Una misteriosa joven princesa cautiva a todos los que la encuentran, pero finalmente debe enfrentar su destino, el castigo por su crimen.Una misteriosa joven princesa cautiva a todos los que la encuentran, pero finalmente debe enfrentar su destino, el castigo por su crimen.Una misteriosa joven princesa cautiva a todos los que la encuentran, pero finalmente debe enfrentar su destino, el castigo por su crimen.
- Dirección
- Guionistas
- Elenco
- Nominado a 1 premio Óscar
- 13 premios ganados y 38 nominaciones en total
Chloë Grace Moretz
- The Princess Kaguya
- (English version)
- (voz)
James Caan
- The Bamboo Cutter
- (English version)
- (voz)
Mary Steenburgen
- The Bamboo Cutter's Wife
- (English version)
- (voz)
- …
James Marsden
- Prince Ishitsukuri
- (English version)
- (voz)
Aki Asakura
- Kaguya hime
- (voz)
- …
Kengo Kôra
- Sutemaru
- (voz)
Takeo Chii
- Okina
- (voz)
Nobuko Miyamoto
- Ôna
- (voz)
- …
Opiniones destacadas
Like many other Ghibli fans I didn't like the Yamadas back in the day but Takahata Isao has returned with a blast.
The film is beautiful. The animation is simple yet exquisite, reminiscent of old Japanese watercolours. Special kudos go to Joe Hisaishi for his superb soundtrack - the final scene and its music left me almost in tears.
The only problems lie in the sometimes slow development of the plot and a few loose ends. There are also tiny deviations from the original story, but I felt that it was as true to it as possible. All in all a beautifully drawn, beautifully crafted movie, solid voice acting (for a Japanese movie at least) and, again, the beautiful music. Excellent job, Ghibli.
Hats down to Mr. Takahata as well.
The film is beautiful. The animation is simple yet exquisite, reminiscent of old Japanese watercolours. Special kudos go to Joe Hisaishi for his superb soundtrack - the final scene and its music left me almost in tears.
The only problems lie in the sometimes slow development of the plot and a few loose ends. There are also tiny deviations from the original story, but I felt that it was as true to it as possible. All in all a beautifully drawn, beautifully crafted movie, solid voice acting (for a Japanese movie at least) and, again, the beautiful music. Excellent job, Ghibli.
Hats down to Mr. Takahata as well.
10valen060
The Tale of Princess Kaguya was certainly a story that I was fully intrigued with. Because of its limited release in theaters, it wasn't easy trying to find it, but when I finally caught it at a local art house theater, I was further interested in the story that had yet to unfold. Since it was based on the centuries-old Japanese folktale, I know it has been told differently many times by various writers in literature, theater, even film. Nevertheless, I had to check out Studio Ghibli's take on the classic story.
It's about an elder bamboo cutter named Okina who discovers a young, tiny girl in a bamboo shoot and decides to adopt her as his own along with his loving wife Ona. As years progress, the tiny girl begins to grow rapidly to normal size like the other children of their village, eventually having to leave since her adoptive parents decide to have her raised among the nobles. From there, she is given the name "Princess Kaguya" and things become further complicated when so much is offered to her so suddenly.
When comparing this movie to past Studio Ghibli efforts, it's obvious that the animation style is nothing like its preceding films. And with studio founder Hayao Miyazaki having stepped down and no involvement with this current project, I have to say it's a drastic, yet vibrant change in what Studio Ghibli is widely known for. I loved the story and it had an ending that was rather heartwarming and enough to tug anyone's heartstrings. With the English dub voice of Kaguya done gracefully by Chloe Grace-Moretz (Let Me In, Carrie, If I Stay), she actually stands out well as the title character, like it wasn't forced.
The animation technique was rather intricate, but it was reminiscent of an old Japanese art painting I've once studied about in Art History classes at my local college. American animation studios have believed traditional 2-D to be a dying art form in the film industry these days, but I can tell Japan does not acknowledge it in that way at all, whether it's TV or film. The concept I started believing for the entire film felt like "a timeless painting" and it's quite a stroke of genius, in my opinion.
The music and underscore of Joe Hisaishi has left me engaged that it flows evenly well with the scenes as they play out. But most notably, director Isao Takahata really stepped up following his involvements with titles like "Kiki's Delivery Service," "My Neighbor The Yamadas," and even the touching "Grave of the Fireflies." This entire movie has earned its rightful place in the Studio Ghibli library. This is another example of a Ghibli film where you don't have to be an avid Japanese Anime fan to enjoy it, what matters is that such themes existed in various genres, not just in one medium or one genre alone.
