Howards End

I'm writing this review after episode 2, mainly to counter some of the other overly critical reviews of Howard's End.

I loved the movie version with Emma Thompson and Anthony Hopkins, but I feel this miniseries version can explore further some of the issues and topics E.M. Forster touched on in his book; class, gender, nationality etc. Also the mirrored circumstances across the class divide and how characters deal with them

As regards race and some of the casting i.e. the housemaid and Jacky Bast, I think they were interesting choices and one Forster would have approved of. He was a fierce opponent of racism (especially anti-anti-semitism) and, to answer another question a reviewer posed, yes there were black people in Edwardian London, all part of the class struggles of the period.

The cast are all excellent, especially Hayley Atwell and Philippa Coulthard. The costumes and cinematography are great. In the first episode the background music seemed rather loud and obtrusive, but this wasn't a problem for me in episode 2. I'm looking forward to episodes 3 & 4.

To those who say it's slow and nothing happens, I'm not sure what to say. Maybe watch the other channel with 'I'm a celebrity get me out of here' on it, or a Transformers movie.

Hayley Atwell enchants in this brilliant and faithful BBC adaptation of EM Forster's great novel. All of the actors are very convincing in their portrayal of multi-faceted characters. I didn't want the show to end. It's a thorough examination of class and social mores, and the message is not lost in time and very much relevant today in the debate between liberals and conservatives. The human spirit, compassion and love prevail. A must-watch for period drama fans like me.

Matthew McFayden and Hayley Atwell just lit up the screen... I thought perhaps the glory days of BBC Sunday night costume dramas had past, but their performances here were wonderful, the control and command of the dialogue was exquisite. A delight.

I have given 9 out of 10, so I will note that a few minor quibbles: - Some of the plot elements were a bit clunky - It wasn't always clear how much time had elapsed or how much the characters had aged - It felt a little stretched out to episodes

I really have enjoyed the series but some of the casting just is so out of place it's incredibly distracting. At first I was confused by the doctor treating an upper middle class family in Edwardian England being Asian. Then with the servant being black which would have been extremely unusual but not entirely implausible. But then with an interracial marriage that raises NO eyebrows? It stretches incredulity and pulls you directly out of the story.

Colorblind casting only works when it's not impossible in the actual story. In this case it's so improbable it's distracting. I don't understand the thought process involved in casting a classic like this. Especially where it would make massive changes to the story if the characters are not white as that was the reality of the era.

That said, the cast handled their jobs brilliantly and it was charmingly done.

I fell in love with Emma Thompson's portrayal of Margaret Schlegel in the 1990s film version. I loved the film as a whole. But this version is just as worthy, and being a four-hour series, can embrace a larger picture and more importantly, a larger canvas of characters.

Leonard Bast is central to the plot, but in the film, he was a cipher, a vessel and a canvass for the sisters to paint. I read the book and while women of their class might have seen him that way, I didn't, and I liked that he was given more of a presence and personality. In the film there was no real connection between him and Helen, while in this version, there is one, however tenuous and fleeting. I felt it gave him the respect he deserved, and in doing so strengthened the underlying message.

I also preferred this version of Henry. Hopkins is brilliant, but to me, Margaret's attraction to him in the film made little sense. No, not even in Edwardian times. She was fierce and self-possessed, he was dull and rigid, and she didn't need his money or stamp of approval. I needed to buy the connection and this version made it breath so much more freely. Not even Emma Thompson can convince me of something unpalatable.

Some stories just need more time to unfold. Four hours worked well enough, whereas two and half, or even three, didn't. I still love the film version and Helena Bonham Carter is just irreplaceable, but Philippa Coulthard makes a great Helen too People who want to have an issue with Jackie Bast or a few servants or doctors being minorities can fuss away about it all they want. It might be historically unlikely, but it is by no means historically "incorrect" and it shouldn't jar anyone who is paying attention to what matters in the story. If anything it adds to it.

I loved this version. Kudos to all involved, especially Atwell, Coulthard, McFadyen, and the young actor playing Tibby. Oh, and Ullman. It can be scary to take on a classic that has supposedly been "claimed" by film deities. They did it proud.