Gap tung kei hap

Most negative reviews of the movie you can find on Internet are right. I don't know if it was the director or the writers but a lot in the story is downright terrible and makes absolutely no sense. The filmmakers took almost no time building up momentum for key scenes in the story and properly explaining the logic behind the characters' origins and motives and just jumps right away into the essential parts taken from the original 1989 movie ICEMAN COMETH.

The result is a hugely unfitting film with lots of nonsense humor (many "wtf moments from Wang Baoqiang, Yu Kang, and even Donnie Yen himself), incoherent acting performances, and obvious story loops. Unlike the original movie, the filmmakers also couldn't balance seriousness and comedy at all. Watching everything is like watching several types of movie genres rolled into one. It gets to the point where one would scratch the head thinking what the hell director Law Wing Cheong wanted to achieve and whether he lost it somewhere along the process of making the movie. Because the overall narrative is so confusing.

That being said, I think Donnie's action choreography is the saving grace. I especially enjoy the nightclub fight scene and the action finale on the bridge, which features creative ideas -- the concept behind Donnie's action direction forsakes the usual HK style exchanges of punches, kicks, blocks< because it's mostly situational and seeks dramatic tension -- wirework, and decent-looking CGI. All scenes, including the brief action sprinkles scenes, are shot and edited exceptionally well. And something that surprises me: It has the same sound design from SPL, FLASH POINT, and IP MAN quadrilogy giving the impact of the hits and blocks an edgier/meaty feel to it. However, unfortunately, they aren't in great numbers and, beside the ones I mentioned, they aren't lengthy either so what's present aren't enough to hold the whole movie.

Overall, it's yet another good example of bad remakes, and ending up as one of Donnie Yen's worst movies in recent years -- easily making SPECIAL ID look much better in comparison -- and ever (it's up there with CIRCUS KIDS and IRON MONKEY 2). This review has now given me little hope for the sequel being good in its' entirety, although I'm sure the action will be good. The bad reputation is very spot on!

"Iceman" begins with a ship carrying what looks like three cryogenic tubes. Then, in a flashback, a Chinese officer is being accused of conspiring with the dreaded Japanese pirates back in the 17th century. However, when the Emperor of China's men try to apprehend him, his is transported to the present day Hong Kong--and you realize he's one of the guys in the cryo tubes. Here in the 21st century, he's out of place but also amazingly clever and helpful. I liked this part of the film. Soon, however, he's caught up in all sorts of intrigues and it all has to do with the Golden Wheel of Time and the god Shiva's penis (I am serious about this last part) and a bazillion cops trying to kill him. Can this visitor from the past take on a HUGE army of cops and win?

When "Iceman" began, it felt a lot like I'd seen this sort of plot in another film. The French film "Les Visiteurs" (remade in the US as "Just Visiting") is a silly film where the hero is magically transported many centuries into the future. Here in the present, the knight is completely out of his element and is a bumbler. The film is played strictly for laughs. Here with "Iceman", however, when the soldier is magically transported into the future, he inexplicably is like superman! Not only does he possess nearly god-like fighting and intellectual powers at times, but he also seems to magically understand technology--and he inexplicably uses the internet and destroys surveillance cameras! To me, none of this really made a lot of sense. How could a man from centuries before know how to do an internet search or understand what cameras are?! For me, this was a big problem with Iceman--it just didn't make a lot of sense. If a man is somehow transported to today from the distant past, the comical way "Les Visiteurs" handled it seems much, much more likely--with the guy drinking from toilets and getting into one problem after another. Instead, it goes from being a bit charming to being very confusing and very violent. Then, it becomes a huge, explosive finale where there are tons of explosions and violence and mindless mayhem. The charm just doesn't last very long.

So is it worth seeing? Well, if you have nothing better to do...sure. But as I mentioned above, quite a bit about the hero just didn't make a lot of sense in "Iceman". Instead, while I never loved "Les Visiteurs", I'd recommend you see it over "Iceman".

ICEMAN is Donnie Yen's much-lauded remake of the Yuen Biao-starring '80s martial arts classic, THE ICEMAN COMETH. It sees Ming bodyguard Yen and a couple of his foes frozen in time and transported to the present day, where they continue their battle to the death while coming to terms with modern-day society.

I thought the original film was pretty good, with the reliable Yuen Wah as the villain and some great action, although it's not a favourite of mine. However, it's far, far better than this unfocused and messy comedy which sees Yen at his very worst. It's similar to THE EMPEROR AND THE WHITE SNAKE in that all of the action is augmented with endless wirework and dodgy CGI which makes for a very boring viewing experience overall. My favourite Yen films are the realistic ones like IP MAN and FLASH POINT, not the stupid CGI fantasy on offer here.

ICEMAN is overlong and overly pointless, with lots of random scenes that don't go anywhere. It's also offensive, with gross-out lowbrow comedy seemingly shoehorned in at random, and ethnic stereotypes cast throughout as the villains. Yen is on autopilot, as is Simon Yam, but the rest of the cast are plain awful. Particularly Huang Shengyi (THE EMPEROR AND THE WHITE SNAKE); I really can't understand how she keeps getting work as an actress.

Let us begin by setting the record straight. We are big Donnie Yen fans. Even before he became a household name with 'Ip Man', we admired the kung fu star for his uniquely thrilling moves in 'SPL'. Still, even his most loyal fans will probably be wondering just why he has appeared in one bad movie after another in recent times. Indeed, his last good one was Peter Chan's 'Wu Xia' back in 2012; since then, 'Together', 'Special ID' and 'The Monkey King' have not only been bad movies, at least the first two have approached the point of being unwatchable, which is something we'd thought we'd never say about a Donnie Yen film.

