Freier Fall

This film is very, very erotic and just as exotic in the way the story is presented. From a film point of view it is unique in that the film's construction is very new, so new in fact that you marvel at just how seamlessly it is all put together. The cast is uniformly superb, with the three lead actors truly shining in a very believable way. The story itself is quite passé especially in view of the progress made with gay rights in Europe and Germany in particular. But the two male leads are so hot who cares? And the third supporting actor, an absolutely stunning woman, is a perfect foil for the two men who are bouncing off the walls for each other. As a film buff myself and also as an individual who has seen virtually every good film made with a gay plot, I can say this film stands at the very top, the highest peak, in just how beautifully the story is told. A couple of the reviews here were nasty because they feel the story here is as old as the hills and to some degree that is true, but the human heart in its varied dimensions is always new in terms of where it goes and how people react to where they are taken.

I want to say that Free Fall was an experience. In many ways is like a 40's melodrama. He, his wife and the other woman. What makes it feel different is that the other woman is a man. Hanno Koffler and Max Riemelt are superb as the forbidden sides of this triangle. Frank, compassionate, truthful and painful, very painful. The love and passion, fear and guilt in Hanno Koffler's eyes are haunting and recognizable. Max Riemelt's Kay makes the alternative in Koffler's Marc's life totally plausible and fills it with a form of suspense that the ending didn't completely clear out. So I'm so happy there will be a part 2. I can't wait.

I just saw this film and I thought it was a beautiful film. It is a fresh breath of air especially in USA where there are not too many good indie films being released. Seems like Hollywood just want to make 100 million dollar films with no heart. Of course, "Free Fall" had a heart in this film and it touches you inside. The cinematography was exceptional and truly captured the emotional state of the characters as well as the flow of the film. The director was able to get excellent performances from the actors which were very talented and put their heart into each character. It was a very well cast film. The two men in love were so real. They were masculine men just dealing with their emotions and trying to find who they were. Marc (Hanno Koffler) was a very believable character who was torn between his girlfriend, new baby and his true feelings for another man. Yes any parents would react this way when they have to deal with the sexuality of their son with a family. I liked that the director did not go too much into the life story of the lover Kay (Max Riemelt- look out for this guy) as it left me thinking about him and enjoying the friendship and bond between two men. It can happen to many men and it happens all the time.

Although one is initially alerted to the possible use of the police academy setting to metaphorically delineate some of the dynamics present in a society's norms as part of its imposed conditioning (the training academy especially implying a sense of regimentation), this very well-made film actually registers most of its concerns in a low-key manner, allowing some indirection to come through the proceedings by giving enough space for subtler impressions and meaning.

Apparently, many viewers want to characterize the film's subject in terms of a conflicted choice between heterosexuality and homosexuality, which makes about as much sense as merely portraying its content as the treatment of a love triangle; it reveals a rather limited level of engagement and even suggests that such issues are far from politically resolved in their minds. But while the storyline could be read on the surface for perplexing issues around self-identity, sexual or otherwise, it is ultimately about someone who gradually allows himself the freedom to experience not only different ways of loving others, but also the vital ways in which life actually unfolds in a broader sense, beyond the difficulties of imposed human limitations.

The courage of Lacant's film lies in its delineation of what life is like when one truly begins to negotiate one's freedom by opening up fully to the presence of ambiguity and not knowing - entering into the "free fall" of the title - and going beyond limited distinctions, to find and live out what is actually true from moment to moment. A Taoist expression comes to mind as one follows Marc's trajectory into his own realm of truth: the more free you are, the more unpredictable you become.

Which asks us all: can you live out your truth in this most uncompromising way? Or, can you live with someone who is? What does freedom look like in a world full of all the shoulds and musts which we and others continually wish to impose upon ourselves? Marc begins to show us as he learns to submit to his own free-fall - which is no less than remaining open and vulnerable to whatever is transpiring.

The performances are excellent throughout, although working from a carefully written script which tends to deliberately tailor the depth of all the other characters beside Marc. Thus, while in the end Kai shows up as little more than a catalyst for Marc's awakening and perhaps generating our wish for a bit more character development, it is really Marc's story after all, and we are meant to inhabit the film's shades of meaning by traveling through his experiences from his vantage point.

It could be said that in a society no longer concerned with an immature sense of morality or inadequate ethics, Marc would both be able to bear a child with a woman as well as express the love he might feel for another man, if he is so inclined. But Marc, like the rest of us, is born in time, and therefore occupies a certain karmic status, posited by the complexity of circumstances… and the way to the truth is largely through one's karma.

Although we humans are still somewhat tribal and limited beings, whose sense of freedom is defined and grounded in our very limitations, the film nonetheless demonstrates in its closing statement that we can only live meaningfully by choosing from our own freedom - and thus encountering the possibility of a real and lived life, beyond all expectations - if we assume the courage to do so… a courage exemplified by director Lacant in this direct and honest film.

I'm a more of a critical person when it comes to watching films, especially German films. Let's point out, that I don't watch American films! At first I thought it can give me some pleasant surprises and it did! After watching Harvest, I soon realised that the German film industry is really recovering. That's really nice! In this film we saw a DECENT storyline, with remarkable talented actors and what I favour in a film is that it was played very authentically. I don't usually give 10 out of 10, but this film WELL WORTH IT! I recommend for everyone! It wasn't another low quality, obscene, cliché film. It's one of the films you think about the other day too! Well done, for the artists, producers!