Rey desarrolla sus habilidades con la guía de Luke Skywalker, quien está desconcertado por la fuerza de sus poderes. Mientras tanto, la Resistencia se prepara para la batalla con la Primera ... Leer todoRey desarrolla sus habilidades con la guía de Luke Skywalker, quien está desconcertado por la fuerza de sus poderes. Mientras tanto, la Resistencia se prepara para la batalla con la Primera Orden.Rey desarrolla sus habilidades con la guía de Luke Skywalker, quien está desconcertado por la fuerza de sus poderes. Mientras tanto, la Resistencia se prepara para la batalla con la Primera Orden.
- Dirección
- Guionistas
- Elenco
- Nominado a 4 premios Óscar
- 26 premios ganados y 99 nominaciones en total
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Resumen
Reviewers say 'Star Wars: The Last Jedi' garners varied reactions, with praise for its innovative storytelling, stunning visuals, and complex character arcs, especially Rey and Kylo Ren. It is celebrated for pushing Star Wars boundaries but criticized for plot inconsistencies and character missteps. The portrayal of Luke Skywalker and new characters sparks debate, alongside mixed opinions on humor and pacing. Despite the backlash, the film is acknowledged for its ambition and bold narrative direction within the Star Wars universe.
Opiniones destacadas
This cinematic catastrophe, masquerading as a continuation of the beloved Star Wars saga, is an utter disgrace to the franchise and a desecration of everything that once made it great. Director Rian Johnson's feeble attempt to leave his mark on this illustrious universe falls short in every conceivable way, leaving fans and cinephiles alike bewildered and dismayed.
From the very outset, it becomes apparent that The Last Jedi lacks any coherent vision or respect for the source material. Johnson takes delight in tearing down the established mythology, tossing aside the profound themes and intricate character arcs that have captivated audiences for decades. Instead, we are subjected to a hodgepodge of convoluted plotlines and laughable attempts at subversion, all executed with a lack of finesse and intelligence that is truly astonishing.
Gone are the iconic heroes we once held dear, replaced by hollow caricatures of their former selves. Mark Hamill's portrayal of Luke Skywalker, a character etched into the annals of cinematic history, is reduced to a moping hermit devoid of purpose or conviction. The essence of Luke's struggle and growth, painstakingly developed over multiple films, is discarded in favor of a disillusioned old man who resorts to throwing tantrums like a petulant child. It is a disservice to Hamill's talent and an insult to the audience's intelligence.
Furthermore, the new characters introduced in The Last Jedi are equally unimpressive. Rey, portrayed by Daisy Ridley, continues to be a one-dimensional Mary Sue, effortlessly mastering the Force without any training or struggle. The potential for compelling storytelling is squandered, replaced by a tedious parade of nonsensical twists and contrived romantic entanglements. The script is riddled with cringe-inducing attempts at humor, which only serve to further undermine any semblance of seriousness or gravitas.
Visually, the film offers little respite from its narrative failings. The action sequences lack the grandeur and precision that once defined the franchise, devolving into a cacophony of meaningless explosions and flashy yet empty spectacle. The once awe-inspiring space battles are reduced to uninspired video game sequences, bereft of any emotional weight or strategic depth. Even the iconic lightsaber duels, once choreographed with elegance and purpose, now feel like nothing more than a choreographed mess of flashy acrobatics.
It is clear that The Last Jedi suffers from a severe lack of creative vision, guided by a director who either misunderstands or deliberately disregards the essence of the Star Wars saga. The film's attempts at subversion and reinvention fall flat, resulting in a disjointed and unsatisfying experience that tarnishes the legacy of its predecessors. Star Wars: Episode VIII - The Last Jedi is an abomination, an insult to the intelligence of its audience, and a dark stain on the once-shining galaxy far, far away.
From the very outset, it becomes apparent that The Last Jedi lacks any coherent vision or respect for the source material. Johnson takes delight in tearing down the established mythology, tossing aside the profound themes and intricate character arcs that have captivated audiences for decades. Instead, we are subjected to a hodgepodge of convoluted plotlines and laughable attempts at subversion, all executed with a lack of finesse and intelligence that is truly astonishing.
Gone are the iconic heroes we once held dear, replaced by hollow caricatures of their former selves. Mark Hamill's portrayal of Luke Skywalker, a character etched into the annals of cinematic history, is reduced to a moping hermit devoid of purpose or conviction. The essence of Luke's struggle and growth, painstakingly developed over multiple films, is discarded in favor of a disillusioned old man who resorts to throwing tantrums like a petulant child. It is a disservice to Hamill's talent and an insult to the audience's intelligence.
