Jimi: All Is by My Side

@uberificbrownie In fact the women featured as Hendrix' friend and lover have come out publicly to declare the film is very inaccurate in several ways. You can read for yourself on the real Linda E.'s web site. She said that Ridley took bits of events that she wrote about in her autobiography and turned them around to fit his modern-day vision. I think she's right in some ways, certainly if you look at Atwell in the movie she's portrayed as being rather common and juxtaposed against Poots' character who is a posh intellectual/romantic.

You see what he's doing right off; Linda E. is the "old" Jimi who played juke joints with few noticing, Linda K helps him find the new Jimi who will be remembered forever. His process going from a back-up blues man to a legend was very likely a lot more complicated than that, and took more than a few notes from a friend to make him what he became.

But that's the Hollywood formula biopic, it encourages simplification of complexities. And sometimes, unfortunately when it comes to observing African American figures, the script may often have a White hand leading the Black hand along (see also 12 YEARS).

The other thing to note is that Ridley does seem to be a political conservative. They tend to observe black and white (not talking about race) more than grey.

It isn't hard to get things right like Hendrix' tone of voice (yes he was soft spoken) or his clothing and hair. Getting the rest "right" is likely harder.

Man, I don't know what drugs some of these other reviewers are on. One person seems to be under the impression that the movie claims Jimi didn't play guitar before he came to England. WTF? Another person claims the film is racist because it accurately portrays white people helping Jimi move to London and start his own band. Yet another person claims Eric Clapton didn't walk off the stage when Jimi sat in with Cream because Clapton doesn't mention it when he's interviewed, but plenty of others remember it that way, and Clapton isn't going to go out of his way to bring up something that makes him look bad. Which brings us to Ms. Etchingham. You know, every time you watch a documentary about Hendrix there's an interview with a different woman whose only claim to fame in life is that she slept with Jimi, and they all seem to be self-appointed guardians of his legacy, every one of them was the real true love of his life, and none of them have a single negative word to say about him. But Hendrix was a famous womanizer—how he juggled jealous women is part of the focus of the film—and it is well known that he became angry and violent when he drank. So maybe Jimi beat her and maybe he didn't, but if he did I wouldn't really expect Ms. Etchingham to admit it, and if he didn't it doesn't really bother me that much because the episode can be viewed as a metaphor for a darker side of his personality that really did exist and wouldn't have been explored in the film without that scene.

Artistically I thought the film was a triumph and one of the best rock biopics I've seen. Andre Benjamin NAILS Jimi. He deserves an Oscar nomination for his performance. He obviously spent a lot of time listening to audio of Jimi speaking because he captured the rhythm and inflections of Jimi's speech perfectly. And acting-wise Benjamin was excellent, I thought he got inside Jimi's character even more than Jamie Foxx did in Ray. As an actor he was remarkably in the moment and very subtle. And the female leads are with him all the way, especially Imogen Poots as Linda Keith, she's soooo good. The reviewer who said that the "crazy cuts and directing style" gave him a headache would undoubtedly get a cerebral hemorrhage from a Godard film, the editing was artistically innovative and miles ahead of standard Hollywood flicks like Get On Up and Ray.

As for the lack of original Hendrix songs, in the end it didn't bother me much. In a way it might have worked to the film's advantage, because it forced the director to concentrate more on creating a character study based on dialogue and narrative instead of recreating one performance clip after another, as in Get On Up. And anyhow, two-thirds of the movie takes place before Jimi put together the Experience and started writing songs. I did wonder why they didn't use "Hey Joe" since Jimi didn't write it and he was playing it onstage when Chas Chandler saw him for the first time. But overall, I loved the movie and thought it rocked hard.

When dealing with such an iconic figure such as Jimi Hendrix, sometimes the hardest thing about capturing the essence of a character, the perspectives of a legend, and the workings of a man are the most difficult points to show on screen. Jimi Hendrix is a name that pretty well everyone knows, and a name that many will continue to remember for many years to come. So how does one humanize, arguably, the greatest guitar player who ever lived?

The film itself is an exercise in the practice of subtly and minute brilliance. All Is By My Side is a rustic and antique look at the life of a man; Johnny Allen Hendrix, a man who served the US army and was honourably discharged; Jimmy James, the backing guitarist for the Isley Brother's, Little Richard and Curtis Knight; finally Jimi Hendrix–the experience.

Undoubtedly, first time director, veteran screenwriter and passionate Hendrix fan John Ridley had a difficult time with the production. Relying mostly on passion, Ridley focused on the small instances of Hendrix's career, and navigates through the film with nuanced characters and fragmented events in Hendrix's career.

Its admirable how Ridley, through a slew of obstacles, was still able to delve deep into the world of Hendrix through extensive research. Unable to attain the musical rights from the Hendrix estate, Ridley opted for covers of Hendrix songs and songs Hendrix covered to fill the somewhat hushed void of a musical autobiography. I won't lie in saying that I was quite surprised to see an autobiographical film of one of the loudest and most electric guitarist to be so quiet. The soundtrack is definitely something I will not be rushing to get.

Although Ridley was unable to fill the musical gap of the film, he made up for it visually and in his actors performances. Andrea Benjamin's take on Hendrix will surely be the overlooked performance of the year. Nailing Hendrix's mannerism, voice, passion (or lack there-of) and his nonchalant attitude, Benjamin is spot-on. Not far behind is Imogen Poots and her portrayal of Linda Keith, the woman who was responsible for introducing the world to Hendrix. Poots is an absolute acting force to be reckoned with. Linda's subdue scenes with Hendrix, although somewhat tame and uneventful, give the audience the most auspicious look into the inner workings of the Hendrix psyche.