It's about an elder bamboo cutter named Okina who discovers a young, tiny girl in a bamboo shoot and decides to adopt her as his own along with his loving wife Ona. As years progress, the tiny girl begins to grow rapidly to normal size like the other children of their village, eventually having to leave since her adoptive parents decide to have her raised among the nobles. From there, she is given the name "Princess Kaguya" and things become further complicated when so much is offered to her so suddenly.
When comparing this movie to past Studio Ghibli efforts, it's obvious that the animation style is nothing like its preceding films. And with studio founder Hayao Miyazaki having stepped down and no involvement with this current project, I have to say it's a drastic, yet vibrant change in what Studio Ghibli is widely known for. I loved the story and it had an ending that was rather heartwarming and enough to tug anyone's heartstrings. With the English dub voice of Kaguya done gracefully by Chloe Grace-Moretz (Let Me In, Carrie, If I Stay), she actually stands out well as the title character, like it wasn't forced.
The animation technique was rather intricate, but it was reminiscent of an old Japanese art painting I've once studied about in Art History classes at my local college. American animation studios have believed traditional 2-D to be a dying art form in the film industry these days, but I can tell Japan does not acknowledge it in that way at all, whether it's TV or film. The concept I started believing for the entire film felt like "a timeless painting" and it's quite a stroke of genius, in my opinion.
The music and underscore of Joe Hisaishi has left me engaged that it flows evenly well with the scenes as they play out. But most notably, director Isao Takahata really stepped up following his involvements with titles like "Kiki's Delivery Service," "My Neighbor The Yamadas," and even the touching "Grave of the Fireflies." This entire movie has earned its rightful place in the Studio Ghibli library. This is another example of a Ghibli film where you don't have to be an avid Japanese Anime fan to enjoy it, what matters is that such themes existed in various genres, not just in one medium or one genre alone.
Based on real Japanese folklore, the animation takes its tone from those original artworks I've seen on Japanese scrolls, and mixes it with contemporary anime.
I love the way animation can take such simple things as eating a melon or watching birds fly into a tree so much more exciting. By using traditional animation (although I need notice some computerize layouts),The Japanese have done it again with their personal approach to the detail of animation you can only get from 2D.
Adding to my enjoyment, this English adaption of the film includes the voice talent of Chloë Grace Moretz as the princess, who I've become a fan of.
It was very beautiful artwork moving across the big screen.
I love the way animation can take such simple things as eating a melon or watching birds fly into a tree so much more exciting. By using traditional animation (although I need notice some computerize layouts),The Japanese have done it again with their personal approach to the detail of animation you can only get from 2D.
Adding to my enjoyment, this English adaption of the film includes the voice talent of Chloë Grace Moretz as the princess, who I've become a fan of.
It was very beautiful artwork moving across the big screen.
10Whazabey
I was a bit anxious before seeing this movie because it is not from Miyazaki but after seeing it I can say that there was no reason to be anxious about this movie. It's probably the most beautiful movie I've ever seen and it is equally as good, if not even better as spirited away and princess mononoke. The story is wonderfully told and it has some extremely sad moments. But probably the best thing about this movie is the breath taking animation. It's just incredibly beautiful and just so unique that you just won't forget it. As always for a Ghibli movie the movie has an eye for detail and you just feel the passion which was put into this movie. This movie was one of the best anime I have ever seen and probably also one of the best movies I have ever seen.
"The Tale of Princess Kaguya" is a very, very familiar story in Japan. It's from a story that is a thousand years old, "The Tale of the Bamboo Cutter". And, since it's a classic, there have been many movie versions of the story. Because of this, I was quite familiar with this, as I'd already seen "Princess From the Moon"--a 1987 live-action version. Unlike the other six versions of the story that I was able to find, this one is animated and it comes from Studio Ghibli--the same people who make the Miyazaki films, though this one is from Isao Takahata.
For the most part, the story you see in the film is the old tale. One day, a poor woodcutter slices into a stalk of bamboo and finds a beautiful thumb-size child. Since he and his wife are childless and have always wanted one, they are overjoyed with the discovery and raise the child. However, the same fortune that brought them the baby also rewarded them with gold when the woodcutter chopped additional bamboo. And, oddly, the child grows to normal size and becomes a lady in practically no time at all. Soon they are rich and able to give their girl the life of a princess and she's taught all manners and customs that a proper lady would need. However, it's obvious that young Princess Kaguya isn't happy in this life, as courtier after courtier come for her hand and she simply isn't interested. So, she gives them impossible tasks to complete before she'd agree to marry any of them. When they all fail, the Emperor himself comes to court her but she rebuffs him--mostly because she knows her time on Earth is drawing to a close. Where all this goes next, you'll find out if you watch the movie.