Furthermore, the new characters introduced in The Last Jedi are equally unimpressive. Rey, portrayed by Daisy Ridley, continues to be a one-dimensional Mary Sue, effortlessly mastering the Force without any training or struggle. The potential for compelling storytelling is squandered, replaced by a tedious parade of nonsensical twists and contrived romantic entanglements. The script is riddled with cringe-inducing attempts at humor, which only serve to further undermine any semblance of seriousness or gravitas.
Visually, the film offers little respite from its narrative failings. The action sequences lack the grandeur and precision that once defined the franchise, devolving into a cacophony of meaningless explosions and flashy yet empty spectacle. The once awe-inspiring space battles are reduced to uninspired video game sequences, bereft of any emotional weight or strategic depth. Even the iconic lightsaber duels, once choreographed with elegance and purpose, now feel like nothing more than a choreographed mess of flashy acrobatics.
It is clear that The Last Jedi suffers from a severe lack of creative vision, guided by a director who either misunderstands or deliberately disregards the essence of the Star Wars saga. The film's attempts at subversion and reinvention fall flat, resulting in a disjointed and unsatisfying experience that tarnishes the legacy of its predecessors. Star Wars: Episode VIII - The Last Jedi is an abomination, an insult to the intelligence of its audience, and a dark stain on the once-shining galaxy far, far away.
Picking up where The Force Awakens left off, Rey meets Luke Skywalker and tries to convince him to help The Resistance. He is initially hesitant but eventually decides to train Rey in the way of The Force. However, Kylo Ren also wants to track down Skywalker, and uses Rey for that purpose. Meanwhile, The Resistance are locked in deadly battle with the First Order and, while they have some minor victories, it seems like a futile struggle.
I'm not generally a Star Wars fan but to my surprise I enjoyed Episode VII - The Force Awakens. It grabbed my attention from the word go and held it all the way through. A rollicking adventure with engaging characters. Moreover, the blending of the old characters and the new was very well done, with the feeling that the torch had been passed to the new generation.
Unfortunately, Episode VIII doesn't come close to the engagement, novelty and adventure of Episode VII. Its essentially one long action-drama, with little in the way of engagement or originality. The Rey-Kylo Ren relationship had potential but went nowhere new or interesting and was snuffed out pretty quickly. Them possibly working together held my attention but the intrigue was short-lived. The movie simply degenerated into action sequences after that.
On the upside, no need to waste my time on Episode IX (Or X, or XI, or...)...
I'm not generally a Star Wars fan but to my surprise I enjoyed Episode VII - The Force Awakens. It grabbed my attention from the word go and held it all the way through. A rollicking adventure with engaging characters. Moreover, the blending of the old characters and the new was very well done, with the feeling that the torch had been passed to the new generation.
Unfortunately, Episode VIII doesn't come close to the engagement, novelty and adventure of Episode VII. Its essentially one long action-drama, with little in the way of engagement or originality. The Rey-Kylo Ren relationship had potential but went nowhere new or interesting and was snuffed out pretty quickly. Them possibly working together held my attention but the intrigue was short-lived. The movie simply degenerated into action sequences after that.
On the upside, no need to waste my time on Episode IX (Or X, or XI, or...)...
I really want to sit across from Rian Johnson and Kathleen Kennedy and ask them honest questions:
1. Do you know what "heavy-handed" means?
2. In film school, or in any time in your career, did you ever learn about building tension, or making the audience care about characters, or continuity from a previous installment?
3. Is this a Star Wars movie or a Marvel movie version of Star Wars?
1. Do you know what "heavy-handed" means?
2. In film school, or in any time in your career, did you ever learn about building tension, or making the audience care about characters, or continuity from a previous installment?
3. Is this a Star Wars movie or a Marvel movie version of Star Wars?
The original Star Wars films ("4-6" as we're now supposed to call them) were FUN. It's that simple. They had action, surprise, and a bit of humor. They were a treat for viewers young and old.
"The Last Jedi" is an overwhelming smorgasbord of dramatic side stories, multiple plots and conflicts, all stuffed into one film. Could the writers not agree on a single storyline to follow?
I get it. The film is supposed to be more dramatic, more emotional. Snore... I'm not a fan of emotional dramas. More power to you if you enjoy them. But again, this franchise is supposed to be FUN. Does anyone remember what fun feels like these days?
