Respect: La historia de Aretha Franklin

Recently I saw a great TV series, Genius: Aretha Franklin, which offered the width and breadth of Aretha Franklin, showing the myriad experiences that made her who she became.

The Genius series was ambitious with its shifting time and harsh moments, but Respect is a more traditional biopic, with many of the edges sanded off. It's not that there aren't good moments - Aretha creating in the studio or putting on a fabulous show can be electrifying - it's just that those moments aren't used to build anything. Genius suggested that Aretha's life was worth telling because she was interesting, Respect tells you Aretha's life is worth telling because, well, she's famous, and people like to learn about famous people.

Jennifer Hudson is excellent. Respect makes you wish you could go back in time and see Aretha in concert in a way Genius didn't. But in the end there's a "so what" quality to the endeavor.

I have to be fair; these are different movies with different subjects, "Respect" attempts to follow the same format but fails. I saw the movie last night, and as most have stated, Jennifer Hudson's vocal skills are unquestionable. Her acting was satisfactory. The major problems of the film were casting, bad acting, and lack of flow. Forest Whittaker was fine, but Marlon Wayans attempt at bringing out his "Inner Ike Turner" was - almost laughable. I couldn't take him seriously, no matter how hard he tried. Also, the actor portraying Dr. King damn near had a handlebar mustache, that ain't right. The movie tried so hard to make the audience feel a certain way during scenes that it felt awkward. The ending appears as though it was an afterthought, "Just have her singing Amazing Grace and throw up a bunch of lifetime achievements..." In short, this movie could have been a parody of how to not make a bio-pic of a great musician. Where "Ray" set the standard, "Respect" hasn't earned it. Aretha Franklin deserves better, much better.

Jennifer Hudson is an excellent actress, and I always thought she would be a great choice to portray Aretha Franklin. It would be no easy task to fully portray Franklin's legacy on screen in an authentic manner, but after having seen the film early at a Fandango advance screening, I'm happy to say that she succeeded. Hudson's acting range is potent and profound. She is able to clearly convey passion, empathy, and emotional challenges where appropriate in the film's narrative. The film attempts to provide a comprehensive overview of most of Franklin's life, from her challenging early childhood until the 1970s, but primarily focuses on the mid-to-late 60s and early 70s. Its narrative structure is a bit choppy and awkwardly paced, although it should be noted that (to state the obvious) no individual's life depicted in a biopic can fit completely neatly into the conventional three-act Hollywood film structure.

To state the obvious, Hudson's leading performance is the true crown jewel of the film. The film does a great job at humanizing Aretha Franklin, while still showing her emotional and substance-related struggles in a realistic way. Supporting performances in the film are quite strong as well. Particularly notable are Forest Whitaker giving a commanding and powerful performance as Franklin's father, and Marlon Wayans portraying her violent, self-centered husband. Hudson's singing voice is great as well, and her performances of songs such as "Respect," "You Make Me Feel Like A Natural Woman," and "Amazing Grace" are superb. Despite the exceptional acting talent on display in the film, "Respect" sometimes waddles a bit too much in formulaic and conventional tropes of biopics. The film sometimes comes off as playing it a bit too safe, and shies away from taking any noteworthy creative risks that could have had greater stakes or emotional impact within the context of the viewing experience. At about 2.5 hours, it runs a bit too long, and there's definitely about 30 minutes worth of scenes in here that do not add much to the overall narrative and could easily have been cut. That said, an awards-worthy lead performance makes the film generally a solid one. Recommended. 7/10.

This is a biopic of legendary performer Aretha Franklin (Jennifer Hudson). Forest Whitaker plays her preacher father C. L. Franklin. Marlon Wayans plays his troublesome husband Ted White.

In the DVD extras, someone claims that this is not a standard cradle to grave biopic. In many ways, this is exactly that. It starts with Aretha as a child and goes to Aretha passing in real life. There is no doubt that Jennifer Hudson has all tools. She's not just a five tool player. She's an all tools player. The question is the very straight forward story telling. This seems to be a story begging to zero in on her 'demon'. A bit of imagination could turn that demon into a surreal character which first hounds her father, then her rapists, her husband, her alcoholism, and even MLK's murder. It's a suggestion. In an aside, the church finale should consists of the real Aretha footage. Again, this seems to be begging for that but maybe they didn't have the copyright. Director Liesl Tommy does transition to the aged Aretha singing Natural Woman which is really a second choice for me. This is a safe biopic starting with the very capable Hudson and the standard story telling.

A biopic about Aretha Franklin and her journey to find her voice.

Honestly I was not excited much for this movie, and only watched it because of the T-Mobile Tuesday ticket discount. The plot of the movie was done many many times before. We have a character reached their highest, then lowest, and then redeeming themselves. Recent movies like Rocketman and Bohemian Rhapsody had this plot and were executed better.

The best part of this movie was the lead actress Jennifer Hudson, who had an amazingly powerful voice. This made all of the songs in the movie enjoyable and empowering to hear.

Talking more about the plot, towards the end, for some reason the pace sped up too quickly. I only know that she had reached her best and worst, but I didn't know exactly why she got to those points. It felt like out of nowhere she just reached her lowest point. Also, even though the first hour or so set up Aretha's struggle pretty well, there were still some parts that moved too fast and became disorientating.

Overall, a plot that I have seen before, but wasn't executed as well as it could. 6.5/10.