CALIFICACIÓN DE IMDb
3.5/10
6.3 k
TU CALIFICACIÓN
Agrega una trama en tu idiomaA car thief falls in love with a woman whose car he has stolen.A car thief falls in love with a woman whose car he has stolen.A car thief falls in love with a woman whose car he has stolen.
- Dirección
- Guionistas
- Elenco
- Premios
- 4 nominaciones en total
Jaaved Jaaferi
- Bheem Singh
- (as Javed Jaffrey)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
The Dabangg directors turns into Besharam and its flop.Trailers and songs are not that much effective that attracts mass audiences to the theater. In this movie,there is not at all comic moments or fight sequences that entertain you as shown in trailers.1st half is quite well compare to 2nd half.There are some comedy scenes that director make but fail to entertain.2nd half is boring. Music of the movie is not so good but the title song makes audience groove. Direction is good but not as good as Dabangg.Abhinav has shows Ranbir flirty boy and action hero.He has tries to make climax scene as power pack as Dabangg starting but he failed to make it that good. Ranbir is as always superb .Pallavi Sharda has done quite a good job.Neetu Kapoor and Rishi Kapoor are so good and their comic timings are impressive.Javed Jaffrey is good as villain. Overall,you can ignore this movie happily.Not even a one time watch.
Besharam- the first time i ever walked out of a movie. It was so bad that even i didn't laugh at the 'jokes'. A song at a colorful Mela. Gosh, are we in the 80s?
Were Abhinav Kashyap and Rajeev Barnwal high when they made the film? Nevertheless, Ranbir Kapoor must be really besharam to have signed for such a film.
Actually, screw Ranbir. I feel really besharam to have wasted 95 minutes of my precious IB life watching such a movie.
P.s. A moment of silence for all those who already watched the movie or still plan to do so
Were Abhinav Kashyap and Rajeev Barnwal high when they made the film? Nevertheless, Ranbir Kapoor must be really besharam to have signed for such a film.
Actually, screw Ranbir. I feel really besharam to have wasted 95 minutes of my precious IB life watching such a movie.
P.s. A moment of silence for all those who already watched the movie or still plan to do so
To begin with, it is the most disappointing film of Ranbir Kapoor till date, pulling him down to that routine level of big stars who are very much afraid of trying something new and therefore keep playing safe serving the same old wine to their loyal viewers every year.
Actually films like BESHARAM become possible or get made only because of the confidence acquired by their makers due to the stupendous success achieved by their previous project. In this case, it's director Abhinav Kashyap and his famous venture DABANGG featuring Salman Khan. Now just try to figure out, that what kind of a lesson, the director would have learned from such a huge success of his first project. Obviously the lesson has to be that here in India; we don't need a story, screenplay or any novel idea to make a film on. But all we need is A Big Star to say yes and the rest gets arranged quite easily. That was the exact idea with which DABANGG was made and that is again the rule followed by Abhinav in his second venture called BESHARAM.
Hence please don't look for any solid story idea here or anything exceptional in execution as clearly declared by the title of the film being BESHARAM. The film damn cares about any story progression in its first half and is only interested in giving you some cool (irregular) entertaining sequences entirely written around Ranbir Kapoor alone. The so called plot is revealed just before the intermission and by the time its pretty clear that this is nothing but just another film made to en- cash the star value associated with an actor, by fooling the audience as usual. 3 songs each in both the halves ruin the pace further and the film drops badly post intermission only to recover in its last 30 minutes with a partially enjoyable climax. And that in fact is the only saving grace of the project, wherein both Rishi Kapoor and Neetu Singh jump in to rescue their Star child from a badly conceived film all together.
Putting it simply, this is the first time I found a bit of over- confidence as well as over-acting in Ranbir Kapoor's carefree portrayal of a spoilt brat. He looks like overdoing the act, far away of being natural in many of his scenes and that was indeed a very painful sight for me as a viewer, who rates Ranbir Kapoor as a blessed exceptional actor with a vision. Plus, the film's second half has many weird, illogical scenes which certainly make you wonder that who actually directed this. Like the silly chase sequence, where the goons are firing rocket launchers at people's homes in Chandigarh's local residential lanes & more. However, the moment Rishi-Neetu join in, they start providing those much required enjoyable (yet deliberate) moments in the end and try hard to save the film from sinking with their sincere efforts.
