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7.7/10
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El príncipe heredero Lee Gak se traslada 300 años al futuro tras la muerte de su esposa; en la Seúl del siglo XXI, conoce a Joo Se-Na, una mujer con un asombroso parecido a la princesa falle... Leer todoEl príncipe heredero Lee Gak se traslada 300 años al futuro tras la muerte de su esposa; en la Seúl del siglo XXI, conoce a Joo Se-Na, una mujer con un asombroso parecido a la princesa fallecida.El príncipe heredero Lee Gak se traslada 300 años al futuro tras la muerte de su esposa; en la Seúl del siglo XXI, conoce a Joo Se-Na, una mujer con un asombroso parecido a la princesa fallecida.
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- 11 premios ganados y 2 nominaciones en total
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10mcmugged
I tend to enjoy a good time travel movie and as a Netflix subscriber, I get recommendations based on other things I have watched. Rooftop Prince was a Netflix recommendation. The idea of a Korean TV show with subtitles didn't seem like something I would care much about, but it wouldn't hurt to watch the first episode and see. That is what I did and I got hooked immediately.
Some of the things I found so refreshing about this show is #1-it is clean. No offensive joking or language. #2-it is hilarious at times and thrilling at other times. It has everything a good drama should have--greed, murder, mystery, romance, wealth and yet much of the time, it was very sweet. Throwing in some reincarnation and time travel just ices the cake for me. I love it. The two main characters (romantic) have a tremendous chemistry together. I would love to see them both again.
I binge watched all 20 episodes and I may watch them all again. At times the dialog went by too fast with the subtitles, I couldn't read it, but most of the time I was able to understand what was going on.
Each episode leaves you with a cliffhanger. Everything is concluded satisfactorily at last episode. Each episode is about an hour and 4 minutes long. I don't really get that odd amount of time. Here a TV show is fitted into an hour with commercials, generally so it might be 42 minutes without commercials. I wonder how they fit their TV shows in Korea for watching?
I gave it 10 stars because it was so enjoyable and addictive. I am going through withdrawal now that I am done watching it. In my opinion, there is nothing this entertaining on American TV lately.
Some of the things I found so refreshing about this show is #1-it is clean. No offensive joking or language. #2-it is hilarious at times and thrilling at other times. It has everything a good drama should have--greed, murder, mystery, romance, wealth and yet much of the time, it was very sweet. Throwing in some reincarnation and time travel just ices the cake for me. I love it. The two main characters (romantic) have a tremendous chemistry together. I would love to see them both again.
I binge watched all 20 episodes and I may watch them all again. At times the dialog went by too fast with the subtitles, I couldn't read it, but most of the time I was able to understand what was going on.
Each episode leaves you with a cliffhanger. Everything is concluded satisfactorily at last episode. Each episode is about an hour and 4 minutes long. I don't really get that odd amount of time. Here a TV show is fitted into an hour with commercials, generally so it might be 42 minutes without commercials. I wonder how they fit their TV shows in Korea for watching?
I gave it 10 stars because it was so enjoyable and addictive. I am going through withdrawal now that I am done watching it. In my opinion, there is nothing this entertaining on American TV lately.
Fassbinder's Berlin Alexanderplatz (1980) was a long movie - over 15 hours long. The Thornbirds, Roots and other early TV mini-series were long movies broken into consecutive episodes. I love a mini-series as a melodrama that tells a story in the long movie format, as opposed to those that tell different stories in the same setting (like Grey's Anatomy, Mad Men and to a lesser extent Damages, Breaking Bad, and Revenge that change the story at times while keeping to a general story). In this regard, I have discovered some gems in the South Korean TV mini-series of recent years.
The basic melodrama is the oft repeated formula: Boy meets Girl, Boy loses Girl, Boy gets Girl Back. This me recur in the same story. Human relations can be complex even if only the boy and girl are involved, but this complexity increases as more people are involved. If personality dynamics are properly depicted in a valid manner, and if the production is skillful, then powerful emotions can be evoked in the viewer. In this way we can live many lifetimes through movies, in our one lifetime - greatly enriching our incarnate experience.
