CALIFICACIÓN DE IMDb
5.0/10
30 k
TU CALIFICACIÓN
El joven Leatherface escapa de un hospital psiquiátrico con otros tres reclusos y secuestra a una enfermera a la que llevará a un viaje por carretera de pesadilla mientras un policía trastor... Leer todoEl joven Leatherface escapa de un hospital psiquiátrico con otros tres reclusos y secuestra a una enfermera a la que llevará a un viaje por carretera de pesadilla mientras un policía trastornado lo persigue.El joven Leatherface escapa de un hospital psiquiátrico con otros tres reclusos y secuestra a una enfermera a la que llevará a un viaje por carretera de pesadilla mientras un policía trastornado lo persigue.
- Dirección
- Guionistas
- Elenco
Dejan Angelov
- Nubbins
- (as Deyan Angelov)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
I've seen complaints that this film contributes very little to the origins of Leatherface, which is true. However if you go into this without that expectation you have a very solid slasher flick, which is surprisingly well shot might I add. A fun movie intended for lovers of the genre.
When the directors of 2007's gore-spectacle 'Inside' (Alexandre Bustillo & Julien Maury) took over the reins of a supposed prequel to 1974's Tobe Hooper classic 'The Texas Chainsaw Massacre', expectations had indeed sky-rocketed. But what we get isn't even worthy of being called a tribute to the TCM franchise, let alone be regarded as its worthy canon prequel.
The screenplay offers very little in terms of the surprises it throws at the viewers (and TCM fans), thereby ending up strictly ho-hum. We see a bunch of eccentrics creating a riot at a mental health facility and escaping, with tidbits of the Sawyer family thrown in to engage the viewer. In fact, the makers are trying to sell this movie around the mystery of which character amongst the the leads ultimately evolves into 'Leatherface'. Well, much to our dismay, even this stretch appears annoyingly contrived (and to be honest, the poster kinda spoils it already!).
What we're subjected to for most part, is literally a lunatic couple shotgun-killing their way to notoriety on their supposed escape (even the big chainsaw-kill comes in too late) with a helpless nurse named Lizzy (Vanessa Grasse) who has unnecessarily been dragged along with them while also being accompanied by a duo of brothers (the somewhat compassionate Jackson and the bulky Bud). Lizzy is the character we're supposed to root for, but sadly this does not work. We know as little about her as we know about the rest of the zany troupe.
The directors who're known to stage horrifically-exciting set- pieces, resort to cheap tricks here (like a partial necro scene) in order to augment the shock-value. The shot of a woman's derriere walking into a barn surrounded by badlands (during one of the opening segments, clearly reminding us of previous TCM films including the Michael Bay funded remake) had just about raised my hopes a teeny weeny bit before everything came crashing down.
With no real thunderbolts in store for fans or non-fans, this prequel falls head first into a pit of quick-sand, the real difference-maker in the story being the weapons (shotguns, knives) that the characters possess and not their personalities. You're bound to forget this movie as soon as the credits roll.
Verdict: Terrible!
The screenplay offers very little in terms of the surprises it throws at the viewers (and TCM fans), thereby ending up strictly ho-hum. We see a bunch of eccentrics creating a riot at a mental health facility and escaping, with tidbits of the Sawyer family thrown in to engage the viewer. In fact, the makers are trying to sell this movie around the mystery of which character amongst the the leads ultimately evolves into 'Leatherface'. Well, much to our dismay, even this stretch appears annoyingly contrived (and to be honest, the poster kinda spoils it already!).
What we're subjected to for most part, is literally a lunatic couple shotgun-killing their way to notoriety on their supposed escape (even the big chainsaw-kill comes in too late) with a helpless nurse named Lizzy (Vanessa Grasse) who has unnecessarily been dragged along with them while also being accompanied by a duo of brothers (the somewhat compassionate Jackson and the bulky Bud). Lizzy is the character we're supposed to root for, but sadly this does not work. We know as little about her as we know about the rest of the zany troupe.
The directors who're known to stage horrifically-exciting set- pieces, resort to cheap tricks here (like a partial necro scene) in order to augment the shock-value. The shot of a woman's derriere walking into a barn surrounded by badlands (during one of the opening segments, clearly reminding us of previous TCM films including the Michael Bay funded remake) had just about raised my hopes a teeny weeny bit before everything came crashing down.
With no real thunderbolts in store for fans or non-fans, this prequel falls head first into a pit of quick-sand, the real difference-maker in the story being the weapons (shotguns, knives) that the characters possess and not their personalities. You're bound to forget this movie as soon as the credits roll.
Verdict: Terrible!
The only good thing about this movie is that it is exceptionally fast paced. The many bad things include
And a chainsaw is seldom seen. Snore.
- Zero subtlety
- Generic and by the numbers story
- terrible acting
- no actual scares
- not much of a point overall.
