Es una nueva versión de la clásica serie de ficción sobre relatos de ciencia ficción, misterio y terror.Es una nueva versión de la clásica serie de ficción sobre relatos de ciencia ficción, misterio y terror.Es una nueva versión de la clásica serie de ficción sobre relatos de ciencia ficción, misterio y terror.
- Nominado a 1 premio Primetime Emmy
- 5 premios ganados y 13 nominaciones en total
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I was very excited about this new remake of the series. Its promotion during the Super Bowl promised a premium product. What disappointment !!! Only two or three episodes are worth it, the rest has nothing to do with the original premise of the great Rod Serling. The remake of the iconic episode Nightmare at 20,000 Feet is tedious, boring, slow and mediocre, most of the episodes are. I don't understand what criteria they used, the 80's and early 2000's remakes were well done, with original and creative stories that respected the foundation of the series, but this show is bad, very bad.
I think I'm being generous with a 6star rating.
The first episode is pretty painful to sit through. Should've been at least 15 minutes shorter, and was very predictable.
The second episode is a little bit better, but still kind of meh.
The best part about viewing this was it reminded me to watch the older episodes of Twilight Zone.
If you want to watch a great show that's kind of like T.Z, go check out Black Mirror.
The first episode is pretty painful to sit through. Should've been at least 15 minutes shorter, and was very predictable.
The second episode is a little bit better, but still kind of meh.
The best part about viewing this was it reminded me to watch the older episodes of Twilight Zone.
If you want to watch a great show that's kind of like T.Z, go check out Black Mirror.
Season two in my opinion is way better than the first season. In no way is it better than the original, but it kept my interest and I was excited for the next episode.
Too many people are too willing to settle for mediocrity as long as the show is "woke" enough and CBS is exploiting that with shows like TZ and STD. Just watch the originals they were better.
The original Twilight Zone series was full of social commentary and messages that challenged society. With episodes touching on topics like racism, religion, censorship, greed, and corporatism, the show was far from a simple science fiction series. One might suggest the Twilight Zone started Hollywood's tradition of engaging in social and political issues.
So why did this concept work so well in the 1960s while receiving so much backlash today? The answer is simple: politics is more polarizing than it has been in recent history.
Rod Serling, the writer of the original series, set out to challenge viewers by creating content that neither the tv executives nor the regulators felt would make for a positive outcome, but they were wrong. It was a big success.
However, when revisiting old episodes, it's clear that Serling's radical approach to writing was still tame enough to appeal to most average American viewers of that era. Today, writing about social topics that make people uncomfortable while avoiding ideological backlash seems nearly impossible to do.
1964's episode "I Am the Night - Color Me Black" told the story of a town eager to hang an innocent black man after he was wrongfully convicted of killing a racist white man in self-defense. 2019's episode "Replay" tells the story of a woman using a rewind button on a camcorder to protect her son from a racist police trooper. Just read the other reviews and see how today's polarized viewer responds to the latter.
To be fair, many of the ideas conveyed by Serling's original Twilight Zone were deliberately written to not appeal to either side politically. The same probably cannot be said about this current reboot. It would be interesting to see if Serling could take on this challenge today.
Maybe the solution to this problem is to no longer use social commentary in writing. Or maybe the writers could make more obvious right leaning episodes to even things out. One thing is for certain, as long as entertainment seeks to talk about the things that make us uncomfortable, you'll manage to alienate a lot of viewers... here.... in The Twilight Zone.
So why did this concept work so well in the 1960s while receiving so much backlash today? The answer is simple: politics is more polarizing than it has been in recent history.
Rod Serling, the writer of the original series, set out to challenge viewers by creating content that neither the tv executives nor the regulators felt would make for a positive outcome, but they were wrong. It was a big success.
However, when revisiting old episodes, it's clear that Serling's radical approach to writing was still tame enough to appeal to most average American viewers of that era. Today, writing about social topics that make people uncomfortable while avoiding ideological backlash seems nearly impossible to do.
1964's episode "I Am the Night - Color Me Black" told the story of a town eager to hang an innocent black man after he was wrongfully convicted of killing a racist white man in self-defense. 2019's episode "Replay" tells the story of a woman using a rewind button on a camcorder to protect her son from a racist police trooper. Just read the other reviews and see how today's polarized viewer responds to the latter.
To be fair, many of the ideas conveyed by Serling's original Twilight Zone were deliberately written to not appeal to either side politically. The same probably cannot be said about this current reboot. It would be interesting to see if Serling could take on this challenge today.
Maybe the solution to this problem is to no longer use social commentary in writing. Or maybe the writers could make more obvious right leaning episodes to even things out. One thing is for certain, as long as entertainment seeks to talk about the things that make us uncomfortable, you'll manage to alienate a lot of viewers... here.... in The Twilight Zone.
¿Sabías que…?
- TriviaAfter La dimensión desconocida (1959), The Twilight Zone (1985) and La dimensión desconocida (2002), this is the fourth "Twilight Zone" television series. There have also been two films in the franchise: Al filo de la realidad (1983) and Twilight Zone: Rod Serling's Lost Classics (1994).
- ConexionesFeatured in Half in the Bag: Us and Paddleton (2019)
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