'Iceman' could very well have been that turning point in Yen's string of duds. Its source material was Clarence Fok's 1989 martial arts fantasy 'The Iceman Cometh', an entertaining blend of action, comedy, romance and period drama starring Yuen Biao, Maggie Cheung and Yuen Wah. Its budget is an eye-popping HK$200 million dollars. And even before its release, there has been much hype about a climactic sequence set on Hong Kong's iconic Tsing Ma Bridge which cost an additional HK$50 million dollars to film because the authorities wouldn't give the filmmakers permission to do so on location. In essence, this Captain America of the East was supposed to be big-budget action blockbuster spectacle, weighty enough to warrant a two-parter release not unlike 'Red Cliff'.

Yet after all that hype, 'Iceman' is worse than 'The Monkey King' and almost as bad as 'Special ID'. Much of that has to do with the tonally incoherent plot by Lam Fung which manages to be overplotted and dramatically undernourished at the same time. Working upon the original's concept of a Ming Dynasty warrior who awakens 400 years later to find himself in modern-day Hong Kong and continue a feud that began as far back, Lam throws in multiple subplots criss-crossing present and past. There is Yen's search for a time-travelling Golden Wheel of Time that is operated by a key called the Linga. There is a corrupt Police Commissioner (Simon Yam) bent on recovering Yen and his fellow frozen guards to apparently sell them to the North Koreans. And last but not least, there is Yen's budding romance with a nightclub hostess (Eva Huang), who is caring for her sickly mother in an expensive old folks' home.

The combination of so many disparate parts makes for an extremely disjointed whole, and it doesn't help that director Law Wing Cheong seems entirely overwhelmed at maintaining some semblance of coherence. His storytelling lurches backwards and forwards across time with little narrative flow or momentum - and what makes it worse is just how tonally jarring the shifts are, from comedy to romance to period fantasy and then to surprisingly graphic action. Law also seems to have gone way out of his league from the Johnnie To-like rom-coms ('2 Become 1' and 'Hooked on You') and crime dramas ('Punished') to large-scale blockbuster territory - notwithstanding his little-seen 'The Wrath of Vajra' last year - and simply lost his footing even on the very basic level of staging a compelling enough sequence.

The same could be said of lead star and action director Donnie Yen. Even when everything else was a letdown, the very marquee name of Yen promised that at least the action would not disappoint; alas not even in that regard does 'Iceman' count for anything. Save for the much touted finale on the Tsing Ma bridge, the rest of the action sequences here seem almost like an afterthought, too reliant on the kind of unrealistic wirework that B-grade properties oft relied on. And when we finally end up on the bridge, Yen becomes too obsessed with making this a 3D movie by hurling all sorts of weaponry towards his audience that it just becomes too gimmicky to take seriously. It is scant compensation for the seemingly interminable one half hour wait, and ultimately disappointing because neither Wang Baoqiang nor Kang Yu as his nemeses are anywhere near close to being Yen's worthy on screen opponents.

There are occasional pleasures though, and these often occur at times when the movie simply refuses to take itself seriously. We're not denying that these slapstick moments will be utterly cringe-worthy to many, but hey we take what we can get. For instance, we laughed when Yen first bursts out of his cryogenic tomb and then releases his urine like a water cannon. Ditto for his favourite catchphrase literally translated as 'your mother's breasts' in Chinese. Or how about when Wang and Yu start learning words like 'chicken curry spaghetti' from a gang of Indian grifters after saving them from the cops? There are also other fish-out-of-water comedic moments that border or belong in cheese, but that's the only kind of entertainment you're going to get out of 'Iceman'.

If you're going to try to enjoy 'Iceman' therefore, it's important to set your expectations just right. Don't go in expecting the kind of popcorn blockbuster that 'Captain America' ever was, for Chinese cinema has yet to produce a modern-day superhero movie that didn't suck (think Benny Chan's 'City Under Siege'). Don't go in expecting the kind of good old-fashioned martial arts action Donnie Yen presented in 'Ip Man' or the kind of gritty MMA fighting in 'SPL' or 'Special ID', for there is nothing but a gimmicky 3D sequence right at the end that matters at all. And don't go in expecting this to be any better than Yen's recent batch of movies, for this is just one more in a bad streak that we hope will be frozen forever in time.

I have been a Donnie Yen fan every since I saw him in the first Ip Man film. Now every time I see a Donnie Yen film shown locally (which is not often), I try to catch it. Last year, he shifted his fighting style from elegant Wing Chun to gritty MMA in the film called "Special ID". This year, Yen turns to fantasy fighting in "Iceman".

Mainly "Iceman" was about a group of four friends who are high officials in the Imperial Guards during the Ming Dynasty. Three of them frame He Ying with conspiring with Japanese pirates, leading to his execution. As he tries to escape, he gets caught in an avalanche, gets cryogenically preserved, only to wake up in present day Hong Kong. Two of his traitor "friends" also wake up with him to continue their 400 year old fight.

He Wing is a kind and helpful guy, especially to the girl who took him in, May. He even helps May with her invalid mother currently in a nursing home. He Wing is also on some sort of quest, searching for the key to the so-called Golden Wheel of Time, an ancient time machine of sorts. Furthermore there is a group of corrupt cops who are after the three frozen Ming guys to sell to a North Korean buyer. All these plot lines could not really be settled in one film, as the ending obviously pointed towards a sequel.

Acting is cheesy. The comedy is lowbrow, slapstick with jokes about various body functions. The best parts of the film are still the fight scenes, even if the style was old-fashioned with a lot of obvious wire work. The climactic fight scene is the awesome three-way in the middle of a suspension bridge, with chains vs. sword vs. battle axe. Exciting stuff, though it went a bit overboard with its length.