All Is By My Side will surely be an overlooked film by critics and audiences alike. Substituting thunderous Hendrix stage antics with gorgeous shots of the London landscape, the smokey underground music scene at the time and blurry world of rock and roll, cinematographer Tim Fleming creates an intimate portrayal of a man who was mysterious and misunderstood to others, but to himself as well.

All Is By My Side is a beautiful, quiet and stylistically generous offering to the hardcore Hendrix fan.

Night Film Reviews: 7/10 Stars

The movie was OK. Nor a masterpiece by any means, but a solid entry that shows part of the Hendrix life. I'm not good in writing reviews, in fact I believe that they are pointless, and everyone should base their opinion by seeing a movie. Nevertheless I had to make an entry because of that ignorant 'garbage' and 'racist' review. Do not get me wrong, you are entitled to think about any movie as garbage, and I'm fine with that. But when someone shows his/hers ignorance and calls historic facts racist... That's just sad. Shall we rewrite history? Please read Hendrix biography. If it wasn't for that lady, that was sleeping with Richards, Hendrix would not made a contact with a manager, that helped him develop his career. Sames go with so many (white if that matters - for me not, and if that matters for you, you are the racist... I'd like to remind, that it works both ways..) other people that helped him along the way, e.g. if it was not for McCartney he would _never_ play at the Monterrey Festival... That festival made him well known in the USA, because earlier his hit from Britain did not even enter top 100 in the USA... Similarly with the violence - quite well documented. The guy just couldn't handle alcohol, and changed after it, as so many people do. To sum up - Hendrix would always be a Hendrix (even changing name to Jimi was suggested by a white guy, oops). Great talent, great naivety, and bad life decisions. The point I'm making is, that at that time, without the help of white people, he would not become so famous. Sometimes skills are just not enough, you have to have luck, and met the right people. Do not try to rewrite history... You know also what? These people were so much better than the mindless PC obsessed masses. They didn't care about the skin color, just the talent, the music, the person. Who he was. An that was the late 60s I want to remind you. Not an easy time for people of color (less in Europe, but still). So, people, please watch the movie, read Hendrix biography (or if you are lazy, his Wikipedia page), and stop with this racists BS.

The theatregoer hoping to get some insight into Jimi Hendrix and London in 1966/67 will leave the theatre disappointed or duped by the film makers.

Before seeing the film I was apprehensive, as I had been told that my character was portrayed in a derogatory and potentially defamatory manner. I had been told that Jimi had beaten me with a telephone in the film and after I had protested that this was not true the film makers had replied that it was true because they had "thoroughly researched" me.

In other words they were saying that they were telling the truth and I was not.

During the opening scenes I found it difficult to comprehend the way the story was unfolding, or what it was depicting. The editing was disjointed and dialogue was layered on top of alternate dialogue, seemingly from a parallel conversation.

The film progressed in a confusing and dull manner but there was one scene that gave me a momentary lift of anticipation. The scene depicts Jimi playing with Cream at the Polytechnic Students' Union and should have set out to depict an absolutely epic event that I had witnessed. (I had been carrying Jimi's guitar).

I hoped that they would do Jimi justice in their interpretation of what happened. Unfortunately, once the music started, my heart sank. What a disappointment. Not only was it insulting to Jimi's legacy, but I would say it was fairly insulting to Eric Clapton as well because the real Eric Clapton would never have been in awe of the unremarkable performance presented to viewers in this film.

The storyline progressed in an awkward and illogical way and was hard to comprehend.

The basis seemed to be that the dimwitted "Jimi" could not make up his mind between the good rock chick (Linda Keith) and the bad rock chick (Kathy Etchingham) who later goes bonkers and takes an overdose. (If I was the actress having to play this lousy part wearing those ugly clothes I may have taken an overdose too.)

The strange fact that jars with this fictional narrative is that, in reality, the unfortunate Linda Keith ended up in rehab at around this time because Keith Richards, of all people, initiated an intervention that probably saved her life. She was hardly in a position to be advising Jimi on how to play the guitar and do his hair.

Fictional characters were introduced that furthered the deluded political, racial and sexist agenda that John Ridley seemed to be pursuing. In particular Michael X was presented as a saintly black political guru whereas in truth he was a violent criminal con man who was executed for a gruesome murder. An "Ida" character is introduced who never existed in real life.

The biggest disappointment of this film was that after expecting at least some kind of depiction of Jimi's humour and creativity and the amusing and creative times that were happening in London, instead we were shown a gloomy and depressing dark tale that pictured Jimi as some sort of moronic mumbling mystic with no ambition.

Instead of showing Jimi touring the UK and Europe, writing and performing the most innovative music of the century we are shown scenes of banal mumblings, fictitious gratuitous violence and fictitious mental breakdowns and overdoses.

My initial anxiety turned to scorn for the thoroughly bad screenplay and direction. I became bored and impatient for the end of the film.

The fictional nature of the film left me feeling that the events I was watching were more akin to a made for DVD movie than a biopic.

I felt that I wasn't watching an interpretation of the real events from the time, but rather a stiff and poorly depicted mashup of trivia from events described in my book, sprinkled over Ridley's racially driven fictional theme.

Even the imaginary domestic violence, mental breakdown and drug use that my character was involved in did not evoke the emotional response I expected, and I found myself feeling just as I have when watching other bad movies, impatient for it to just finish and spare me the indignity of having to watch another tiresome scene with wooden dialogue and disjointed editing.

A short-sighted and somewhat offensive portrayal of Jimi and those around him at the time.

Final verdict: Fictional Movie – 2/10 Biopic purporting to be based in fact – 1/10 (for spelling all the names right)