Broken Side of Time

OK, I have never done this, but I am 35 minutes into this film and cannot believe how awful this film is! The first 30 minutes were spent with one character. She played with her lighter for 15 minutes, spent some time on the phone, etc. The film is slightly over 2 hours long and I am getting sick and tired of people associated with a film writing phony reviews. Film making is an art, it requires a particular kind of talent and skill. Owning equipment does not a film maker make!! I wish there was some way to control bogus reviews because this does not qualify as a film! I am tired of wasting my time watching stuff that's unwatchable.

Spare yourself and pass this one by quickly!!

"Broken Side of Time" was an interesting little project by Gorman Bechard. It follows veteran model Dolce (Lynn Mancinelli) on a road trip to her home, stopping at different places along the way for various types of photoshoots. She is leaving the modeling business, and she intends for these shoots to be her last big "hoorah" before leaving. We see Dolce struggling with a variety of different issues, from relationships to drinking and smoking. Through her actions and expressions, it is easy to tell what she is going through at any given moment, and Mancinelli is so convincing in the role it is hard to believe she is even acting. There are many great scenes, including my favorite where she gets behind the camera to shoot a younger model named Viral (Audria Ayers). My favorite aspect of the film was the use of natural lighting. Whether it be the sun shining through a window, or a sliver of light coming from a door, it makes the film seem all the more realistic. Bottom line, this is a good film not only if you are into the aspects of modeling and photography, but also if you like character study. I must admit, I don't get to see many indie films, but I am glad I caught this one.

In 'Broken Side Of Time', Gorman Bechard has crafted a road-trip film that is equal parts literal and figurative. The story centers on Dolce, played by the fantastic Lynn Mancinelli, who has been modeling for a decade and is trying to figure out all aspects of her life: her career, her family, her passions, her vices, and herself. Despite not having any true insight into the life of a model like Dolce, I find it easy to relate both to her story and to both aspects of her journey. The film is beautifully shot, with captivating perspectives and dazzling balances between light and shadow, color and griminess, and action and passivity that speak directly to Dolce's movements and to her mental state throughout. Dean Falcone's score, which sounds as if could be a lost Chris Whitley instrumental album, provides a perfect backdrop from start to finish. I won't give anything away here, but I will say that of all the stories I've read and seen on film that follow a character through a journey whereby he or she is seeking redemption or change or insight into the meaning of life - whether his or hers specifically, or in a larger sense - this one speaks to me in a deeper and more direct way than most, particularly when compared to films of the past two decades or so following this general theme. Like life itself, there are moments of Dolce's journey that are hard to take, but they serve to provide both the character and the viewer with the drive to keep on going, to continue searching, to never lose hope. Bechard has struck a chord with me in 'Broken Side Of Time', and has given me plenty to think about in my own journey through life.

When I saw this movie at a festival in NYC last year I left deeply appreciative of how this production truly takes great advantage of the medium to do more than tell a story, but to leave a visceral impression, an experience of a lifestyle I knew very little about. Lynn Mancinelli's Dolce, an Alt model, is on a personal road to change, and the narrative is compelling (helped by an expert, understated performance by Mancinelli)- but what makes the film different most of all is how it somehow, by the time the film comes to its peaceful close, creates in the viewer the sensation of having experienced what it might like to be photographed so many times in one's life, in one's career - and how the clicking and flashing becomes a kind of battery. The beauty of the result of the photography is for the unknowing, anonymous viewer - but this film gets you inside the subject of such photography - not only on a level of empathy, but somehow, and I still can't really articulate how, on an internal level. I felt like I experienced something ironic, and that Bechard and these storytellers do a real service by bringing the unbeautiful hustle and poison in such an industry to the forefront. I like learning something about things when I watch a movie- and this really surprised me in a good way.

It happens to Dolce, to Federer, to Ronaldo, to you, me every one who one day goes over the hill, goes down side due to age, jadedness, staleness and you face what Dolce faces in this film. Its upto you, how gracefully and correctly you face it, change yourself and accept new changed life. She has tried her best, little slow in pace but message is clear. Change is change less, accept it.