These South Korean productions (seen on Netflix streaming) are first class with excellent production and direction, some terrific casting and acting (particularly from some of the females who give some matchless world class performances), brilliant musical accompaniment, and staging. What makes these so good is the way they skillfully evoke deep emotion in the viewer. South Korean movie making is superb - world class.
However, the following caveats must be considered by the USA viewer. They are subtitled and some people hate this. The South Korean cultural norms, values and sanctions may sometimes seems silly or old fashioned to the USA viewer. The families are close knit and decisions by an individual may be subject to family approval. Social distance is maintained where formal speech is used, and personal speech forms are reserved for close friends or family. There is a strong work ethic and community cooperation/unity - sometimes reminiscence of a old Frank Capra film.
Most importantly, in order for the sometimes complicated sub-plots to work, people fail to communicate with each other as might be expected, keeping many in the dark as to what others are doing, and this leads to misunderstandings and error judgments of some people, that sometimes seem to be unlikely by USA cultural standards. The viewer may wonder at times why good but trusting people are so easily manipulated and deceived by bad and selfish people, but con artists do often succeed (just look at politicians for example). However this poetic license of improbability is needed to develop the story - just accept it as occurring even though unlikely at times. Taking these factors into account Will help you become involved and emotionally engrossed. It was hard t for me to quit watching at times so I binged watched.
I would rank these as follows but tastes differ and your rankings might not agree: 1 - 4 (hard to say which is best)
Shining Inheritance
When a Man Loves
That Winter, The Wind Blows
Secret Garden
5. Five Fingers
6. The Scent of a Woman
7. The Great Queen Seondeok
8. A Hundred Years Inheritance
9. Lie To me
10. Roof Top Prince
11. Dr. Jin
12. The Great Doctor
Rooftop Prince has a fantasy premise - a Prince and his immediate staff experience time travel into the present day from the past. Then it becomes a mixture of melodrama and fun. Time travel is rare but has been reported by reputable people. See J. Randles book, Time Slips, for more on this. Accept the fantasy and enjoy the fun.
The basic melodrama is the oft repeated formula: Boy meets Girl, Boy loses Girl, Boy gets Girl Back. This me recur in the same story. Human relations can be complex even if only the boy and girl are involved, but this complexity increases as more people are involved. If personality dynamics are properly depicted in a valid manner, and if the production is skillful, then powerful emotions can be evoked in the viewer. In this way we can live many lifetimes through movies, in our one lifetime - greatly enriching our incarnate experience.
These South Korean productions (seen on Netflix streaming) are first class with excellent production and direction, some terrific casting and acting (particularly from some of the females who give some matchless world class performances), brilliant musical accompaniment, and staging. What makes these so good is the way they skillfully evoke deep emotion in the viewer. South Korean movie making is superb - world class.
However, the following caveats must be considered by the USA viewer. They are subtitled and some people hate this. The South Korean cultural norms, values and sanctions may sometimes seems silly or old fashioned to the USA viewer. The families are close knit and decisions by an individual may be subject to family approval. Social distance is maintained where formal speech is used, and personal speech forms are reserved for close friends or family. There is a strong work ethic and community cooperation/unity - sometimes reminiscence of a old Frank Capra film.
Most importantly, in order for the sometimes complicated sub-plots to work, people fail to communicate with each other as might be expected, keeping many in the dark as to what others are doing, and this leads to misunderstandings and error judgments of some people, that sometimes seem to be unlikely by USA cultural standards. The viewer may wonder at times why good but trusting people are so easily manipulated and deceived by bad and selfish people, but con artists do often succeed (just look at politicians for example). However this poetic license of improbability is needed to develop the story - just accept it as occurring even though unlikely at times. Taking these factors into account Will help you become involved and emotionally engrossed. It was hard t for me to quit watching at times so I binged watched.
