Los hijos del diablo

Despite the baby being a bit of an annoyance throughout the movie, it's not a bad one.

This is mainly a horror movie, by far, but it has a cool twist to it.

There aren't many actors in The Hallow, but I think they ones in it are pretty good and makes the movie what it is - which is a pretty good one. The actors makes the story of the movie more believable even.

The story is very different, the visual effects are nice, and said actors are good too.

I always comment that non-Hollywood are non-Hollywood. This is one of those, and as always it's refreshing to have some original characters in a setting that isn't a standard.

Regardless of how overused the basic plot, executed with very hit and miss success on film, is, 'The Hallow' did have a good deal of potential. The idea was actually a good one, the title was to the point and attention grabbing and Joseph Mawle is always worth watching. So expectations were hardly low for 'The Hallow', and actually did think this could be a decent film. Of course too there was apprehension, considering the standard of a lot of horror films seen recently not highly rated or divisively to negatively reviewed that turned out to be that bad.

A decent film 'The Hallow' turned out to be, and it is something of a relief to be saying this. Not a great film, with it running out of steam too soon and the quality set up so well before being lost. 'The Hallow' was quite good though for two thirds of the duration and while it didn't quite meet its potential it hardly wastes it either. Which pleased me having grown tired of the many potential wastes cropping up in my recent viewings and fearing somewhat that 'The Hallow' would fare the same.

Will start with the good things. 'The Hallow' doesn't look too bad visually, it's stylishly and atmospherically shot, has scenery that is pretty and atmospheric, has suitably eerie lighting, has editing that is cohesive and the effects at least didn't look shoe-string budget (certainly when compared to those from other films seen recently). It is hauntingly and not too intrusively scored and the direction has focus and momentum.

There is tension and suspense and a lot of genuine creepiness in particularly the middle act. That it is so in more than one way makes the execution fairly clever and fresh which is remarkable considering that the idea is hardly new. 'The Hallow' starts well but it's the middle act where it shines most where there are scenes that do unnerve. The creatures looked good and they did pose a formidable threat, would have liked to see them more though. The characters didn't bore or annoy me, while not exactly rich in character development there have been films that have done far worse regarding motivations and behaviours. Joseph Mawle commands the film well, standing out of an above average cast.

So it is unfortunate that the final act was such a significant step down in quality, to the extent that it was hard to believe it was the same film. The suspense and creepiness dissipates and confusion and silliness replaces them, both to an excessive degree. It becomes muddled, from too much being left vague or unexplained, and ridiculous.

Momentum sags badly particularly at this point, actually think that the pace was imperfect throughout but it was really only in some very uneventful stretches and some choppy storytelling that it did become bothersome. The dialogue is pretty weak, while the ending completely fails to make sense. Not many film endings recently have had me scratching my head, 'The Hallow' did that with me.

In conclusion, decent but let down by the inferior final third. 6/10 Bethany Cox

The sad but honest truth is that I already have trouble remembering what exactly happened in "The Hallow", and yet it's only been 2 or 3 days since I watched it. I certainly don't want to sound too harsh because this little Irish horror tale benefices from an admirably dark & sinister atmosphere, fantastically horrific filming locations, and strong performances by unknown but devoted cast members. I guess the familiar plot outline and the almost complete lack of shocking highlights causes for "The Hallow" to remain unmemorable, but it's nevertheless worth checking out for fans of obscure indie-horror.

The description of the plot probably won't persuade anyone to immediately put "The Hallow" on top of his/her must-see list. A young couple and their newborn baby move from Belfast to a ramshackle old cabin at the edge of a remote forest, where the husband is assigned to mark trees for logging. Of course, they aren't heartly welcomed by the conservative locals. Of course, rocks are flying through the windows as a warning shortly after their arrival. Of course, the family dog quickly starts barking at "something" sinisterly moving between the trees in the backyard. I can list another handful of similar clichés if you want. What writer/director Corin Hardy admirably accomplishes, however, is that he remains fixated on bringing the Irish folklore legend accurately rather than reverting to a gory horror flick with hideous woods-demons and a high body-count. Throughout the entire running time, "The Hallow" remains a sober and atmosphere-driven fright tale with a few unusual and courageous plot twists. You have to at least respect that.

I felt as if this film needs to be praised as it carried out a very well execution for such an overused plot. You have your typical "family stuck in the middle of nowhere, creature activity" gimmick, fortunately played out smoothly in "The Hallow" I felt as if the characters were well acted, and had a nice potential going for them. We, audience actually cared for our characters, we cared for whether they died, or lived, something many horror movies with similar plot fail to do. As said before, the film has a clichéd plot, but this film manages to lift the cliché, turning it into a unique, new, refreshing event of execution. I felt as if, with the plot, the story, and events the characters were faced with was quite well, ans once again well played out. Finally, I was personally pleased with the creature appearances, I felt as if they did great for what they stood for, and I also enjoyed, along the lines, the depth of which the film created for them. They came out creepy, and succeeded in giving the audience tension.

This film succeeds in many good horror movie elements, and it also succeeds in giving some nice charm, as well. The film, also, explains itself, and turns a horror cliché into something more. Highly recommended.

Good horror films like Hereditary and Midsommar maintain a constant sense of dread until the climax this didn't spend enough time building a sense of calm or backstory for the crescendo to land. A shame as the performances were completely believable.

Also whilst always preferable to CGI, the monsters weren't scary.