CALIFICACIÓN DE IMDb
4.0/10
3.2 k
TU CALIFICACIÓN
Claire está a punto de casarse, pero su despedida de soltera rápidamente se sale de control.Claire está a punto de casarse, pero su despedida de soltera rápidamente se sale de control.Claire está a punto de casarse, pero su despedida de soltera rápidamente se sale de control.
- Dirección
- Guionistas
- Elenco
Lynette DuPree
- Linda
- (as Lynette Dupree)
Patrick Quinlan
- Paramedic
- (as Patrick Quinian)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
When is Hollywood going to realize that five things are necessary in good cinema: great camera transitions and camera work, a good soundtrack,interesting sets,a convincing premise-one that enables you to suspend disbelief, and good acting. A camera artist can suggest someone making love by a slow pan to a window sill,can change sets by panning to a tree. Camera work is an art and one that I especially enjoy in movie entertainment. It's time to throw the young turks with their belief that you can make good cinema with a handcam out on their ears. Good camera transitions have identified good cinema since.....Citizen Kane. And even light romcoms benefit from good camera work.
A good soundtrack establishes how you FEEL during the scenes and are especially important to the finale of the movie. Interesting sets can make the dullest movie more enjoyable. And a good premise combined with good acting can enable you to suspend disbelief in the wackiest movies- can make you believe in elves and dragons for a short time. Just saying-throw the handcam away....or give it to a family with a kid and get back to REAL cinema where the sum of each artists work is revealed in the whole.Anyone that makes movies any other way is wasting their time and yours.
A good soundtrack establishes how you FEEL during the scenes and are especially important to the finale of the movie. Interesting sets can make the dullest movie more enjoyable. And a good premise combined with good acting can enable you to suspend disbelief in the wackiest movies- can make you believe in elves and dragons for a short time. Just saying-throw the handcam away....or give it to a family with a kid and get back to REAL cinema where the sum of each artists work is revealed in the whole.Anyone that makes movies any other way is wasting their time and yours.
One must give longtime parody directors Jason Friedberg and Aaron Seltzer some credit for branching out into new territory with their latest film, Best Night Ever. Being that the duo has grossed millions upon millions of dollars with each abysmal parody film after another, the duo had really no reason to stray from their niche; they found something that worked and made them a great deal of money each time. Why become diverse when they've already stuck gold? But randomly and all of a sudden, a film by the name of Best Night Ever was thrown into production by them, a raunchy comedy centered on an all female cast of characters who are hitting Las Vegas for their one friend's bachelorette party, which turns into a messy state of affairs after they are robbed for their money, purses, shoes, and their jewelry, including ones expensive wedding ring.
What ostensibly would play like an exciting and fun romp akin to Bridesmaids, or even The Hangover, however, turns overly-crass, shamelessly raunchy without even a hint of wit or subtlety, and exhausting by the thirty minute mark. As someone who was slightly (but cautiously) optimistic about how Friedberg and Seltzer's style of comedy would be conducted for a film wasn't a competition for references, I was disappointed (but unsurprised) that their humor outside of overcompensating references is largely predicated off of grotesque shock humor, where the female characters say and do the most revolting things in hopes they are funny enough for the audience. Lines like "My g-string is like a slip and slide" and witnessing a woman urinate and defecate on an innocent man's face is what we have to succumb to watching Best Night Ever.
The four female leads have almost no personality, so why refer to them by their names? Let's call them what they are; The Bride-to-Be (Desiree Hall), The Uppity Sister of the Bride-to-Be (Samantha Colburn), The Obnoxious Best Friend of the Bride-to-Be (Eddie Ritchard), and The Lewd and Dirty-Mouthed Friend of the Bride-to-Be (Crista Flanagan) all set out to have a fun girls night out, filming their travels thanks to the help of a hand-held camera. After The Obnoxious Best Friend of the Bride to Be tries to make a cocaine deal after the girls get kicked out of a strip club, the quartet of girls are robbed for everything they have and must find a way to get money in the heartland of Vegas so they can return home.
It's a tad frightening how much Friedberg and Seltzer seem to hate their female characters. The movie predicates itself off of showing them getting into trouble, being entirely irresponsible, childish, petty, and downright annoying, with consequences to their behavior at every turn that are ugly and downright cruel. Think Spring Breakers with none of the social commentary nor insights; this is true bad behavior on display with nothing significant to say at all.
The film is almost entirely comprised of scenes involving total hell breaking loose, chaotic parties, and the girls racing from place to place in a stolen limo. The editing here, is disastrous, with the hand-held-camera being another useless gimmick, and cuts, shots, and entire sequences being assembled in an incoherent order. The entire cut-and-paste editing job here fails to give the scenes in the film any feelings of placement and basic structure and, in turn, we get a cacophony of madness in the sound and editing department.
