Kill Your Friends

I did not know a great deal about Kill Your Friends, didn't even say a trailer. If you are planning to see this movie then don't because what results is a shocking lock into the life of a failing music producer and the lengths he will take to become a success in a harsh industry. A pitch black comedy with a story that was actually a lot more interesting than it sounds.

Nicolas Hoult takes on the lead role, which was the first thing that worried me. The guy is a brilliant actor and in my opinion was the definitive standout as Nux in this summer's Mad Max Fury Road, but its very rare, if ever that we see him in a lead role. In this film, he takes the role and makes it his own which turns out is a very good thing because he made this movie about half of what was enjoyable. From the title you know that this guy is on the edge and could snap at any moment and Hoult makes this so believable. We also get a smaller role from a drugged up James Corden which felt so weird but so right. Every scene we see him in he is snorting cocaine and doing things his regular persona on TV wouldn't dream of. So props to Corden for managing to actually pull this off.

My absolute favourite thing about this movie however, is the soundtrack. We open with Blur's Beetlebum and if you know me you'll know im a real sucker for Britpop so i was happy to hear this and other artists i grew up with throughout including Oasis. The film explores different types of music perfectly,so i can say i am satisfied with that aspect. The black comedy aspect was slightly in your face at times with a police officer character in particular who is so dumb that you just question why he is even on this case, but then you figure out sort of why he is oblivious to this, whether or not intentional by the filmmakers.

Overall, a good British film which deserves more attention than it is getting. I can see where negative reviews may come from especially since the graphic violence sort of comes at you out of nowhere at first. But i recommend seeing this one, don't listen to the terrible reviews and judge for yourself.

People who have written bad, simple minded reviews have no idea what they are talking about.

The book is the one book I couldn't take reading, it's a lot more cynical and black, but the style is very cool, as all books by Nivel. They are fast, they are black, they are pop literature. So, that this movie is based on a contemporary bestseller known for it's incredible dark style should be a clue.

Second - the actors are such a cool choice, not only the lead character, but also Moritz Bleitreu, e. g. and others. Look them up, if you don't know any European actors.

Third - music choices were great! Partly a kind of parody on that British happy-happy-jump-jump Techno _from the 90ies_ but also very fitting: The Prodigy and others from that time. Lots and lots of other very funny parodies, loved the girl band with the strings.

4. Worcaholism and Drug use in London, career pressure, etc. are not unrealistic at all, nothing unusual shown, people kicking others out, going through their things, etc. (well I hope the murders are not normal).

Finally - British Pop Culture, and British Black Comedy. This should have given the final clue. Don't watch it if you don't like the genre.

Pretty slick dark comedy a bit similar to American Psycho but set in the British music-scene circa 1997 about a A&R man who'll do anything to get a new hit.

Nicholas Hoult does really well in the lead I thought, doing something really different to anything I've seen him in before which mostly have been American films.

It doesn't have any likable characters but it doesn't really need to, that's not really what this movie is about after all it's a (extreme) satire on the music-business and if you are aware of the 90's music-scene you can easily tell some groups that are being poked fun of, but mostly it's about the people behind the scenes.

I can't really say too much more about it than that as I might end up spoiling something, but yeah it's a pretty cool flick, fairly fast paced and with a rocking 90's soundtrack to match.

I like Nicholas Hoult enough to check out the movie when I saw the poster at my local theater, plus I became really found of music around the time period the movie takes place in and was a fan of the Britpop thing going on at the time. Also, this is the second time I've seen Hoult do something that was not Superhero or genre (the first being Dark Places, starring Charlize Theron).

Although the title did make it seem like it may be a horror movie. In a way. it is, especially if you seen American Psycho.

Hoult plays a brutally honesty (which makes him very unlikeable) A&R rep for a record label, who's trying to climb to the top of the ladder, at the same time trying to find the next Britpop sensation. He falls under all the clichés of a man trying to reach the top, coping with stress with sex and drugs, all the while trying to be the cool guy in the room. Then we discover how far he will go to climb up that ladder to success, of which the term back stabbing does not fully explain.

It's brilliant as a satire on the music industry as a whole during that time. They go over the bubblegum pop machine that is boy bands and pretentiousness of bands that want to be considered indi, it even pokes fun of the techno scene that was developing and the moment when Hip hop was about to dominate. No stone is left unturn making it a hard hitting poke at whatever category you fit in and really hopes you have a good sense of humor about it.

Holt plays the villainous protagonist that has become popular on TV (like Tony Sprano and Walter White). It's something different than the Awkward but good looking kid he plays in a lot of his movies and he handles that fact that not everyone will fancy his character and keeps it completely true to form.

For everyone who remembers the late 90s and loves stories on the music industry.

Despite only loosely living up to the title, Kill Your Friends is a darkly funny and very twisted look at the high stakes world of music management that desperately wants to be American Psycho but lacks the energy and darkness to fully achieve those lofty ambitions. It's still able to sustain itself on some good jokes interspersed throughout and the overall cynical nature, culminating in a satisfyingly twisted ending.

Nicholas Hoult doesn't always feel like the best choice for this material however, he is fully committed to this irredeemable character so he can move past those early growing pains. He's ambitious to the point of being ruthless and conceals his true villainy under a false layer of incompetence. Even with a fairly strong supporting cast of characters it's still all resting on his central performance to keep things going.

Owen Harris' competent yet bland direction weirdly lacks the necessary manic energy outside of some brief glimpses into Hoult's darkest thoughts. For a film that spends so much time in clubs and drug fueled parties, its lowered visual energy becomes kinda distracting, counterbalanced by the tone never wavering. On the opposite end of the spectrum, Tom Holkenborg's score and the soundtrack really understood the assignment.