¡Doona!

This is an artistic series, not a crowd pleaser. The characters are very well defined, however, the most impressive part is the psychology of the K-pop idol. The series tries to make everyone understand what the difficulties of being a k-pop (or k-drama actor/actress, whatsoever) star in plenty of cases really are. I loved the miniseries to bits. It fits perfectly to my idea of romanticism as well as the idea of realism. To be a star, in all languages and on all meridians doesn't mean necessarily happiness. It may; but it may not. I am from Canada, but I really appreciate k-dramas. However, watching the weddings of some k-stars (Jang Na-Ra, Kang So-Ra, for example) and the fact that the non-celebrity spouse's face is hidden, most of them cannot really have girlfriends/boyfriends while young and working in this business, made me think a lot about the traumatizing life of idols. The movie is nice, but also realistic, doesn't matter what the others say. Plenty of people will complain about the ending :)) There is no other real possible ending! I strongly recommend it! It's beautiful, romantic and realistic.

Jung Hyo Lee's previous series, "Crash landing on You" is the best series I've ever seen.

Sorry. Make that, "Was the best series I've ever seen". Simply put, Doona! Is a masterpiece.

Mr Jung's work on Crash Landing on You was pitch perfect but here he spreads his creative wings and the result is both breathtaking and heart breaking, whilst still exhibiting his ability to engage you so wholly with the characters that you feel every bump along their various roads. And, trust me, Doona! Is a bumpy ride like a rollercoaster on a gravel road. Steel yourself...

The cinematography is courageous and beautiful. The editing is superb. Sorry to (and for) those who like things to rocket along at video game speed but the pacing here is slow and with a purpose, gradually gripping your heart with each passing minute until you struggle for breath. For instance, the scenes when Won Joon visits his family are almost silent and seemingly without drama of any kind yet make you feel like a weight is being slowly lowered onto your chest.

Bae Suzy turns in a performance for the ages as the dehumanised ex-pop idol, Lee Doona. Repeatedly used and discarded by those for whom she is but chattel, Doona has been driven to the depths of humanity, showing signs of bipolar disorder and brought back from the brink by an unlikely relationship with Lee Won Joon, her opposite in almost every way and played with studious seriousness by Yang Se-Jong.

Ms Bae's ability to walk the line between joy and depression, hope and desperation, selfless love and narcissism is almost unfathomable and perhaps the reason so many reviewers have given up the series within an episode or two, pointing the finger squarely at a main character they feel is one dimensional. Nothing could be further from the truth. Some people lack the patience or emotional maturity to stay the course as the character is revealed, layer upon layer.

No spoilers here; Doona's story is tragic, regardless of how the ending plays out. A week on and I'm still woken by flashbacks, whether it be mid-series moments or the final frame. Part of me wants to watch this over and over again, while part of me lies balled up and rocking but, despite the gut-wrenching heartache I feel now, I want to go again.

It's refreshing that a love story especially a non action show can be so involving and so popular with audiences around the world. It shows more physical affection on screen than some previous dramas so things don't feel old fashioned. The POV is more the guy's. For a change 3 girls chase an ordinary guy. Suzy Bae has star quality and keeps you watching her. Given her background as an idol singer this role is tailor made for her. Her haistyle didn't suit her though. Yang Se Jong is well cast as the sweet innocent college student. The supporting cast is great and most K drama fans will recognize veterans cast as her mother (the funny North Korean villager from CLOY) and older manager played by Lee Jin Wook.

Actually the director also directed CLOY and the ending is similiar. Due to the silly idols having to be single requirement they can only meet overseas. Pay attention the opening scene of the last episode and the closing scene which are both set in Japan. The ending should have been clearer and not fragmented. Had to read up online to understand it.

I definitely don't agree with the critical reviews on here. Just because this series doesn't follow the usual format of traditional k-dramas, it doesn't automatically make this series bad. I actually like this series because of the fact that it tries to do something new. I really like the blend of romance and drama paired with this melancholic vibe. I was interested through out all the episodes, because it was so fresh.

This series also did a great job at casting. Bae Suzy is the perfect person for this role, her delivery was great in this. The story was also really interesting.

For me to have given this series a higher rating, I would have wanted to see more character development. I feel like some of the storylines were left open or unfinished. Some of the plotlines felt rushed or out of place as well. I wanted to know more about the characters and their reasons for doing what they did. Still, this was worth watching.

Everything about this drama was amazing, the chemistry, the story, the acting, one of the best cinematography I've ever seen. The OSTs were 10/10 loved them all very much. The only thing I didn't like was the ending, I'm so confused, not sure if it was a happy or a sad ending? I don't understand their relationship and whether they're still together or have separated in the end? Some people call it an "open ending" and maybe they're right. I personally don't like open endings and would have preferred some kind of closure.... other than that I really enjoyed watching it, it's one of those dramas that you can binge watch without getting bored and feel all the emotions while watching it. You'll feel both happy and sad.