Caníbales

If you were hooked (pun, ha ha) on the SAW movies then this film will be a good after meal snack. Yes, it was way overboard meal preparation and surprisingly realistic body snacks (in most cheap slasher/slice/dice films the prosthetics look artificial). Filming and acting were better than expected and sold me. Part of the reason the acting was somewhat capturing was the reality of a tropical Peruvian forest and the gusto in which the novice tribal people took to their roles. End result is nobody (including the eco provocateurs, tribes peoples, deforesters) came away smelling like roses, in fact, I would not have been displeased if, in the end, they were all munched upon by the resident leopard, vanquisher of evil. A couple of picky points that lowered the rating. First, every tribal member (no matter the age) was totally painted in red clay like pigment - all the time; not realistic given the humid conditions and time they would have needed to apply said substance. Second, all the women (and young girls) wore tops to cover their breasts which as we all know about tropical tribes - that just doesn't happen. Third, why would the village attack the construction armed mercenaries in a clearing given their stealth in a forest. Fourth, a lot of gaps foremost was Samantha's escape then we hear nothing more. Supposedly we are suppose to pay attention to tattoos. Suggestion: Watch again, afterwards, with cast commentary as it's more interesting than the film.

The Green Inferno is another one of Eli Roth's torture porn films, except this movie looks on cannibalism, which is meant to pay homage to one of the most controversial films of all time, Cannibal Holocaust. And the film decently establishes the lurid nature of this environment, but it takes too long to get to the creature feature, and when it does get there, the supposed shock value isn't compelling enough to become a satisfying torture porn. And the story then twists to something that is supposed to mean something, but it ends up feeling odd and underwhelming. It could have been just a straightforward exploitation film.

The movie has a pretty long opening exposition, concerning a young woman who was invited by a group of activists who wanted to save the Amazon rainforest by orchestrating a scandal to the loggers for online awareness. But this setup is so long, it has to be establish its own "world" even if it hardly has anything to do with the main plot, we're just walking around with these campy written characters that are often tough to care about since they are caricatures of a standard tree hugger or just another horror movie character cliché. To be fair, the movie's strange sense of humor does make these scenes entertaining, but in the end, these people are just not so engaging. We sometimes wanted some of them to get wacked off by a bunch cannibals already.

And when they get to the real threat of the story, it does deliver, maybe only works once. The first body count, well from these main antagonists specifically, is honestly pretty bizarre, by how effectively grounded this slaughter is depicted. I'm no expert for realistic violence, the amount of blood surely is ultimate, but you can really feel the horror within the images and tone of this scene. And the horror didn't stop at the aftermath by just keep showing how they feast this body until they feed leftovers to the animals and such. But everything else just went ridiculous. Sure, there are still more guts and blood all over the body counts, but they fall short of credibility of horror in cannibalism compared to the first kill. It's basically silly gore for the sake of earning more "shock."

The point is it's not that compelling. Complaining at the over-the-top moments can be missing the point of the director's flavor at his own work, but it kind of really does underwhelm the whole ingenuity of this horror. But even if we're just judging by the amount of blood in the entirety, it still doesn't feel that much. Again, one bizarre death scene doesn't hold up any satisfaction of bloodlust within the entire movie. Now the filmmaking, it's average enough for a B-horror film. Though, the camera showcases enough of the weirdness of this culture and the body parts they are decorating for their tribe or something. The acting is alright, with Lorenza Izzo competent enough as the protagonist who we could only legitimately inserted into. The rest are basically cookie cutters compared to this cookie cutter.

The Green Inferno can be worthy of glorious gorefest for one scene. One scene, only. And that scene serves the shock the movie is expecting, but for sick mind like mine, the movie kind of needs more of that. It's sad to watch, but it does create more genuine danger towards the people they are supposed to run away from. Everything else just kind of bogs down the suspense, letting the silliness take over until the movie itself becomes a joke. And I'm not against to its sense of humor, since they do work, while some are just meant to gross out, specifically when it involves something else than gore. Well, there's no denying how violent it still is, but it's also kind of forgettable. The characters are even more so, but who cares about them in a horror film? But if this film is expecting to have the same value or controversy as the movie this is inspired from, or at least marginally, then it could have done harder.

Eli Roth is a director whose style is evolving, reaching a more refined level. In his beginnings he was much more direct and dirty, if I may say so, which has its advantages, because he gave you what you were looking for, a no-holds-barred gore, which sometimes turned into real fun-fests, but at other times became excessively repetitive and flat. This level up helps to cover up what for me, is his biggest Achilles heel, his limited level as a dialogue writer, which still hasn't improved. Focusing on The Green Inferno, we have a clear homage to the Italian cannibal cinema of the 70s and 80s. If you're familiar with Cannibal Holocaust or Cannibal Ferox and liked them, you'll surely love Green Inferno, but if you disliked those, I don't think this is the film for you. Because let's face it, when you're about to see a film whose plot is cannibalism in the Amazon, well, Roth isn't fooling you. He may offer it to you in smaller quantities than you expected and yet it's still more substantial than the average level of horror today. Perhaps what most sets him apart from the older films is that first part of the film with a social critique never before seen in Roth's filmography. The presentation of the characters, both activists and indigenous and their interpretations are more than correct. You get to empathize with some of them, which may not be very pleasant when you know what awaits them... The music by Manuel Riveiro is a success, as well as the photography by Antonio Quercia and the FX by Ozzy Alvarez.

Because let's not fool ourselves, hell may be green, but its smell is red.

Gory, torture and alot of screaming. Its an Eli Roth movie, what do you expect.

Would've rated it higher but the ending in the credits made no sense.

The Green Inferno is a standard Eli Roth fare - gore galore, cannibalism, and occasional humor - set in the Amazon rainforest. The acting is terrible right off the bat, but thankfully it isn't an issue halfway through the movie when the body count starts up. The characters themselves are paper thin, only about 3 of which are given actual personalities while the others are just fodder for the natives.

The premise of the movie is disturbing and will sound appealing to most horror fans, including myself, but the execution leaves a lot to be desired. Yes, the gore is done very well; as usual Roth uses great practical effects to create some wince-inducing scenes. The problem is that the first half of the movie feels like a student film. Really bad acting, horrific dialogue, and the documentary style filming doesn't help at all. It's not so much an issue once the characters are captured, but you aren't able to get immersed into the world from the get-go so you're never truly frightened or concerned for them when the bloodshed begins.

The biggest issue is that The Green Inferno isn't scary in the slightest. Apart from a cheap jump scare near the end, there's little to no suspense or tension in the movie. It's just a linear storyline with characters getting killed off one by one with very little left to the imagination. It also isn't funny. There's maybe two times I chuckled at the tongue-in-cheek jokes. Most of them come across as forced, partly due to the acting and partly due to the jokes not being very funny. Roth tries for a darker, more disturbing atmosphere and he succeeds, but he sacrificed the potential fun to be had with the film. It's not terrible - Eli Roth fans will get exactly what they're expecting - but it also isn't anything new. The Green Inferno is a decent effort but a wholly mediocre movie watching experience.