Speaking of sound, in addition, towards the second and third act, almost the entirety of character dialog is comprised of obnoxious screaming, yelling, and exhaustive, high-pitched noise. This style is absurd and annoying, especially when one realizes this is what the film substituted actual character development for.
What we have here, in summation, is an attempt at something "new" for the directors that revolves around making female characters look disturbingly irresponsible and juvenile, characters who don't even deserve an assigned name, repetitive and downright unfunny shock humor, awful editing, and a script where about two-thirds of the lines of dialog are written out as *high-pitched screams from all the girls.* It almost becomes bad enough to the point where saying that the film is better than Friedberg and Seltzer other films isn't even an accurate statement.
Starring: Desiree Hall, Samantha Colburn, Eddie Ritchard, and Crista Flanagan. Directed by: Jason Friedberg and Aaron Seltzer.
What ostensibly would play like an exciting and fun romp akin to Bridesmaids, or even The Hangover, however, turns overly-crass, shamelessly raunchy without even a hint of wit or subtlety, and exhausting by the thirty minute mark. As someone who was slightly (but cautiously) optimistic about how Friedberg and Seltzer's style of comedy would be conducted for a film wasn't a competition for references, I was disappointed (but unsurprised) that their humor outside of overcompensating references is largely predicated off of grotesque shock humor, where the female characters say and do the most revolting things in hopes they are funny enough for the audience. Lines like "My g-string is like a slip and slide" and witnessing a woman urinate and defecate on an innocent man's face is what we have to succumb to watching Best Night Ever.
The four female leads have almost no personality, so why refer to them by their names? Let's call them what they are; The Bride-to-Be (Desiree Hall), The Uppity Sister of the Bride-to-Be (Samantha Colburn), The Obnoxious Best Friend of the Bride-to-Be (Eddie Ritchard), and The Lewd and Dirty-Mouthed Friend of the Bride-to-Be (Crista Flanagan) all set out to have a fun girls night out, filming their travels thanks to the help of a hand-held camera. After The Obnoxious Best Friend of the Bride to Be tries to make a cocaine deal after the girls get kicked out of a strip club, the quartet of girls are robbed for everything they have and must find a way to get money in the heartland of Vegas so they can return home.
It's a tad frightening how much Friedberg and Seltzer seem to hate their female characters. The movie predicates itself off of showing them getting into trouble, being entirely irresponsible, childish, petty, and downright annoying, with consequences to their behavior at every turn that are ugly and downright cruel. Think Spring Breakers with none of the social commentary nor insights; this is true bad behavior on display with nothing significant to say at all.
The film is almost entirely comprised of scenes involving total hell breaking loose, chaotic parties, and the girls racing from place to place in a stolen limo. The editing here, is disastrous, with the hand-held-camera being another useless gimmick, and cuts, shots, and entire sequences being assembled in an incoherent order. The entire cut-and-paste editing job here fails to give the scenes in the film any feelings of placement and basic structure and, in turn, we get a cacophony of madness in the sound and editing department.
Speaking of sound, in addition, towards the second and third act, almost the entirety of character dialog is comprised of obnoxious screaming, yelling, and exhaustive, high-pitched noise. This style is absurd and annoying, especially when one realizes this is what the film substituted actual character development for.
What we have here, in summation, is an attempt at something "new" for the directors that revolves around making female characters look disturbingly irresponsible and juvenile, characters who don't even deserve an assigned name, repetitive and downright unfunny shock humor, awful editing, and a script where about two-thirds of the lines of dialog are written out as *high-pitched screams from all the girls.* It almost becomes bad enough to the point where saying that the film is better than Friedberg and Seltzer other films isn't even an accurate statement.
Starring: Desiree Hall, Samantha Colburn, Eddie Ritchard, and Crista Flanagan. Directed by: Jason Friedberg and Aaron Seltzer.
I think that after seeing 'Bridesmaids,' and 'Bachelorette,' I went into this film a bit tired of bachelorette party movies. I love soon to be married women going crazy as much as the next guy, but I think enough is enough. 'Best Night Ever," which is by far the most far-fetched and over the top of the three movies, follows Claire (Desiree Hall) as she heads to Las Vegas with her two friends and her older sister. Unlike its two predecessors, this movie is shot in a pseudo home movie found footage way, which makes it more annoying than unique. It was irritating when 'The Blair Witch' Project did it, and it is irritating now.
I deemed this movie watchable because it does have a story line that flows well, and trust me, you won't get bored. The film certainly had its moments, most memorably a situation where roles are reversed and the women are punished for touching male strippers. Although there are some humorous parts of the movie, it is a far cry from an intellectual comedy. This is what I have referred to as a "pee your pants comedy," but it falls short of others that I have previously watched. I challenge you to watch the movie and not laugh, but I also challenge you to tell me its merit outweighs its flaws.
