Tras un encuentro casual online, Caleb, que sufre un trastorno límite de la personalidad, conoce a Jeremy y se enamora de él. Luchando por mantener su pasado en secreto, Caleb sucumbe poco a... Leer todoTras un encuentro casual online, Caleb, que sufre un trastorno límite de la personalidad, conoce a Jeremy y se enamora de él. Luchando por mantener su pasado en secreto, Caleb sucumbe poco a poco a su lado más oscuroTras un encuentro casual online, Caleb, que sufre un trastorno límite de la personalidad, conoce a Jeremy y se enamora de él. Luchando por mantener su pasado en secreto, Caleb sucumbe poco a poco a su lado más oscuro
- Dirección
- Guionista
- Elenco
John Pope
- Mental Ward Patient
- (as John J. Pope)
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
It's refreshing to see a film that isn't predictable. I had no idea what would happen in the second half and was quite surprised. I typically don't like flashback type films, but it worked with this one. I thought these guys' relationship could work, despite emotional problems until more was revealed. This isn't something I'd see twice, but it was good the first time around. I admit I wasn't completely satisfied with the ending, but it is possible the writer wanted to leave something for the viewers to decide for themselves. I enjoyed the suspense and not knowing what was going to happen.
This was an amazing film to watch. So many unexpected things happen turning this movie into a major dramatic ending. No, I won't reveal it.
Direction was wonderfully simple about two men from their first meeting to the ultimate ending. Their relationship, as it develops, changes them both.
Rob Moretti did a triple job with this by playing the lead, writing and directing the film. I assume he also did the editing. A truly difficult job doing any of these jobs. He accomplished them all by bringing us a thoroughly suspenseful and professional movie that really keeps your interest all the way through.
Playing the other lead is Sean Paul Lockhart, ala Brent Corrigan from erotic films, in his first starring "straight" film. Congratulations Sean you have made the big jump doing a super job with a very difficult role. There's no mistaking his good looks. There is a sex scene, done with taste, that shows just how good he was.
But it is the story we watch unfold. Watch these two actors bring the ring of "truth" from their performances to life.
Direction was wonderfully simple about two men from their first meeting to the ultimate ending. Their relationship, as it develops, changes them both.
Rob Moretti did a triple job with this by playing the lead, writing and directing the film. I assume he also did the editing. A truly difficult job doing any of these jobs. He accomplished them all by bringing us a thoroughly suspenseful and professional movie that really keeps your interest all the way through.
Playing the other lead is Sean Paul Lockhart, ala Brent Corrigan from erotic films, in his first starring "straight" film. Congratulations Sean you have made the big jump doing a super job with a very difficult role. There's no mistaking his good looks. There is a sex scene, done with taste, that shows just how good he was.
But it is the story we watch unfold. Watch these two actors bring the ring of "truth" from their performances to life.
"Truth" is one of those movies where you ask yourself: "who green-lighted this thing???" It is a gay-themed psychological thriller, and the script itself is actually pretty good. The dialogue is creepy, and at times actually more disturbing than the action around it. But the acting (and I use the term loosely), the "made for TV" style cinematography and campy music just don't match dark subject matter this film is supposed to evoke. I was wondering why there were so many shots of the main character (including full-frontal), and when I checked IMDb...surprise! (actually, not really) it turns out he is a gay porn actor. This and the fact that both characters are often wearing Andrew Christiansen underwear pretty much answer how this film came to be. The ending is probably the worst part of the film, and is both a drastic departure from the tone of the beginning of the film and sloppy way to resolve the entire situation. Sadly, what could have been an interesting premise was poorly executed and is basically just a warning to aspiring actors: don't do gay porn!
Quite honestly I'm not sure what to think of it all. A "suspenseful, psychological thriller," it was not.
One of the two central characters, Caleb, has enough personal baggage to sink a ship although at least outwardly he seems to be coping with it all reasonably well at the start of the story. He meets Jeremy whose background has been less of a train wreck than Caleb's but he's not dealing especially well with the pressures that society and family put on gay men of his age. Through experience Jeremy has learned to use deception and denial in dealing with other people and with his perception of self. That this does not lead to a "they lived happily ever after ending" is not particularly surprising.
In the "storyline" description it states that Truth "exposes the hidden demons buried deep inside each and every one of us." Whoa. We may all have our secrets and have had experiences that affect the way we deal with others, but I doubt most of us are as burdened as Caleb nor do most of us resort to such manifest deception as does Jeremy.
The damage caused by a "Mommy dearest" and the need to remain "closeted" for survival are fairly common themes in gay drama, but this movie tries too desperately to pile it on and thrill us with the resultant mayhem.
It all just seemed a bit too much. From the start the relationship between Caleb and Jeremy seemed more weird than genuine and as it began to unravel the situations weren't particularly suspenseful or psychologically deep.
The actors, especially Sean Paul Lockhart, were good. The overall quality of the production was also quite good. The general result, however, seemed superficial, heavy-handed, inevitable & propelled by contrived events.
One of the two central characters, Caleb, has enough personal baggage to sink a ship although at least outwardly he seems to be coping with it all reasonably well at the start of the story. He meets Jeremy whose background has been less of a train wreck than Caleb's but he's not dealing especially well with the pressures that society and family put on gay men of his age. Through experience Jeremy has learned to use deception and denial in dealing with other people and with his perception of self. That this does not lead to a "they lived happily ever after ending" is not particularly surprising.
In the "storyline" description it states that Truth "exposes the hidden demons buried deep inside each and every one of us." Whoa. We may all have our secrets and have had experiences that affect the way we deal with others, but I doubt most of us are as burdened as Caleb nor do most of us resort to such manifest deception as does Jeremy.
The damage caused by a "Mommy dearest" and the need to remain "closeted" for survival are fairly common themes in gay drama, but this movie tries too desperately to pile it on and thrill us with the resultant mayhem.
It all just seemed a bit too much. From the start the relationship between Caleb and Jeremy seemed more weird than genuine and as it began to unravel the situations weren't particularly suspenseful or psychologically deep.
The actors, especially Sean Paul Lockhart, were good. The overall quality of the production was also quite good. The general result, however, seemed superficial, heavy-handed, inevitable & propelled by contrived events.
A relation from beginning to its last consequences. The effort to impress and the try to explore inner demons , maybe forced in few moments , maybe giving to story strong aspect of emotional montagne russe, but having the virtue to enter in crumbs of many details giving roots to frustrations, vulnerability, angry and hard need of other , with terrible consequences. A beautiful film , not great, not original, beautiful more for acting than for story itself. Chronicle of a relation, brutal in few scenes, profound unrealistic in others it is just a decent film, for for the try of a sort of exorcism than for the story itself.
¿Sabías que…?
- Citas
Dr. Carter Moore: You're not a pussy and you're not a faggot.
- ConexionesReferenced in Stranger Than Fiction: The Making of Truth (2014)
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- How long is Truth?Con tecnología de Alexa
Detalles
- Tiempo de ejecución1 hora 34 minutos
- Color
- Relación de aspecto
- 2.35 : 1
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