Frío como la noche

Cold Comes The Night is a dark thriller about a woman Chloe(Alice Eve) who lives and runs a rundown motel. To make ends meet and support her 10 year old daughter she is in business with Billy(Logan Marshall Green),a corrupt cop that deals smack and pimps hookers out of the motel. Billy(the least sympathetic character in this piece) takes advantage of Chloe's situation and at times is psychotic and brutal towards her. Bryan Cranston is a Russian mobster who spends the night at the motel. He loses his driver and the jeep that has a package he is obligated to deliver. Topo(Bryan Cranston) takes Chloe and her daughter Sophia hostage and sets out to retrieve his package at any cost. Chloe is the most sympathetic character in this film (with exception to her daughter obviously) and is mostly a victim of circumstance. Make no mistake everyone in this movie is bad, including Chole. Performances are real strong across the board and elevate this material greatly. Bryan Cranston is exceptional in this and stands out as a nearly blind, ruthless career criminal. As a huge fan of Breaking Bad myself, he was the reason to check out this downtrodden drama and I am not disappointed. CCTN overall really came across with the strong performances from the cast and sold what would otherwise be an average thriller. I am glad I gave this a look and hope to see Bryan Cranston play more dark characters like Topo and Walter White in the future.

This is a decent watchable thriller.

A financially struggling mother(with a young daughter) is running a motel which caters for low lives when some very unsavory characters enter their lives and make things even worse.......

One of the "baddies" is an actor called Bryan Cranston who absolutely steals the show. He has the best line in the picture the tongue in cheek: "Hard to get decent help"

Though the eventual outcome of the story is very predicable and unoriginal, I lasted to the end so can award a respectable:

6/10

"Good help is hard to find." Chloe (Eve) is a hotel owner who is not only struggling to keep her life together but also to keep her daughter with her. Her day goes from bad to worse when after being threatened by child protective services a murder occurs in one of her rooms. As if that isn't bad enough a man named Topo (Cranston) knew the man who was killed and the vehicle that had his money was taken by the cops. He enlists the help of Chloe and the two of them set out to get the money back...or Amy will lose her daughter forever. There have been many many movies with this idea, someone loses something important to them and an innocent stranger must help them get it back. The difference in this one is...the cast. I'm not saying they were great I'm saying this one had a different cast. On the other hand though the cast is really one of the reasons why this is watchable. Alice Eve is believable as a woman who will do anything to save her daughter. Cranston tries his best to be a creepy tough guy but comes off as being flat. This is a movie that had potential but again became another generic "let's get my money or else" movie. Overall, not horrible but the movies Cash and Pressed were much better. I give this a B-.

Montreal lies due north of New York. To the south of Montreal are the Adirondack Mountains. It was here, at Saranac Lake in December 1887, that Robert Louis Stevenson first conceived of 'The Master Of Ballantrae', and decided to use the location for a setting in his novel. South of there lies Albany the capital city of the state of New York, and south of there is Sullivan County, where, in Bethel, was staged the famous Woodstock Festival of 1969.

Halfway between New York and Montreal, up the Hudson River, between Sullivan County and Albany, are the Catskill Mountains and Greene County. This is the setting for this film, but the Greene County of this film is a million miles away from the government in Albany or the hippies of Woodstock. Rather, the Greene County setting, is as dark as that Saranac setting of R.L. Stevenson.

After the credits, the film starts pleasantly enough with a mother sending her kid off to school. There follows a few short scenes which show effectively and efficiently the drudgery of the woman in her work. She works in a motel, as manager, chamber-maid, and sole employee, and she and her daughter live there too.

One night two men decide to stay in her motel. They are men on a mission. Not a mission from god, but rather their mission is to transport Mr Alfred Hitchcock's McGuffin.

The overnight stay at the motel starts a chain of events that quickly spiral out of control. At the centre of these events is Bryan Cranston, who plays one of the coldest characters ever seen since Tom Cruise in 'Collateral' (2004). Cold, ruthless, and unemotional, the words "I am a friend of your mothers", are truly terrifying.

The mother herself, played by Alice Eve, also shows no emotion or expression. She too is cold. She is portrayed as passive and submissive. This reviewer, whilst puzzled by this, feels that this must be a deliberate film-making decision; to show these characteristics as a learnt defence mechanism, which the mother has adopted to help her deal with her past and present circumstances.

At the heart of this film is the McGuffin, and the battle of wits between the male and female lead. Both leads are mostly laconic, and if you are looking for a film-noir with more twists than a pretzel, then you will not be disappointed by this film that fulfils the conventions and expectations of the genre.

Good support is given by the rest of the cast. Special mention should go to Ursula Parker, playing the daughter, who gives a very natural performance. Praise too, for Logan Marshall-Green, who plays a cop, and gives a very animated, heated, and passionate performance, which is the complete opposite of that of the two (cold) leads.

Some clever filming enables the audience to experience things through the eyes of the protagonists.

Viewers should not expect to learn everything. Some questions, and some plot-threads are deliberately left unexplained or vague. It is clear that some things are understated and left to our imagination.

If you liked 'Hard Eight' (1996), 'Collateral' (2004), or the recent 'Dead Man Down' from earlier this year, then this dark, tense, film is for you. Warning: Contains blood. 8/10.

Nothing truly special or unusual: Just a really good crime drama that's a little too well-acted and realistic to be labeled a "thriller." COLD COMES the NIGHT is grimly riveting and constantly leaves you wondering what will happen next. Some layers, twists, and reversals, but it's still very easy to follow and, therefore, may be a little too episodic and simple for some tastes.

CCN has a minimalistic low-budget appeal to it. We don't know a whole lot about the various players in the smaller town Mid-Atlantic setting. Nevertheless, it shows us all we really need to know. Violent, disturbing, but without cheap schlocky gore. I kept thinking, "This is how real murders must look and, especially, sound." Alice Eve gives a plain yet memorable performance as Chloe, a tough but compassionate single mother who manages the sleazy motel where all the trouble starts. The other actors do likewise in their roles. The script and cinematography are similarly real. Nice ending. Good, fitting soundtrack too. Though it doesn't try for anything big, COLD COMES the NIGHT accomplishes all it sets out to do and is a very watchable little film.