I would rank these as follows but tastes differ and your rankings might not agree: 1 - 4 (hard to say which is best)
Shining Inheritance
When a Man Loves
That Winter, The Wind Blows
Secret Garden
5. Five Fingers
6. The Scent of a Woman
7. The Great Queen Seondeok
8. A Hundred Years Inheritance
9. Lie To me
10. Roof Top Prince
11. Dr. Jin
12. The Great Doctor
Rooftop Prince has a fantasy premise - a Prince and his immediate staff experience time travel into the present day from the past. Then it becomes a mixture of melodrama and fun. Time travel is rare but has been reported by reputable people. See J. Randles book, Time Slips, for more on this. Accept the fantasy and enjoy the fun.
If you can get through the first episode, keep going, it's a bundle of Wiggley joy! The first episode was a bit "um yeah" for me, but i kept going to appease my friend who recommended it and I don't regret it one bit and it's now a fave. There's a few LOL-spit-out-your-coffee moments, drama, mystery, suspense, weird fashion, history.... it's got it all!
Not sure how the yellow wiggle was going to keep that phone charged but hey, it's a kdrama, who cares?! ;)
Not sure how the yellow wiggle was going to keep that phone charged but hey, it's a kdrama, who cares?! ;)
Thought it would be interesting, a comedy romance.
Got stuck watching the 3 guys, they are cute, funny & amazing characters. Throughout the drama, they make it interesting to watch! But got tired of the show pretty fast half way through. Not because of the standard cliche - love & betrayal but 1 reason, the half sister gets away with lies, deceit & betrayal in every episode is getting too much! She gets away at every deceitful thing one can think of!
The love story is good enough. Romantic.
Got stuck watching the 3 guys, they are cute, funny & amazing characters. Throughout the drama, they make it interesting to watch! But got tired of the show pretty fast half way through. Not because of the standard cliche - love & betrayal but 1 reason, the half sister gets away with lies, deceit & betrayal in every episode is getting too much! She gets away at every deceitful thing one can think of!
The love story is good enough. Romantic.
It's a cool premise. The first couple of episode had laugh-out-loud funny moments. But then...
The story's good team - everybody is just so irredeemably stupid. The evil faction - they're all pedestrian-level evil, complete with smirks and sneering laughs. And they're so bad at being evil! It got to where I was shouting stuff like "Drats! Foiled again!" and "I'll get you next time, my pretty!" every time their plots failed.
It is so absurdly bad! Never mind the long takes with distant glances. Those alone cost the series a good 6 episode. They surely could have been done away with. It's the idea that Joseon-era men suddenly know how to operate modern technology. They can all drive. They all function well in a high-pressure corporate setting.
I could go on - the whole show is a series of continuity errors and plot holes. But methinks you get the drift. It's shocking that so many big names - so much talent that shines in other productions, agreed to do this turkey.
It keeps you on the edge of your seat strictly so you can be the first to spot the next inanity. That's the only reason why it got 4 stars.
The story's good team - everybody is just so irredeemably stupid. The evil faction - they're all pedestrian-level evil, complete with smirks and sneering laughs. And they're so bad at being evil! It got to where I was shouting stuff like "Drats! Foiled again!" and "I'll get you next time, my pretty!" every time their plots failed.
It is so absurdly bad! Never mind the long takes with distant glances. Those alone cost the series a good 6 episode. They surely could have been done away with. It's the idea that Joseon-era men suddenly know how to operate modern technology. They can all drive. They all function well in a high-pressure corporate setting.
I could go on - the whole show is a series of continuity errors and plot holes. But methinks you get the drift. It's shocking that so many big names - so much talent that shines in other productions, agreed to do this turkey.
It keeps you on the edge of your seat strictly so you can be the first to spot the next inanity. That's the only reason why it got 4 stars.
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