Corazón gigante

Glaciers of Iceland melt with warmth of Icelandic cinema. Virgin Mountain is distant but full of love, steady like a paint of cold colors but earnest and sincere same as Fusi who is naming movie. Embracing Fusi is a complicated state for audiences. It is so easy to love and to be one with him but he reminds us people who are same as him around us and who are ignored by us. It gives an amount of heartache scaled with moral compass of every individual viewer. Besides it, the empathy we feel for him gives us a hope to be better person.

Fusi may be the most naive man in the world. He has not evil inside and everything is so simple for him even sometimes he can't see the consequences of his actions. He doesn't get mad against people who are unfair to him, he even doesn't know what revenge is. Everything he knows is helping other and acting for the common good. But beyond of his fragile look, he keeps a solid persona as same as his size. He is like a virgin nature which welcomes the torrid heat of sun and the fruitful spaciousness of rain with same excitement. After all a smile on his face is a relief in our souls.

Virgin Mountain promises a good time for watching even though relatively dark and slow shootings. Good balance with dram and comedy keep viewer's eyes open and modest acting of Gunnar Jónsson makes movie reliable and striker. This festival movie reflects the real soul of Icelandic cinema in a very successful way.

Looking at the plot synopsis, 'Virgin Mountain' may seem like a typical Kevin James movie: Fusi is a 43 year old, overweight virgin who still lives with his mother, plays with toys and is bullied by his co-workers. His daily life is dominated by routines. Every morning he eats cereals, goes to work, visits his favorite restaurant and calls a radio station to wish for the same song to be played. It is after he breaks his routines that he meets the women he falls in love with.

The big difference to movies like 'Paul Blart: Mall Cop' or 'Zookeeper', is that the humor does not result in 'fat guy falls' or 'fat guy has the intellect of a 12 year old', but rather of Fusis naivety and his incapability of social interactions. A lesser movie would make Fusi look like an unsophisticated low life, but Director Dagur Kári still manages to take his character seriously and creates a beautiful character study about an misunderstood, warm-hearted giant.

The numerous comedic elements are skillfully mixed with dramatic components and Gunnar Jónsson conveys all emotions to the audience with his brilliant portrayal of Fusi without relying on a ham fisted, overly emotional score. On the contrary, the score is subtle and fits the cold, but beautiful cinematography of the film.

Sadly, the movie is not without its flaws. The bullies seem more like 6th graders than grown-up men and there is one particular scene that depicts him slightly to naive, which makes him dumber than he actually is.

Nevertheless, these are just minor flaws and don't really hurt the great experience that this movie is.

This was the closing film of the Sarajevo Film Festival, and my favorite of the films I saw. I want to recommend it to everyone, but it isn't getting much worldwide distribution other than festivals, despite winning an audience award at the Tribeca Film Festival. It is the story of a huge childlike man - huge in body, huge in spirit. At the beginning his childlike nature seems negative, but he proves to be profoundly beautiful in his loving innocence. Refusing to be hurt, refusing to withdraw from rejection, he is one of the most amazing heroes I have seen. The film is not sentimental - everything does not turn our 'right', but his goodness and hope remain intact as he opens out to the world. We saw the film in a huge open-air theater, and the audience clapped and whooped and whistled when a girl finally jumped him. A friend said her face got sore from smiling so much! See this film!

I really appreciated this movie from Iceland. It reminded me TEDDY BEAR, a German movie I watched last week, speaking of a forty years adult, a bodybuilder, who lived with his widow mum and who looked for a female mate...Those two movies are quite nearly the same, except the two main characters are somewhat a bit different. TEDDY BEAR could me moving too but also less depressing, more optimistic. I loved the both anyway. I guess many stories like this happen in real life for many of us. I prefer this kind of features instead of the Hollywood style movies, where everything is fine in the end. I highly recommend this film to everyone.

It was fitting that on watching this film, I was almost alone in the cinema, because isolation and solitude are powerful themes throughout Fúsi. So when you're out by yourself, in the middle of the day, to watch an obscure Icelandic movie showing at an archaic cinema that now uses a projector rather suited for private use, than public screenings, it all kind of falls into place and reinforces the emotional investment in the whole experience.

Fúsi, a 43 year old man-child, but without the usual derogatory connotations of the term, is a tinkerer who lives with his mother, reenacts WW2 battles with his neighbour and works at a hapless job, where he is constantly bullied. Yet, what looks like a bleak and joyless existence, washes over Fúsi like a warm shower on a winter's day. His outlook on life is inhabited by a neutral positivity informed mostly through how naive and passive Fúsi seems most of the time. And all this is tested once he meets a woman who appears to take an interest in him, enabling him to be the nurturer he is at heart.

This story really hit a nerve, as I'm sure it has for many people who have ever felt alone, or love-stricken or stranded. It is a vicious portrayal of the world, which is only redeeming because Fúsi is the kind of character that takes it all in his stride. Otherwise, it gently treads the line of tragedy, but never crosses it. And surely, Fúsi is an idealized altruist with autistic tendencies, but he's still someone you can identify with, because you recognize the gestures, the emotions and the triggers within and around him.

However, the film does tend to be stereotypically simplistic in its bleakness. Whether it is the abuse Fúsi faces, his run in with the law, the relationship with his mother, these occasionally serve nothing more than to amplify traits in the character, respectively "the world", which are all too apparent to begin with. Not to mention that his romantic conception of what is acceptable really pushes the suspension of disbelief to places it should never be pushed. Yet, it is in the romance that the film manages to stay true to itself and believable, hyperbolic gestures aside. Because, hey, we've all been there and sometimes it does play out in your mind the way it all unfolds here. Or thereabouts.

So there it is, an Icelandic experience of philosophical proportions, that is quite certain to leave you ruminating at its conclusion. And empathizing, which is always a good muscle to engage.