And a chainsaw is seldom seen. Snore.
Prequel to the legendary Texas Chainsaw Massacre, this is as much a violent road movie as it is a horror. I heard many negative things about the film beforehand but as always I watched it with an open mind. On the negative side I found this film to be somewhat unconvincing and unnecessary. Obviously it was made to make money but it really does not add anything worthy to the TCM series. On the plus side it was technically pretty good, having seen a few of the director' previous films it lived up to expectations. Acting and pace is good plus there is a lot of blood & violence to satisfy most gorehounds. I would certainly watch it again.
As a child, Jed Sawyer is taken from his murderous hillbilly family and put in the Gorman House Youth Reformatory, where he spends the next ten years with a new identity. When the prisoners revolt, a small group make a bid for freedom with pretty nurse Lizzy (Vanessa Grasse) and fellow inmate Jackson as their hostages.
Tobe Hooper's original The Texas Chain Saw Massacre ranks as one of the scariest films ever made, its iconic killer Leatherface its most frightening creation. With this latest film in the series, they've gone and done what Rob Zombie did with his godawful Halloween remake: give the killer a back story. In humanising the character, they have lessened his effectiveness as an object of fear. Once an emotionless, uncontrollable monster, impossible to reason with, he is now someone we can identify with and feel a level of pity for. It didn't work for Michael Myers and it doesn't work here.
The origins story-line also makes much of the film seem frustratingly unlike a Texas Chainsaw movie, at times even reminding me of a Tarantino flick (the escape from Gorman House made me think of Natural Born Killers while the BBQ stop massacre was redolent of both NBK and Pulp Fiction). Only in the film's closing moments do things actually feel like they belong to the franchise, with Lizzy trying to escape the Sawyer's charnel house, a chainsaw wielding Jed (soon to become Leatherface) hot on her heels. Directors Alexandre Bustillo and Julien Maury don't hold back on the brutality and blood, but even so, I can imagine many fans of the series being disappointed with the level of splatter (too much for some, not enough for others).
5.5 out of 10, rounded down to 5 for that really dumb scene in which three people (including one really fat guy) hide from the law by climbing inside the festering carcass of a steer. A really big steer. Also, minus half a point for the unbelievable necro sex scene. And another half point subtracted for Jed's sudden (and also completely unbelievable) transformation from rational human being to hulking homicidal maniac.
Tobe Hooper's original The Texas Chain Saw Massacre ranks as one of the scariest films ever made, its iconic killer Leatherface its most frightening creation. With this latest film in the series, they've gone and done what Rob Zombie did with his godawful Halloween remake: give the killer a back story. In humanising the character, they have lessened his effectiveness as an object of fear. Once an emotionless, uncontrollable monster, impossible to reason with, he is now someone we can identify with and feel a level of pity for. It didn't work for Michael Myers and it doesn't work here.
The origins story-line also makes much of the film seem frustratingly unlike a Texas Chainsaw movie, at times even reminding me of a Tarantino flick (the escape from Gorman House made me think of Natural Born Killers while the BBQ stop massacre was redolent of both NBK and Pulp Fiction). Only in the film's closing moments do things actually feel like they belong to the franchise, with Lizzy trying to escape the Sawyer's charnel house, a chainsaw wielding Jed (soon to become Leatherface) hot on her heels. Directors Alexandre Bustillo and Julien Maury don't hold back on the brutality and blood, but even so, I can imagine many fans of the series being disappointed with the level of splatter (too much for some, not enough for others).
5.5 out of 10, rounded down to 5 for that really dumb scene in which three people (including one really fat guy) hide from the law by climbing inside the festering carcass of a steer. A really big steer. Also, minus half a point for the unbelievable necro sex scene. And another half point subtracted for Jed's sudden (and also completely unbelievable) transformation from rational human being to hulking homicidal maniac.
¿Sabías que…?
- TriviaThe Sawyer House seen in the 1974 original film was rebuilt for the filming of "Leatherface".
- ErroresThe credits incorrectly list one of the songs as " 'It's Over' Performed by Patti Ma Salle." The artist's name is not "Patti Ma Salle"; it is "Patti La Salle."
- Citas
Hal Hartman: You take one of mine, and I'll take all yours, Verna. All of 'em.
- Versiones alternativasThe German version was cut for violence by 3 minutes to secure the FSK-18 rating. Uncut version has later been released with SPIO/JK approval.
- ConexionesFeatured in The Kill Count: Leatherface (2017) Kill Count (2019)
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- How long is Leatherface?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Sitios oficiales
- Idioma
- También se conoce como
- Leatherface
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Total a nivel mundial
- USD 1,476,843
- Tiempo de ejecución
- 1h 30min(90 min)
- Color
- Relación de aspecto
- 2.35 : 1
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