The inconsistent writing affecting the film from its first frame itself is accompanied by some feeble performances too led by the wrong casting of Pallavi Sharda in the female lead. The girl is no doubt confident and good looking too but honestly there is no chemistry to be found in the screen pair here. Moreover casting Pallavi in this role clearly proves the point that the makers strongly believe in the theory that when A Star is there in your film, then you don't even need a well known face to feature in it as his heroine. Javed Jaafri looks good as the tough villain and Amitosh Nagpal just fills in the space as Ranbir's friend. But sadly, I didn't get what I was expecting from the real-life couple Rishi Kapoor and Neetu Singh playing the corrupt police officers together. Their act is very fine at times but also looks forced in and too loud in some scenes mainly due to the unimpressive writing. Yet it was truly great to see Neetu Singh in such an unconventional role like never before and I can only wish the couple was given some better scenes together by the makers. No doubt this was a golden opportunity wasted here unarguably.
Apart from the unconvincing performances, BESHARAM also has a routine background score and a very mediocre kind of soundtrack, which one simply forgets while walking out of the theater. Now we all know that Ranbir is a brilliant dancer. But even a fabulous dancer needs good beats and catchy compositions to perform better which are not there in its seven tracks, composed by Lalit Pandit. Further, the cinematography fails to impress majorly since the art director makes a very fake looking Punjabi Mohalla set in the first half and the action director hasn't got anything new to offer in his fights.
Returning to the major spotlight of BESHARAM i.e. Ranbir Kapoor, it seems that the once visionary actor of WAKE UP SID, ROCKET SINGH, ROCKSTAR, BARFI & more, has lately made up his mind to make some quick loads of money instead of supporting good films and lost his creative vision in this wicked rat race. With a hope that he soon gets back on track with another gem of a film, I would like to conclude that there was only one dialogue in BESHARAM which could impress me, worthy of taking back home in those 2+ hours as a valuable life teaching lesson. And it was that, "Life gives you back in reverse, what you give to others. So if you do "Bhala" it returns back to you becoming "Laabh" (if studied in reverse in Hindi) and similarly if you do "Daya", it comes back to you as "Yaad", since the person always remembers you for the help given.
But other than this one precious line, I found nothing in BESHARAM quite shamefully.
Actually films like BESHARAM become possible or get made only because of the confidence acquired by their makers due to the stupendous success achieved by their previous project. In this case, it's director Abhinav Kashyap and his famous venture DABANGG featuring Salman Khan. Now just try to figure out, that what kind of a lesson, the director would have learned from such a huge success of his first project. Obviously the lesson has to be that here in India; we don't need a story, screenplay or any novel idea to make a film on. But all we need is A Big Star to say yes and the rest gets arranged quite easily. That was the exact idea with which DABANGG was made and that is again the rule followed by Abhinav in his second venture called BESHARAM.
Hence please don't look for any solid story idea here or anything exceptional in execution as clearly declared by the title of the film being BESHARAM. The film damn cares about any story progression in its first half and is only interested in giving you some cool (irregular) entertaining sequences entirely written around Ranbir Kapoor alone. The so called plot is revealed just before the intermission and by the time its pretty clear that this is nothing but just another film made to en- cash the star value associated with an actor, by fooling the audience as usual. 3 songs each in both the halves ruin the pace further and the film drops badly post intermission only to recover in its last 30 minutes with a partially enjoyable climax. And that in fact is the only saving grace of the project, wherein both Rishi Kapoor and Neetu Singh jump in to rescue their Star child from a badly conceived film all together.
Putting it simply, this is the first time I found a bit of over- confidence as well as over-acting in Ranbir Kapoor's carefree portrayal of a spoilt brat. He looks like overdoing the act, far away of being natural in many of his scenes and that was indeed a very painful sight for me as a viewer, who rates Ranbir Kapoor as a blessed exceptional actor with a vision. Plus, the film's second half has many weird, illogical scenes which certainly make you wonder that who actually directed this. Like the silly chase sequence, where the goons are firing rocket launchers at people's homes in Chandigarh's local residential lanes & more. However, the moment Rishi-Neetu join in, they start providing those much required enjoyable (yet deliberate) moments in the end and try hard to save the film from sinking with their sincere efforts.
The inconsistent writing affecting the film from its first frame itself is accompanied by some feeble performances too led by the wrong casting of Pallavi Sharda in the female lead. The girl is no doubt confident and good looking too but honestly there is no chemistry to be found in the screen pair here. Moreover casting Pallavi in this role clearly proves the point that the makers strongly believe in the theory that when A Star is there in your film, then you don't even need a well known face to feature in it as his heroine. Javed Jaafri looks good as the tough villain and Amitosh Nagpal just fills in the space as Ranbir's friend. But sadly, I didn't get what I was expecting from the real-life couple Rishi Kapoor and Neetu Singh playing the corrupt police officers together. Their act is very fine at times but also looks forced in and too loud in some scenes mainly due to the unimpressive writing. Yet it was truly great to see Neetu Singh in such an unconventional role like never before and I can only wish the couple was given some better scenes together by the makers. No doubt this was a golden opportunity wasted here unarguably.