You have the heroes, the villains, and the battle between them. It's a tried and true action-packed formula that has served countless classic films.
Take, for example, this movie's long and winding exploration of Kylo Ren's inner feelings. I don't care. I'm not interested in the moody emo villain and his complex emotions. Again, heroes and villains. Action. Fun. Let's go.
I miss the magic of the original films. Unfortunately those days are long gone in a galaxy far, far away.
"The Last Jedi" is an overwhelming smorgasbord of dramatic side stories, multiple plots and conflicts, all stuffed into one film. Could the writers not agree on a single storyline to follow?
I get it. The film is supposed to be more dramatic, more emotional. Snore... I'm not a fan of emotional dramas. More power to you if you enjoy them. But again, this franchise is supposed to be FUN. Does anyone remember what fun feels like these days?
You have the heroes, the villains, and the battle between them. It's a tried and true action-packed formula that has served countless classic films.
Take, for example, this movie's long and winding exploration of Kylo Ren's inner feelings. I don't care. I'm not interested in the moody emo villain and his complex emotions. Again, heroes and villains. Action. Fun. Let's go.
I miss the magic of the original films. Unfortunately those days are long gone in a galaxy far, far away.
After George Lucas's execrable prequels and the mediocre The Force Awakens, I've learnt to keep my expectations low for any new Star Wars films in order to avoid total disappointment. Having just seen The Last Jedi, it appears that I haven't been keeping them low enough.
The reasons for my loathing are the same as those noted in the countless scathing reviews here on IMDb, so I won't go into drawn out detail - suffice to say that the film frequently beggars belief, is massively bloated, defies logic and is full of misplaced humour (the worst moments being the horrible 'steam iron' gag and BB-8's handy coin launcher).
3 out of 10, solely for the impressive special effects. Writer/director Rian Johnson shouldn't be allowed within 12 parsecs of another Star Wars sequel.
The reasons for my loathing are the same as those noted in the countless scathing reviews here on IMDb, so I won't go into drawn out detail - suffice to say that the film frequently beggars belief, is massively bloated, defies logic and is full of misplaced humour (the worst moments being the horrible 'steam iron' gag and BB-8's handy coin launcher).
3 out of 10, solely for the impressive special effects. Writer/director Rian Johnson shouldn't be allowed within 12 parsecs of another Star Wars sequel.
'Lilo & Stitch' Joins the Billion Dollar Box Office Club
'Lilo & Stitch' Joins the Billion Dollar Box Office Club
Lilo & Stitch just reached the $1 billion mark at the worldwide box office. Take a look at the top-grossing movies of all time.
¿Sabías que…?
- TriviaMark Hamill and Rian Johnson revealed at a BAFTA screening that Hamill asked to play a CG character in addition to his role as Luke Skywalker, saying that he had done it before (he had previously done CGI work for the computer game Squadron 42 (2026) (which is the separate solo campaign of Star Citizen)). In the film he plays Dobbu Scay, the character who puts money inside BB-8 in the Casino scenes.
- ErroresWhen Poe gets permission to leave the bridge and runs towards the X-Wing bay, several pilots on the bridge follow him, including the alien C'ai Threnalli. However, immediately after C'ai runs out of frame, there is a reaction shot of Finn with C'ai still standing at a console in the background.
- Citas
Kylo Ren: I'll destroy her. And you. And all of it.
Luke Skywalker: No. Strike me down in anger and I'll always be with you. Just like your father.
- Créditos curiososIn loving memory of our princess, Carrie Fisher.
- Versiones alternativasThe home video releases (both physical and digital) include a version with an isolated score. It is accessible through the Movies Anywhere app.
- ConexionesEdited into If Star Wars Wasn't Serious (2014)
- Bandas sonorasAquarela Do Brasil
Written by Ary Barroso
Selecciones populares
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- When does this take place in the Star Wars timeline?
Detalles
- Fecha de lanzamiento
- País de origen
- Sitios oficiales
- Idioma
- También se conoce como
- Star Wars. Episodio VIII: Los últimos jedi
- Locaciones de filmación
- Salar de Uyuni, Bolivia(ending battle exterior scenes)
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 317,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 620,181,382
- Fin de semana de estreno en EE. UU. y Canadá
- USD 220,009,584
- 17 dic 2017
- Total a nivel mundial
- USD 1,334,407,706
- Tiempo de ejecución2 horas 32 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.39 : 1
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