Pueblo chico, pistola grande

First of all, I like MacFarlane's work and I am big fan of 'Family Guy', 'American Dad' and his previous live-action feature 'Ted', but 'A Million Ways to Die in the West' was set for being panned from the moment the trailer was unveiled. This is a real shame because the film does have some good aspects to it, at times it is evident that MacFarlane was trying to pay homage to some of the original westerns but at other times he was trying too hard to modernise a genre that didn't need it, and as a result the film was littered with grotesque sex jokes and toilet humour. Now don't get me wrong, I did chuckle a few times, but very few times at that. Liam Neeson's casting as the villain was indeed a good choice and he pulls off the role very well, especially alongside the stunning Charlize Theron in all her glory. I did enjoy the subtle references to 'Back to the Future' and 'Django Unchained', but despite these certain affluences, the film just generally lacked elsewhere and was unfortunately heavily flawed; a disappointing project from MacFarlane.

Since I watched Ted about a year or so ago, I became aware of this Seth McFarlane more and more especially when he hosted the Oscars last year. I found him often clever and funny even with his take on many vulgarities which he continues with this movie. Since he co-wrote, directed, and is the leading player here, he should get credit for not only continuing to provide funny scenes and lines for his players but also some for himself especially when he rants on certain facts or just makes stuff up. There was also a cameo from another movie from the '80s that I was very pleasantly surprised by! So on that note, I recommend A Million Ways to Die in the West.

It's 1882 in Arizona, the heartland of the American West. We follow the life of Albert Stark (Seth MacFarlane), an incompetent and inept sheep farmer whose girlfriend Louise (Amanda Seyfried) breaks up with him because of his glaring lack of courage and skill. Depressed and discouraged by how his life is full of disappointment and how every instance of love is then destroyed and robbed from him, Albert finds comfort in Anna (Charlize Theron), a newcomer to his small village. Albert is attracted to her, initially, by her beauty, but realizes she's the courage and confidence he has always hungered for. However, when the infamous West outlaw Clinch Leatherwood (Liam Neeson) arrives in town, Albert realizes that he has just intruded on Clinch and Anna's husband-and-wife relationship, and Clinch is hungry for retribution. On the other hand, Albert also has to find the gunslinging skill in order to battle Louise's new boyfriend - the cocky and wealthy Foy (Neil Patrick Harris) - in a shootout in front of the entire town.

A Million Ways to Die in the West may not have been the best followup to Seth MacFarlane's monster comedy hit Ted just two years ago. Despite critical/audience reception on the film taking a turn for the worse in recent time, I found that film absolutely hilarious in its brazenness and its levels of romance and heart to be on-point for a raunchy comedy of the modern day. A Million Ways to Die in the West feels like it came about when MacFarlane was sitting around a table with a few of his buddies for dinner and the gang of friends got to talking about how life in the American West must have been hell for the simple townspeople who weren't notorious gunslingers or dangerous outlaws. What they then proceeded to concoct was a barrage of events and downsides to living in one of America's most free and lawless times and what was formed was a satire on the American West life.

To be fair, the film has certain merit to it. When the film isn't getting caught up in excessive use of shock humor and gross-out gags and relying on criticizing conventions of the West, it becomes a very funny and often hilarious endeavor. When it, however, resorts to using diarrhea and urinating sheep as it core jokes is when the film becomes a tad insufferable. This is particularly frustrating because we know MacFarlane is capable of so much more than what is presented here.

However, MacFarlane excels when the screenplay calls for delivery of lengthy monologues explaining why the West is such a hellhole. Consider the scene that takes place in a local saloon, where Albert is talking with his close friends about how doctors use unorthodox practices, "modern" medicine kills and harms more than it heals, there is a new "disease of the week" every week, and everything that isn't you in the West wants you dead. This kind of humor is much more low-key and plays different instruments than the abundance of shock humor MacFarlane employs later on in the film. Was he fearful that the humor would be far too low-key and subtle for many to pick up on? Then there's the fact that the film is an unforgivably overlong one-hundred and fifty-six minutes when I initially struggled to see how this film could sustain ninety minutes. Being that it's MacFarlane, scenes drag out, subplots are introduced, musical numbers are introduced, and several little cameos such as the hilarious Bill Maher and Jamie Foxx turn up almost constantly. I am a fan of MacFarlane's rapid-fire style of filmmaking, and I admire this effort for the fact that it has to dodge contemporary pop culture references being that the story takes place in 1882. MacFarlane seemingly used those pop culture references as a cop out for story lines and plot points in his television show Family Guy, especially in the most recent episodes.

It's incredible the cast of characters MacFarlane managed to get to partake in this affair. Theron and Neeson partake in some rare comedic performances to a solid effect, and Sarah Silverman as the town hooker works because of her comedic openness. It's hard to believe the weakest performer at hand is MacFarlane himself, who finds ways to overact in many places and can't convey emotions due to his single-facial expression.

With A Million Ways to Die in the West MacFarlane creates a mildly-amusing writing exercising that turns into a sometimes funny but often middling farce on western life. The musical numbers are entertaining enough, the performances and the cameos are something to anticipate, and the aftertaste it leaves is not bitter nor offensive; just somewhat underwhelming.

Starring: Seth MacFarlane, Charlize Theron, Liam Neeson, Giovanni Ribisi, Sarah Silverman, Neil Patrick Harris, and Amanda Seyfried. Directed by: Seth MacFarlane.

High 6, low 7.

Seth MacFarlane stars in this signature MacFarlane comedy. It's a mix of Family Guy style comedy, some Airplane! Styled jokes, and a Ted styled cast. It's almost cerebrally funny, but doesn't feel quite as funny as any of Seth's other works. Not that you need to be intelligent to understand the jokes, more so that some of the jokes work on paper and just don't quite stick the landing. I'm not quite sure why.

Cast is phenomenal. Seth MacFarlane is great, Liam Neeson, Charlize Theron, all the side characters, fantastic. Movie has a story, it's not special. Movie has jokes, they're solid jokes. Overall it's not the worst comedy, but it wasn't spectacular. It does have funny or entertaining clips so you can get most of the enjoyment via YouTube.

I seem to be in the minority here and probably a different age group, the upper one. Raised on westerns, my favourite source of drama in films, I have avoided this movie because of poor reviews and poor box office. I watched it last night, mainly to see Charlize Theron and was amazed how much I loved it. It opened with majestic scenes of what I took to be Monument Valley, used to such great success by John Ford in his classic westerns with John Wayne. My thoughts went almost immediately to Blazzing Saddles for comparisons, although it is much cruder but I'm used to that now in modern entertainment. Strangely I don't usually like vulgarity in humour but for some reason I overlooked it in this movie. That may be due to the likeable performances from Seth MacFarlane and Theron. Amongst all the sillyness is a completely straight performance by Liam Neeson playing his best violent persona which is another reason why I found it worked. I never realised MacFarlane was the same actor who made Ted, which I really didn't like and for me the crude humour in that was everything I don't like about modern entertainment. Why I forgave him that for this picture is a riddle. Still, I really didn't want this film to finish. I loved the relationship build-up between MacFarlane and Theron and the supporting actors, the violent gags and the cinematography were terrific. Perhaps you have to be an old time western fan to enjoy and sadly it's a bygone genre to modern audiences judging by other comments here. 9 stars from me for the most entertaining movie of the year for me so far.