Copenhagen

The age of sexual consent in Denmark is 15. That's why the main female character kept mentioning her upcoming birthday. I had been wondering like other reviewers, why they would make the character 14, thereby adding a sort of pedophile angle to an otherwise interesting film.

Why not just have her be 17? But they had to make her 14,because at 15 the whole underage conflict would no longer exist as a legal question. Although it still would as a moral issue. Enough on that.

I don't know why they chose English actors to play Americans, but this male lead was totally natural and believable. I consider him the star of this movie. The other reviewers are "gaga" over the girl.

But remember that we are viewing her as non-Danish people. We are sucked in by her accent and the scenery. But if we were Danish ourselves, we might just think she is an appealing young thing, without being in awe of her.

Having said that, of course she did a nice job of portraying a precocious girl from a broken home with just the right amount of worldly wisdom and sincere innocence.

Other reviewers have skillfully pinpointed the fact that these guys were emotionally immature while the underage girl is emotionally advanced. Because of that, it makes perfect sense why they would be drawn to her.

The movie highlights a certain prolonged adolescence prevalent in many Western men. It takes some a long time to grow up.

Essentially the movie features a substantial character arc. A selfish, boorish guy learns what it means to truly care about another person, both in terms of his father and his new female friend.

I really wanted to know what he did for a living back home. I didn't need a long description of it, but it would give some much-needed context. I also needed to know about his mom. This background information could have been satisfied in a few brief remarks or one conversation.

Copenhagen looks nice. I don't know enough about Cinematography to judge it here, but there were definitely some nicely framed shots of water and colorful homes.

The music was a key factor for me. There is a scene where our male lead is walking on a beach or something, and there is a dramatic electronic beat steadily gaining volume and steam. I loved that.

Check it out. It's worth watching, despite the creepiness of the age-related sexual tension.

not surprising. but beautiful in a special manner. a simple story about search of origins and a meeting. and the admirable performance of Frederikke Dahl Hansen, the interesting portrait of foreign lost in different space by Gethin Anthony. romance. and delicate build of questions. because it is a film, like many others from same genre, about the small details. about need of other, about past, about clash between two different ways to discover the truth. and the great thing, maybe the challenge, is the option to present, with different nuances, the same story, exploring roots, imposing solutions and crisis and confuse feelings from contemporary every day situations. that film who discover shadows. with grace. and high precision. romance. but only as skin. the heart is more interesting.

I hope there's going to be a sequel, like in the 'Before Sunrise' trilogy, where he goes back to Copenhagen in 6 years when she's 21 and he's 34 and age will be irrelevant at that point!!

Shot in the beautiful city of (you guessed it) Copenhagen, Denmark, the film follows 28-year-old William (Gethin Anthony) as he searches for his grandfather with nothing to guide him besides a letter—written in Danish, which William can not read nor speak—that his father wrote around 40 years ago. After his best friend Jeremy (Sebastian Armesto) and Jeremy's girlfriend (Olivia Grant) leave him to search the city on his own, William enlists the help of a local girl, Effy (Frederikke Dahl Hansen), to aid him in his search. The two begin to form a budding romance, until William discovers that Effy is only 14 years old. Though Copenhagen begins as a search to find one's family, it soon becomes clear that it's far more important to find one's self. Through William's character, Raso paints a vividly accurate portrait of having to mature and develop as one travels through their 20s. Both Anthony and Hansen give remarkable performances, artistically presenting a great deal of sentiment. I personally prefer to remain eternally seven, but Raso gives a great argument on the benefits of growing up.

Stayed up late and watched this film.. bad decision, for I could not put it out of my mind, thinking about what I would say regarding it. If you're like me, you probably watch quite a few indy and foreign films, so there's more a possibility of coming across individuals you know little or nothing about involved in their effort. With this film there are several exceptional talents displayed. It's a great experience, because when you see the person again, you'll easily remember the first time you saw them. It's impossible now to ever forget this performance of Frederikke Dahl Hansen, she is just awesome.. binged.it/1sYfR1m .. Twenty years old she's playing the role of a very bright, awkward/shy-at-times, fourteen year old girl.. falling hard in love for the first time (with a guy twice her age). It's a standout, career-starting display of top notch talent, at times you see each part clearly. For a young actor her age, to be portraying a character so much younger is the big challenge, and give credit to her being selected for the role. Now although she will without question be in many more productions, you will always see a part of her as Effy (and we have another Effy.. if you haven't seen 'Skins'..watch it). Gethin Anthony also deserves much praise, his complex character again being played to perfection.. good portion of us wondering how he was going to come through it all in the end. It's a truly wonderful little film, one you'll definitely look forward to viewing again.