Writer/director's Jason Friedberg and Aaron Seltzer are known for writing "spoof" comedies, and this one doesn't seem very different. 'Best Night Ever' is a movie that seems like it would attract a female audience, but it is certainly made for men. The four main characters are constantly challenging themselves to be as immature as possible, and to keep the party going. This movie reminds me that girls just want to have fun, and guys just want to watch.
I deemed this movie watchable because it does have a story line that flows well, and trust me, you won't get bored. The film certainly had its moments, most memorably a situation where roles are reversed and the women are punished for touching male strippers. Although there are some humorous parts of the movie, it is a far cry from an intellectual comedy. This is what I have referred to as a "pee your pants comedy," but it falls short of others that I have previously watched. I challenge you to watch the movie and not laugh, but I also challenge you to tell me its merit outweighs its flaws.
Writer/director's Jason Friedberg and Aaron Seltzer are known for writing "spoof" comedies, and this one doesn't seem very different. 'Best Night Ever' is a movie that seems like it would attract a female audience, but it is certainly made for men. The four main characters are constantly challenging themselves to be as immature as possible, and to keep the party going. This movie reminds me that girls just want to have fun, and guys just want to watch.
Worst. Movie. Ever. I had high hopes from the trailer but what I found was a pathetic mix up of Hangover, Bridesmaids, and Springbreakers. The acting was awful, the supposed 'handy cam' viewpoint annoying and unrealistic. I only kept watching it out of a dark fascination of how far could their train wreck go. Blood, defecation, sex toys, gratuitous violence, it goes far in all aspects and in extreme bad taste. Nothing humorous at all in this movie unless perhaps you're really into toilet humor. And throughout all the mishaps the girls remained make up and hair perfect with nary a streak of dirt on their clothing. It's completely ridiculous. Save a couple hours of your life that you won't get back and avoid this movie.
2swo0
From the makers of Disaster Movie and the likes comes a new low.
The story is a failed rip-off from The Hangover where 4 women: the rich neat sister, the weird one, the loose one and the one about to be married head to Las Vegas for a bachelorette party, their booking went all wrong so they just go out to get as drunk as they possibly can. What follows are seemingly random scenes akin to the stories my wannabe hip uncle tells at birthdays.
Still, if everything else was great it could have been saved. Unfortunately this isn't the case. The acting ranges from bad to mediocre. The editing only makes it worse, where sometimes people respond 2 seconds too late to shocking news. And the camera is horrible, they went for the handy-cam way of shooting the movie which makes for crappy quality and constantly gives you the feeling that you're watching some embarrassing home video that didn't quite make it to the funniest home videos show.
If after all of this you still want to see it, watch the trailer instead as anything remotely funny or worthwhile is in the trailer.
The story is a failed rip-off from The Hangover where 4 women: the rich neat sister, the weird one, the loose one and the one about to be married head to Las Vegas for a bachelorette party, their booking went all wrong so they just go out to get as drunk as they possibly can. What follows are seemingly random scenes akin to the stories my wannabe hip uncle tells at birthdays.
Still, if everything else was great it could have been saved. Unfortunately this isn't the case. The acting ranges from bad to mediocre. The editing only makes it worse, where sometimes people respond 2 seconds too late to shocking news. And the camera is horrible, they went for the handy-cam way of shooting the movie which makes for crappy quality and constantly gives you the feeling that you're watching some embarrassing home video that didn't quite make it to the funniest home videos show.
If after all of this you still want to see it, watch the trailer instead as anything remotely funny or worthwhile is in the trailer.
¿Sabías que…?
- TriviaThe first R-rated film to be directed by Aaron Seltzer and Jason Friedberg.
- ErroresWhen the girls come after Claire at the hotel, they say they will go up to the 5th floor but the rooms numbers indicate they are actually in the 9th floor.
- Créditos curiososThere's a post-credits scene.
- ConexionesReferenced in I Hate Everything: the Search for the Worst: Smosh: The Movie (2015)
- Bandas sonorasOn the Floor
Written by Eric Goldman (as Eric Peter Goldman)
Performed by Electrolightz
Courtesy of The LA Outfit
By arrangement with Format Entertainment
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- How long is Best Night Ever?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Sitios oficiales
- Idioma
- También se conoce como
- Bachelorette Party
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Total a nivel mundial
- USD 289,511
- Tiempo de ejecución1 hora 30 minutos
- Color
- Relación de aspecto
- 1.78 : 1
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By what name was Best Night Ever (2013) officially released in India in English?
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