El violinista y compositor del siglo XIX Niccolò Paganini incurre en la ira de su diabólico manager mientras se prepara para su debut en Londres y se enamora de la hija de un empresario ingl... Leer todoEl violinista y compositor del siglo XIX Niccolò Paganini incurre en la ira de su diabólico manager mientras se prepara para su debut en Londres y se enamora de la hija de un empresario inglés.El violinista y compositor del siglo XIX Niccolò Paganini incurre en la ira de su diabólico manager mientras se prepara para su debut en Londres y se enamora de la hija de un empresario inglés.
- Dirección
- Guionista
- Elenco
- Premios
- 2 nominaciones en total
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
It wasn't entirely unwatchable, but it was not a good movie by any means. CGI was distracting, although if you look at it as art, they did a good job, just not realistic enough to be passable.
I was surprised Bernard Rose was the writer and Director, who also did the same for Immortal Beloved. Perhaps this movie was just missing Gary Oldman? The movie seems to be confused whether Paganini is the main character or not. It is filled with sub-par, some acceptable, and some over-acted performances. I thought Andrea Deck was good. David Garrett as Paganini, well, maybe his performance was more related to the script. I did enjoy all his performance scenes (performing on the violin, you dirty minded people you).
Am I the only one that noticed St. Patrick's Cross flag flying over London? You'd think Bernard Rose, an Englishman, would catch that. It was clearly in the hands of the Syfy special effects gurus at this point, so maybe the he had no hand in post-production. Or maybe there was a time England was flying the British version of the Irish flag that I don't know about? I doubt it.
Overall, this movie was not great enough to be good, and not bad enough to be great. It falls right in the middle, as most forgettable movies do.
But there are reasons he acts (plays) the way he does. There is certain downfalls that befall a person that is easily deceived. Or had a certain tendency to be too full of themselves. Of course there might be a light at the end of the tunnel. The question is if one can reach that end of the tunnel ... A nice movie that could have tried to tell a bit more, than it actually does. As it is, it's a decent movie with fine performances.
I think the violin and her virtuoso are most important in this story. Everything else is just background. Yes, this background has flaws, but they are in the details. The feeling of the era is truthful and powerful. Playing and compositions of David Garrett - they are compelling. I will remember this movie primarily with the music.
Moreover - if Paganini could choose an artist to fulfill his role, he would probably prefer the same musician. David Garrett don't play himself - he has dedicated himself to Paganini in this film.
¿Sabías que…?
- TriviaFun fact: Paganini never played his caprices in public because he wrote them for himself and were like his most intimate idea of music.
- ErroresLimelight is used in several concert scenes (including showing the actual chunk of lime), but the film is set in 1830 and the first use of limelight for a performance of any kind was 1836 and for theater performance in 1837. Further, Paganini had ended his concert performances in 1834 and his lifestyle and health made it highly unlikely that he would have ever stood in the limelight before his death.
- Citas
Urbani: How quickly they have turned on you...
Niccolò Paganini: Urbani...
Urbani: I'm willing to forgive your disloyalty...
Niccolò Paganini: I've taken several beatings. I'll never take you back.
Urbani: You did not really love her. You loved the idea of what you thought she was. An innocent. Someone whose purity could redeem you of your many sins. But she's human! She has the same carnality and ambition as you. All that would have happened, is that you would have destroyed her... you would've have corrupted her... with the same seeding and infection that burns within your blood... I am not the Devil. I serve the Devil and you are my master.
- Bandas sonorasThe Devil's Violinist
Score produced and orchestrated by Franck Van der Heijden
Conducted by Ulf Schirmer
Score performed by Münchner Rundfunkorchester
Historical Orchestra: Orchester 1756 der Salzburger Konzertgesellscaft auf historichem Instrimenatarium'
Paganini Music Arrangements by David Garrett and Franck Van der Heijden
All Songs licensed courtesy of Decca Records, a division of Universal Music Operations Limited.
© & (P) 2013 Decca, a division of Universal Music Operations Limited.
Selecciones populares
- How long is The Devil's Violinist?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- Países de origen
- Sitios oficiales
- Idiomas
- También se conoce como
- The Devil's Violinist
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Total en EE. UU. y Canadá
- USD 11,294
- Fin de semana de estreno en EE. UU. y Canadá
- USD 8,013
- 1 feb 2015
- Total a nivel mundial
- USD 4,069,418
- Tiempo de ejecución
- 2h 2min(122 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1