La luz entre los océanos

For those who were fans of the book, it was a great adaptation. It was slow, but that was certainly true to the book.

The acting was excellent, and I loved the cast. Fassbender and Weisz are always winners, of course - Vikander I have enjoyed in the three movies I've seen her in. She was great when she needed to be great in this movie - there were some very dramatic and poignant scenes, and she pulled them off.

I loved the cinematography – especially the scenes filmed on the island – the constant wind! That was something which was conveyed in the book, but it's hard to keep "constant ferocious screaming wind" in your head while reading, because it would be awful if it were mentioned every paragraph, yet it's easy to forget that crucial detail while reading – the movie definitely conveyed that. Very atmospheric.

Yes, it was on the slow side - so don't watch it while drowsy, and you should be fine!

In December 1918, the traumatized military Tom Sherbourne (Michael Fassbender) is temporarily hired as lightkeeper to work alone for six months at a lighthouse at Janus Rock, Australia. He meets the joyful local girl Isabel Graysmark (Alicia Vikander) and they fall in love with each other. Soon they marry each other and Isabel moves to Janus Rock with Tom. Along the next years, Isabel has two miscarriages and while traumatized with her second loss, Tom rescues a rowboat on the shore with a dead man and a baby girl. When he is ready to report the incident, Isabel persuades Tom to keep the baby as if she were their child. The reluctant Tom has difficulties to agree, but keep the baby named Lisa. In Lisa´s baptism, Tom sees the local Hannah Roennfeldt (Rachel Weisz) praying at a grave and he learns that she is the real mother of Lisa. He writes an anonymous note to Hannah telling that her missing daughter is safe and sound. When Tom meets Hannah again four years late, he takes an attitude that will change the lives of many persons.

"The Light Between Oceans" is a beautiful film with a heartbreaking story and magnificent performances. It is easy to understand why Tom has difficulties to live a lie based on his rigid military principles but it is difficult to understand why the revelation four years after meeting Lisa´s real mother since he should be aware that his attitude would affect the lives of many people mainly Lisa and his wife. My vote is eight.

Title (Brazil): "A Luz Entre Oceanos" ("The Light Between Oceans")

When I read this on Wikidpedia I was amazed:

Critical Review The Light Between Oceans received mixed reviews from critics. On review aggregation website Rotten Tomatoes, the film has an approval rating of 59%, based on 133 reviews, with an average rating of 6.2/10. The site's critical consensus reads, "The Light Between Oceans presents a well-acted and handsomely mounted adaptation of its bestselling source material, but ultimately tugs on the heartstrings too often to be effective."

This is a brilliantly acted film with some stunning scenery filmed in New Zealand. Both Michael Fassbender and Alicia Vikander put in two very strong performances, along with Rachel Weisz in a supporting role, and the film completely captures the period after the First World War. To me it seemed very much in the mode of 'The Piano' and equally as strong in terms of its dramatic dynamics and conflicts.

I saw this film with my wife who was equally impressed so I think it has an appeal for both a female and male audience. Definitely should be an Oscar contender and both actors deserve a gong for their performances.

This film tells the story of a married couple living in a remote lighthouse, who finds a drifting boat in the sea with a healthy baby and a dead man inside. They raise the baby as their own, but soon moral challenges arise and they find themselves at an important crossroad.

I'm impressed by how beautiful "The Light Between Oceans" is. The scenery is so beautiful that it makes me want to visit that place and feel its serenity. The pain of the couple and their reasons for making such a decision is well portrayed in the film, and I do feel for them for having live with the consequences of their wrongs. The story is really beautiful because it is a story of love, and paradoxically tells that sometimes the right thing to do may not be the right thing to do. It is so hard to determine what is right and what is wrong in this situation, thereby creating a conflict which keeps the film captivating. I'm deeply moved by both Michael Fassbender and Alicia Vikander's performances. The film haunts me after it finishes, and I'm still affected by it and ruminating about it.

"She doesn't belong to us. We can't keep her." Tom (Michael Fassbender)

I was ready to witness a Nicholas Sparks imitator with The Light Between Oceans; rather I enjoyed a whiff of Thomas Hardy. A newly-married couple, Tom and Isabel (Alicia Vikander), living on a remote lighthouse island off the west coast of Australia in the second decade of the twentieth century, find a baby washed ashore in a rowboat. The tension comes not from storms at sea but the ramifications of their keeping the child a secret.

Notwithstanding the absurd good fortune that they find a baby after her two miscarriages, the story becomes increasingly complex with intersecting themes of passionate love and doing the right thing. Where this does not become a maudlin, sentimental romance is in a few realistic details. Most of us would question whether we would keep the child, given that we may never have one ourselves, just as this couple does.

Along the way, the accomplished acting throws a powerful cast over the proceedings so that as outrageously melodramatic as it may seem, the film relentlessly shows at each turn how conscience does indeed make cowards of us all. Just as what he has done preys on Tom's conscience, the needs of his wife to have a child overcome this otherwise beacon of upright manhood and good sense.

The end of WWI brings survivors like Tom an overpowering guilt that he survived while so many others didn't. With the presence of a child who belongs to someone else, he is tortured by thoughts of taking a loved one away as the war did for so many families.

Fassbender is the Oscar contender he was meant to be. His every facial muscle works to show immense joy at his marriage and deep sorrow at his crime. Vikander is equally convincing as a youthful bride with grit and joy who convinces her husband, sworn to save lives in the lighthouse, to endanger himself and her by his foolish act.

The cinematography is frequently gorgeous, and the romantic Andre Desplat music lovely but manipulative. While writer and director Derek Cianfrance navigates occasionally successfully through some choppy tear-jerking scenes (the close-ups of Vikander's tears are too many), it's still also a melodrama with too many fateful turns.

Besides, what handsome, sensitive war veteran would exile himself to a lighthouse? Only if he knew Alicia Vikander would join him!