The animation for this movie is quite lovely--with a nice look that appears as if the film was made with colored pencils and watercolors. While it's more minimalistic than you'd usually find in a Ghibli film, it looks very appropriate to the Medieval Japanese period. In fact, the look of the film is the best thing about the movie. The story, as you probably noticed above, is odd--especially to non-Japanese audiences. The ending, is even odder, by the way. But the film still could have worked despite the unusual story. However, I found the pacing to be too slow and I noticed my attention waning from time to time. Not surprisingly, it's the longest film released by Ghibli to date. Had they trimmed about 15 to 20 minutes and removed the plot involving the poor boyfriend (which was not in the original story), I think the film would have worked better for me. Worth seeing for a very patient audience who is looking for something very different--otherwise a strange sort of picture that probably would offer little appeal to kids and folks wanting something light and Disney-like.
By the way, although I was not bowled over by this film, it has been nominated for the Academy Award for Best Animated Feature. My vote is for "The Box Trolls"...a film which managed to combine both artistry and an excellent original story.
For the most part, the story you see in the film is the old tale. One day, a poor woodcutter slices into a stalk of bamboo and finds a beautiful thumb-size child. Since he and his wife are childless and have always wanted one, they are overjoyed with the discovery and raise the child. However, the same fortune that brought them the baby also rewarded them with gold when the woodcutter chopped additional bamboo. And, oddly, the child grows to normal size and becomes a lady in practically no time at all. Soon they are rich and able to give their girl the life of a princess and she's taught all manners and customs that a proper lady would need. However, it's obvious that young Princess Kaguya isn't happy in this life, as courtier after courtier come for her hand and she simply isn't interested. So, she gives them impossible tasks to complete before she'd agree to marry any of them. When they all fail, the Emperor himself comes to court her but she rebuffs him--mostly because she knows her time on Earth is drawing to a close. Where all this goes next, you'll find out if you watch the movie.
The animation for this movie is quite lovely--with a nice look that appears as if the film was made with colored pencils and watercolors. While it's more minimalistic than you'd usually find in a Ghibli film, it looks very appropriate to the Medieval Japanese period. In fact, the look of the film is the best thing about the movie. The story, as you probably noticed above, is odd--especially to non-Japanese audiences. The ending, is even odder, by the way. But the film still could have worked despite the unusual story. However, I found the pacing to be too slow and I noticed my attention waning from time to time. Not surprisingly, it's the longest film released by Ghibli to date. Had they trimmed about 15 to 20 minutes and removed the plot involving the poor boyfriend (which was not in the original story), I think the film would have worked better for me. Worth seeing for a very patient audience who is looking for something very different--otherwise a strange sort of picture that probably would offer little appeal to kids and folks wanting something light and Disney-like.
By the way, although I was not bowled over by this film, it has been nominated for the Academy Award for Best Animated Feature. My vote is for "The Box Trolls"...a film which managed to combine both artistry and an excellent original story.
¿Sabías que…?
- TriviaIn several scenes in the movie, Kaguma-Hime, Lady Sagami and Ona can be seen wearing multi-layered kimonos called Junihitoe. Both the number of layers and the coloring of the layers worn would be dictated by the occasion, status, and season the wearer is in.
- ErroresWhile the baby princess crawls to the cutter she tosses a piece of bamboo to the edge of the floor mat. In the reverse shot as she crawls back, it is missing.
- Citas
The Princess Kaguya: [singing] Go round, come round, come round... Come round, oh distant time. Come round, call back my heart. Come round, call back my heart. Birds, bugs, beasts, grass, trees, flowers. Teach me how to feel. If I hear that you pine for me, I will return to you.
- ConexionesFeatured in Troldspejlet: Episode #50.12 (2014)
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- How long is The Tale of The Princess Kaguya?Con tecnología de Alexa
Detalles
Taquilla
- Presupuesto
- JPY 5,000,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 974,913
- Fin de semana de estreno en EE. UU. y Canadá
- USD 54,915
- 19 oct 2014
- Total a nivel mundial
- USD 24,751,400
- Tiempo de ejecución2 horas 17 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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