Apart from the unconvincing performances, BESHARAM also has a routine background score and a very mediocre kind of soundtrack, which one simply forgets while walking out of the theater. Now we all know that Ranbir is a brilliant dancer. But even a fabulous dancer needs good beats and catchy compositions to perform better which are not there in its seven tracks, composed by Lalit Pandit. Further, the cinematography fails to impress majorly since the art director makes a very fake looking Punjabi Mohalla set in the first half and the action director hasn't got anything new to offer in his fights.
Returning to the major spotlight of BESHARAM i.e. Ranbir Kapoor, it seems that the once visionary actor of WAKE UP SID, ROCKET SINGH, ROCKSTAR, BARFI & more, has lately made up his mind to make some quick loads of money instead of supporting good films and lost his creative vision in this wicked rat race. With a hope that he soon gets back on track with another gem of a film, I would like to conclude that there was only one dialogue in BESHARAM which could impress me, worthy of taking back home in those 2+ hours as a valuable life teaching lesson. And it was that, "Life gives you back in reverse, what you give to others. So if you do "Bhala" it returns back to you becoming "Laabh" (if studied in reverse in Hindi) and similarly if you do "Daya", it comes back to you as "Yaad", since the person always remembers you for the help given.
But other than this one precious line, I found nothing in BESHARAM quite shamefully.
90's masala popcorn films are back thanks to movies like Wanted , Dabangg , Rowdy Rathore. Unfortunate part is that movies are getting repeated and outdone and the essence of the flavor is dying. Besharam tries hard to entertain you but falls flat on the face.
Besharam tells the story of a car thief who had to steal back the car he sold to a gang-lord after he falls in love with a girl whose car he stole.
From the critically and commercial acclaimed director of Dabangg, much was expected from Abhinav Kashyap but the lousy direction , insensible screenplay and terrible story gives you a headache which you never asked especially from star like Ranbir Kapoor. There is no plot here and frequent insertion of songs just spoils the entire mood of the film. Music is a complete letdown. Art direction and cinematography is decent. Ranbir Kapoor disappoints big time. For the first time in his career , he does not do justice to his role. The new-comer Pallavi Sharda is wasted. The chemistry between her and Ranbir Kapoor is terrible which is very much required in this kind of film. The only saving grace are comic relief by Rishi Kapoor and Neetu Kapoor who are good but not great.
Overall, Besharam is loud, lousy and unconvincing. Not recommended. 1/5
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Besharam tells the story of a car thief who had to steal back the car he sold to a gang-lord after he falls in love with a girl whose car he stole.
From the critically and commercial acclaimed director of Dabangg, much was expected from Abhinav Kashyap but the lousy direction , insensible screenplay and terrible story gives you a headache which you never asked especially from star like Ranbir Kapoor. There is no plot here and frequent insertion of songs just spoils the entire mood of the film. Music is a complete letdown. Art direction and cinematography is decent. Ranbir Kapoor disappoints big time. For the first time in his career , he does not do justice to his role. The new-comer Pallavi Sharda is wasted. The chemistry between her and Ranbir Kapoor is terrible which is very much required in this kind of film. The only saving grace are comic relief by Rishi Kapoor and Neetu Kapoor who are good but not great.
Overall, Besharam is loud, lousy and unconvincing. Not recommended. 1/5
Join me on www.facebook.com/FilmyChowk to get more movie reviews
movie doesn't deserve more than 2/10 , 1 for Ranbir Kapoor and other 1 for the producer who was confident about this movie, the movie starts as typical bollywood movie, with a song, the first half of the movie is watchable and the second half , i recommend you to get out the theater cause it's a complete disaster. reasons why you should watch this movie: 1. you have nothing else to do, even watching a insect is much entertaining than watching this movie. 2. if you hold grudge on someone take him/her and make him/her watch it. 3. watch if you want to have thrill in your life, i will pray that you survive this disaster. Finally Watch at your own risk.
¿Sabías que…?
- TriviaThis was the first time Ranbir Kapoor acted with his real father and mother.
- ConexionesReferenced in Comedy Nights with Kapil: Ranbir Kapoor & Pallavi Sharda (2013)
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- How long is Besharam?Con tecnología de Alexa
Detalles
Taquilla
- Total en EE. UU. y Canadá
- USD 679,866
- Fin de semana de estreno en EE. UU. y Canadá
- USD 364,962
- 6 oct 2013
- Total a nivel mundial
- USD 1,443,479
- Tiempo de ejecución
- 2h 23min(143 min)
- Color
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