Jug Face

While it clearly suffers from a low budget, this movie works harder and is more interesting than most of the product that comes out of Hollywood these days.

You will enjoy the twist and turns in the plot. The writers obviously put more effort into the storyline than their big-budget counterparts in the film industry.

The lead actress is impressive as a victim of circumstance who yearns to break free of her world.

It's an intimate look into a slimy dirty mini-society... decent acting, believable dialog and passable set design. Give these folks some real funding and I bet they hit a home run.

Ada is a young girl who lives with her backwoods hillbilly moonshinin' clan. A close knit community, they all share a rather arcane religion. Every so often, The Potter makes a ceramic jug adorned by a face. Every face that appears on the jug is a member of the clan and any face that appears must be sacrificed for the good of the community. Sacrificed to The Pit, which lies in the woods. Because The Pit wants what it wants and The Pit must be sated as this is how it's always been. If The Pit doesn't get what it wants then whatever dwells within it gets angry. And when The Pit gets angry, the community will be punished.

One day, while exploring The Potter's shed, Ada finds the latest jug face. It's her own...

Will she allow herself to be sacrificed, for the good of the clan? or will she set in motion a plan to spare her own life?

Jug Face is a straightforward but pleasantly offbeat horror that puts an interesting and unusual spin on the hillbilly horror/hicksploitation sub genre, with a nice turn by Larry Fessenden as the clan leader and a surprisingly great turn from Sean Young as the overbearing matriarch.

Executively produced by Lucky Mckee and with FX by Robert Kurtzman, it's a satisfying and solid horror that's well worth checking out overall, for fans looking for something just a little bit different.

7/10, decent little film and recommended.

Ada is a sexually active girl in a religious community that lives in the forest making human sacrifice to their god, The Pit. The Pit possesses a chosen member of the community, making a jug with a face molded into it. The person who's face is on the jug is the person they must sacrifice. The Pit wants what it wants. When Ada finds her face on the new jug, she hides it as she suspects she may be pregnant.

This is a great, original new dramatic horror story with some excellent performances. Lauren Ashley Carter gives us reason to like a girl, who if given a different perspective of, most of us would judge harshly and look down upon as she's pregnant with her brother's child. Both her father and mother, played by Larry Fessenden and Sean Young, are played perfectly. However it's Sean Bridgers as Dawai, the jug-maker, who steals the show with his character.

Jug Face is written and directed by Chad Crawford Kinkle. As good of a writer he may show promise to be, what holds Jug Face back from being a great film is that it is poorly paced. Enough time isn't spent on building suspense, adding tension, exploring the horror of all that is going on. We wish the film was longer so we could have spent more time getting to know the characters so that we care whether or not they are going to die. Whether this is a lack of talent or experience as a director is uncertain, what is certain is that the performances and the story make up for this. It's through Sean Bridgers and Lauren Ashley Carter that we come to care for their characters. Sean Young plays one of the most frightening mothers put to screen since Carrie and is more dreadful than The Pit.

Overall, Jug Face will be a twisted, original treat for fans of indie horror.

Solid acting, a quite original concept, and a well woven tapestry of a... shall we say, alternative culture, make this into quite a strong movie. I found myself invested in the main character enough to care about the outcome, and intrigued enough in the "elder power" around which the community revolves to want to know more about it. I will say it is not a conventional horror movie, so those who hope to get jump scares and loads of blood are better off looking elsewhere, but if you want a thoughtful little film that still has an element of supernatural, this might be a good one for you. Definitely worth watching, and all the better considering what an expanse of recent garbage this little gem shines out on.

Addendum: I saw some criticisms of this movie and they mostly seemed to center around the idea that it left too many questions unanswered, that it didn't have enough of a story, or that it didn't wrap up to a particular viewers satisfaction. I could not disagree more. The premise is that there is an entity whose older than man whose thinking is unfathomable. To answer the nature of such a creature in your narrative would destroy that property of it... wouldn't it? Personally, I like the unfathomable aspect of it. I like wondering about it but never being given an answer. As to the ending and the lack of a story, without giving anything away, well, a group such as this would have developed a kind of relationship with the entity which would have become very entrenched over time. This tale is a slice of time... not a closed end, and I think the ending we are presented with is the perfect one for the, shall we say, nature of the beast. It is precisely these kinds of things that make the story a bit more innovative and not just another Hollywood style tale designed to satisfy the person who prefers things to be more predigested.

A weird thing here. At first dark, textured about hillbilly life, promising some novelty. The handpainted credits bespeak of more personal work, that this comes to us from people who wanted to be creative and not some Hollywood office.

A girl in a repressive backwoods village becomes pregnant just as her parents have arranged marriage and then a mysterious force in the woods (centered in a pit that the people venerate) that seemingly can divine these things, demands blood sacrifice in return for healing and grants visions.

All the tension and strangeness in us being called to parse these wrathful metaphysics through the eyes of people that genuinely believe in them and allow them to dictate life while independent of them having to juggle the possibility that it's all a backwards hallucination, possibly invented: that the imbecile potter merely sculpts faces from a stupor or thin air but does that make the hold of evil less real?

It's clear that they only had a small sketch of the idea as they set to work, interesting at first but goes nowhere, never deeper than something in the earth has to be appeased and the madness of being unable to fathom order; it's still more textured than all the Texas Chainsaw clones, more unusual, but it just smears around with the mythology it creates. A complete loss by the end. Sad.