La relación entre un padre y su hija a lo largo de 25 años empezando en Nueva York en la década de los 80 poco después de que Jake, novelista ganador del Pulitzer, se quedara viudo.La relación entre un padre y su hija a lo largo de 25 años empezando en Nueva York en la década de los 80 poco después de que Jake, novelista ganador del Pulitzer, se quedara viudo.La relación entre un padre y su hija a lo largo de 25 años empezando en Nueva York en la década de los 80 poco después de que Jake, novelista ganador del Pulitzer, se quedara viudo.
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After his wife's death, Russell Crowe can't cope with being a single father. He may be a beloved successful writer, but he has deep psychological problems. Twenty-five years later, his daughter Amanda Seyfried is getting her masters in psychology and volunteering at a children's center. The film cuts back and forth between the past and the present, and while normally I don't like those types of movies, Fathers & Daughters is an exception.
For some unknown reason, this film was completely ignored during awards season, even though the acting is phenomenal and Brad Desch's script is powerful. Russell Crowe gives the type of performance that is deserving of an Oscar, but he didn't even get a nomination. He hasn't shown off his acting chops like this in over ten years. Kylie Rogers plays his little girl, and her performance in the film is incredible and heart-wrenching. I hope she has a marvelous career as she grows up; child actresses with that much talent are hard to find. Amanda Seyfried branches out of her teen image, and is very convincing as a young adult with lots of problems. And before you judge her too harshly, remember it's just her character. Her unlikability isn't really her fault.
This is a very heavy movie, so get out your Kleenexes and have the pause button ready; you'll need to take a couple of breaks and have a good cry. I watched it with my mom, but anyone brave enough to watch it with her dad will probably shed twice as many tears. Rent it, though, even if you need to watch it by yourself. It's worth it.
For some unknown reason, this film was completely ignored during awards season, even though the acting is phenomenal and Brad Desch's script is powerful. Russell Crowe gives the type of performance that is deserving of an Oscar, but he didn't even get a nomination. He hasn't shown off his acting chops like this in over ten years. Kylie Rogers plays his little girl, and her performance in the film is incredible and heart-wrenching. I hope she has a marvelous career as she grows up; child actresses with that much talent are hard to find. Amanda Seyfried branches out of her teen image, and is very convincing as a young adult with lots of problems. And before you judge her too harshly, remember it's just her character. Her unlikability isn't really her fault.
This is a very heavy movie, so get out your Kleenexes and have the pause button ready; you'll need to take a couple of breaks and have a good cry. I watched it with my mom, but anyone brave enough to watch it with her dad will probably shed twice as many tears. Rent it, though, even if you need to watch it by yourself. It's worth it.
Russell Crowe, Amanda Seyfriend, and Aaron Paul do a fantastic job with the sorrowful story of a father and daughter and the relationships their within. Several other reviews call for boxes and boxes of tissues. I did not have that experience at all. How this did not get more nominations escapes me.
"A Pulitzer-winning writer grapples with being a widower and father after a mental breakdown, while, 27 years later, his grown daughter struggles to forge connections of her own."
I literally have no words for this movie (and I should be writing like 10 lines, right). This kind of love, father's love and the power of Katie's pain when she's standing next to that jukebox...That can't be described. I cried my eyes out, because I will never be ready when that moment comes, in real life. The song in the end was just an outstanding finishing. Summary: Haven't seen better and scarier movie in a long time.
I literally have no words for this movie (and I should be writing like 10 lines, right). This kind of love, father's love and the power of Katie's pain when she's standing next to that jukebox...That can't be described. I cried my eyes out, because I will never be ready when that moment comes, in real life. The song in the end was just an outstanding finishing. Summary: Haven't seen better and scarier movie in a long time.
Fathers And Daughters: A movie that would have made me book the first flight home without waiting for holidays if I still lived overseas. I mean it. Yes, I'm a "daddy's girl", and I've been lucky enough to enjoy this beautiful movie with my father (well, my mum and brother were there too, but dad was a 'must' from what I'd heard about the film). As one can easily guess after seeing the trailer, it's a touching piece, and the cast does a great job in reflecting the story on screen. Gabriele Muccino delivers the plot with a non-cliché flow, he's very successful with the flashbacks, and one of the strongest aspects of F & D is the amazingly beautiful music, in my opinion. Particularly the Carpenter's cover by Michael Bolton, Close To You adds so much, not to mention that it squeezes your heart during a particular scene. Speaking of heart-squeezing, I think Russell Crowe has made a habit of making his audience cry, especially with The Water Diviner and now, with Fathers and Daughters. As expected, he does not just act, he 'becomes' Jake Davis, and forms multiple lumps in your throat with the character he portrays. As one of the best actors of our time, if not the very best, he's simply amazing. Also, the chemistry between R. Crowe and Kylie Anne Rogers is great, it's heart-warming and so 'real', if I may say so. Kylie Anne is the sweetest potato chip, that goes without saying, and I need to add that at some point I did hate Bruce Greenwood and Diane Kruger.. well, not them, but the characters they played, of course. Needless to say, Jane Fonda was one of the shining stars of F & D, and I think Amanda Seyfried and Aaron Paul were well-chosen for their respective roles, *thumbs up* to them both. Taken together, I loved the story, it was beautifully transformed into a tear-jerker on screen, and I sincerely hope this movie gets released in every country -because it's a sweet piece of art which reminds you of the most important and valuable things in life. PS: Keep tissues nearby when you're seeing F & D. Am not kidding.
If you come away praising only one thing from this movie, I'd be willing to bet that it would be Kylie Rogers' performance as Russell Crowe's young daughter. She gives a genuinely affecting performance for a girl her age and although Crowe himself needs no help here as he puts in a brilliant showing of his own, he's all the better for her presence. They played off each other so well and the film was much more enjoyable whenever they shared the screen. Amanda Seyfried was her dependable self but this kind of role is easily within her wheelhouse so don't expect to be blown away by her.
The film itself has a nice flow to it when considering the run time and although it dips into the cliché pot a couple of times, I found the screenplay just fresh enough that I would say I enjoyed it overall. Although the directing wasn't anything to write home about I do believe that he showed a delicate and subtle handling of the subject matter which is to be commended. The score is also quite wonderful.
Overall, a solid 7/10. The performances are the reason to see this one.
The film itself has a nice flow to it when considering the run time and although it dips into the cliché pot a couple of times, I found the screenplay just fresh enough that I would say I enjoyed it overall. Although the directing wasn't anything to write home about I do believe that he showed a delicate and subtle handling of the subject matter which is to be commended. The score is also quite wonderful.
Overall, a solid 7/10. The performances are the reason to see this one.
¿Sabías que…?
- TriviaThe screenplay for this film was featured in the 2012 Blacklist; a list of the "most liked" unmade scripts of the year.
- ErroresAfter Katie goes on her run with Cameron, there is an aerial view of Manhattan including the Twin Towers. Her mother died around 1989-1990 per the first scene, and we are now supposed to be seeing her 27 years later, which is well after the towers were no longer standing.
- ConexionesReferenced in Harmontown: What Did You Do to Norman Lear? (2016)
- Bandas sonoras(They Long To Be) Close To You
Written by Burt Bacharach and Hal David
Performed by Richard Clayderman, vocals by Michael Bolton
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- Presupuesto
- USD 22,400,000 (estimado)
- Total a nivel mundial
- USD 5,587,709
- Tiempo de ejecución
- 1h 56min(116 min)
- Color
- Relación de aspecto
- 2.35 : 1
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