Presencia siniestra

I like Naomi Watts a lot but boy does she really need to pick and carefully choose what she wants to be in. I thought she was really fantastic in Mulholland Drive (probably my favorite film of all time). She's also been in a number of great memorable performances. i fact, shes even been in good horror in the past. Years later she's in a really awful "horror" film that doesn't offer any thrills or chills but rather just insists on wasting your time.

This film is about a psychologist, played by Watts, following a car accident that killed her husband and left her son paralyzed (played by Stranger Things' Charlie Heaton). She starts to think that someone is inside her house trying to harm her. Who could it be though? Her son is paralyzed and immobile? The plot doesn't even sound interesting and there really isn't anything in the film that you could actually enjoy. The film is devoid of any actual chills, the scenes meant to make you jump are set up in a way that is so manufactured over the years, where you know exactly what to expect.

The film just kind of throws characters into the mix and you are left wondering what purpose they really serve? Poor Jacob Tremblay, going from a wonderful performance in Room, to being thrown into something like this. The twist ending is so awful. Its half expected but doesn't bother offering any consolation for wasting your time. There's honestly too much going on in this film, its too busy with people and trying too hard to deliver a substantial story but it comes off really uninspired, tired, and boring. The twist also offers some really weird awkward moments too.

Check this out if you want but there's really nothing to see here. Shut yourself out.

4/10

From my point of view this movie was a good movie that has all ingredients which a suspense/thriller movie demands. Story was OK, acting was OK, dialogues were OK according to the scene neither more nor less, cinematography was also good. I think it was a perfect movie i don't know why people have given below 5 rating with bad comments. For me if you have to watch a suspense/ thriller and horror movie then there are some rules to apply before watching. first you make an environment for the movie, you have no other work to do between the movie, you don't talk between the movie, you don't even miss a single dialogue, your lights should turn off so that your focus should be completely on the movie. So i think those who have given it less than 5 rating did not apply those rules otherwise the rating of this movie should have been not less than 6.

Shut In is a rather predictable thriller that treads a well worn path.

That's not to say this is a poor film, its just that this concept has been recycled so many times, its become rather obvious whats happening and where its going.

Naomi Watts hands in a decent effort in the lead role and indeed, the cast in general hand in competent performances. The tension builds nicely but I felt, the reveal was too sudden and robbed the film of much of the scare factor that had been built up to that point.

The actions of the key character also seem a bit absurd at times as does the overall concept, which stretches credulity to a degree.

In short, not a bad film if you like a few scares but regrettably nothing terribly special either. Six out of ten from me.

It's crazy how bad movie production has become lately.. What is wrong writers and directors? This predictable movie stuff being produced now days is no excuse to blame on piracy or low sales.. It IS getting Ridiculous!

I practically sat there with my wife at the movies and could dam near predict almost half of what was going to happen past half way through the to the end.

Its a shame because this movie could have went so many other ways to give us something refreshing to look at.. but NO.. The laziness kicked in on this movie like many of the other crap being produced now..

It's getting bad!

6 months after a car accident that killed Richard Portman (Peter Outbridge) and left Richard's son Stephen (Charlie Heaton) in a vegetative state, Richard's second wife, child psychologist Mary Portman (Naomi Watts) lives in an isolated part of caring for Stephen's needs while also seeing patients at her home. Mary herself is also in therapy via video conferencing with Dr. Wilson (Oliver Platt) as Stephen was having behavioral problems that lead to her deciding to send Stephen away to boarding school which was what lead to the accident. When one of Mary's patients, a young troubled deaf boy named Tom Patterson (Jacob Tremblay), comes to Mary's home she calls the social worker and volunteers to care for him, but he has seemingly fled into the woods during an incoming Winter storm. As Mary wrestles with worry for Tom and authorities having no luck finding him, Mary begins to hear and see things in her home leaving her to believe there's a malevolent presence.

Released in 2016, Shut In was acquired by Luc Besson's joint venture with Relativity, Relativity EuropaCorp Distribution, which was Luc Besson's attempt to gain a foothold in distribution within the United States after having seen profits from Blockbusters such as the Taken franchise and Lucy kept by Fox and Universal respectively. The screenplay for Shut In written by Christina Hodson had appeared on the 2012 Blacklist of best unproduced screenplays, and the script was acquired by Europacorp for development in 2014 when the company was seeking genre fare to build their release slate. Shut In marks the second, and so far last feature film effort of British TV director Farren Blackburn whose work can be seen in The Fades, Doctor Who, and The Musketeers, and also helmed a number of episodes for Netflix Marvel series Daredevil, Iron Fist, and The Defenders. The movie received terrible reviews from critics and audiences and was a commercial dud upon release. Rightly so because Shut In is an absolute mess of a movie and probably one of the worst mainstream horror films of the 2010s.

The movie's first hour is filled with terribly uninteresting melodrama with Naomi Watts saddled with a lead weight of a role (which Watts was in my opinion unfairly nominated for a Golden Raspberry Award for Worst Actress) who's so poorly written that we never actually see her do anything constructive as a child psychologist with almost all of her patient interactions either done off camera or featuring her character distracted and not really doing anything. Watts is clearly trying to give the role something, but the movie is so bereft of anything interesting for the first hour that it ratches up the fake out dream sequences and jump scares to the point the film gets desperate enough to give us a "racoon scare". I can't really go into anymore detail than that, but there's an absolutely ludicrous twist in the movie that only works if several dozen people were blind and/or stupid because there's absolutely no way that what this character does would've been possible to fool this many people who (supposedly) went through an extensive amount of education and certification.

Shut In is absolutely awful. While the movie is well shot and the actors are trying to give something to their thinly written roles, the movie is boring for the first hour then becomes crazy, stupid, and nonsensical in the last 30 minutes. If the movie had been that level of stupid in the last act throughout the entire movie I might've recommended this as a "so bad, it's good" viewing experience, but from its dour tone to its stoic performances the movie just feels boring and never comes to life.