Rescate extremo

The writing is bad. The sets are a joke and the things they have the actors doing are ridiculous. Is someone actually directing this ? Is there even a screenplay to work from. I am amazed there are 20 episodes, who approved this and more importantly who paid for it ? The situations are ludicrous.

Now I need another three hundred.

The writing is bad. The sets are a joke and the things they have the actors doing are ridiculous. Is someone actually directing this ? Is there even a screenplay to work from. I am amazed there are 20 episodes, who approved this and more importantly who paid for it ? The situations are ludicrous.

First of all, they must have racially-targeted black actors (according to skin-color) in order to find the one black man on the planet who can swim in salt-water with his eyes open. Second of all, the dude he was swimming to rescue- was simply chillin' in a helicopter seat underwater... just because he can't get his seatbelt off by himself. He calmly takes a breath from his little oxygen tank and points to the seatbelt when the black guy (who somehow found him at night, in salt-water, with no flashlight or mask, after somehow finding the sinking helicopter in 300 billion gallons of water and locating the door-latch) comes to rescue him. Have you ever tried to open your eyes underwater and see anything in focus more than 2 feet away?!?.. much less in SALTwater?!?! And then the radio says "all searches have been called off until the storm passes", when the wife waiting at the station asks "durrrhhhh what does THAT mean?!?"... Then, in all-out-hatred against black women, the media AGAIN puts the black-lover-man into the latina woman... RACISTS!!!

First, I very much like the concept of emergency service personnel (our day-to-day heroes) although injured in the line of duty, able to return to work, albeit obviously changed human beings. JR Martinez brings his personal horror story of injury & facial derangement to his role & I sympathized greatly with not only his pain, but his social discomfort & sadness. Dolph...well...is Dolph. ...great in the typical quasi-militaristic plot but a tad sketchy in those little personal drama scenes. Texas Battle is good & believable, as is Karl Thaning. The plots have evolved nicely. (Among others, I enjoyed the container that submerged containing trafficked humans, and their rescue.). I would like to see improvement in the female role though. Why are their shoulders/arms so pitiful? Come on Lydia, Jocelyn & Katie, pick up some weights. Carry a hose pack. Work out for gods' sakes. This is not 1990 you know. I also liked Danielle Caley Anderson's playing of Kacie. She brought some fresh drama to the role of a non- emergency person/fairly abandoned kid's confused life. Inter-agency cooperation is tricky in real life with egos on the line & in the end, real life at stake. The season's second half showed much improvement in all ways and I'm looking forward to more rescue stories next year!

On my first draft of the review I felt like I was ripping the whole episode to shreds on soundtrack, camera-work, overacting and poor acting and even continuity and makeup issues. I know professionals put huge amounts of effort to get a show on air and viewer support and reviews are their lifeblood.

I often prefer television dramas and I hope that most of these issues smooth out so we can accept the world they are attempting to bring the viewer into. A premier episode should try to be a best foot forward and this feels more like an unaired pilot episode for those that have seen them and know what I'm referring to - These Pilots are often unpolished and are often trying different aspects of production to see what does and does not work. Up to this point I believed most went through trial viewings with audience reaction reviews which I have participated in a fair number of times over the years. The goal being to get the responses needed to take the show from a concept to a more polished work. To make the best possible product or in many cases, whether to go forward with production at all. I have previewed many that seemed stronger than this yet never were produced.

I have been a big fan of Dolph Lundgren since 1985 but SAF3 is making me re-think continuing on as a fan. Dolph has made plenty of garbage before, but this takes the cake.

SAF3 is very cheap and melodramatic but the biggest problem is that the show is boring. I wouldn't mind good cheesy fun but this show is no fun.

The show seems like it was shot to be a 30 minute show, but they had to stretch it to an hour. Every scene is stretched out and completely pointless.

I am sure Dolph is hoping no one watches this show, but he doesn't have much to worry about, the most anyone will watch of SAF3 is 5-10 minutes.