the taciturn old slave and the with doubts haunted young boy. Perhaps "The Retrieval" is technically inferior compared to "12 Years a Slave", but content wise it's maybe stronger.

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Don't care for movies about slavery? Feel that there is nothing new or profound left to be discerned from such a well beaten premise? Would you rather not be blatantly reminded of the horrors of the civil war period of history? Well, dear movie viewer, let me allay your fears and reassure you that there is no need for hesitance in regards to watching this wonderful film. Is there killing in this movie? Yes. However, this is not done so as to pander to the audience. This is not violence for violence's sake. Nor did I get the sense that the intent was to dredge up feelings of guilt in it's viewers. This film is unique in the sense that it is the only movie about slavery which is not centered on the depiction of travesties but is instead a morality play about universal themes such as love, longing, regret, hope, kindness, selfishness, doubt and resolve. The casting is top notch as all the characters, from the young lead to the smallest cameo's, are utterly believable. Period detail and cinematography are also exceptional. There have been many films on this subject and in my opinion The Retrieval stands shoulder to shoulder with classics like Glory and Ride with the Devil. A must see.

This film is magnificent, it's on par with a studio film as far as the technical aspects. It's lit flawlessly, it's shot beautifully and the score is powerful. The wardrobe, props, hair and make up are all on point. It really brings you back to the civil war period. Now to the story, although intense, this is not an action film. What I mean by that is you have to be patient and let the story unfold and you will absolutely be rewarded. It's raw and dirty in a great way and it will pull at your emotions. The characters are fleshed out brilliantly, the writing is stellar all the way through. Now to the highlight of this film, the cast. I'm very familiar with Bill Oberst Jr. and I was once again pleased with what I saw. There is a certain genuine rawness to his performance and his turn in this film was no different. The entire cast is simply brilliant! I look forward to checking out what they do next. Under the guidance of writer/director Chris Eska, this journey cannot help but suck you in. Eska is someone definitely worth following. Bravo to the producers, keep your bar high.

A young boy struggles with adult dilemma when he is put in a situation where he must choose between his survival and that of a stranger. He comes from and emotionally and physically barren world, treated like chattel, unloved. He accepts his lot because he sees no future for himself. While sent off by a bounty hunter to bring back a gullible freed slave, his sense of morality and kindness is stirred. Will the touch of human kindness by this stranger bring him redemption? No spoilers.

I am surprised that this film has not received a wider audience. I picked it up on line.

It's 1864. Burrell is the harsh leader of a gang of bounty hunters tracking down runaway slaves. Will is a 13-year-old negro who is used as bait and spy to uncover the underground railroad. He relies on his uncle Marcus who is Burrell's slave. Burrell is looking for Nate who is digging graves for the Federals near Petersburg. Marcus and Will set off across the lines and trick Nate by telling him that his brother is dying. He agrees reluctantly to join them back across the lines but he doesn't really trust the two strangers.

This starts with a compelling, murky, complicated relationship between Burrell, Marcus and Will. I would have loved to stay with the three of them together. The road trip offers some interesting complications of its own. However, it's not as great as the opening fifteen minutes. Nevertheless, it's an unusual compelling journey.