Kaksparsh

This is a very tough love story, where there is no conventional explicit exhibition of love and romance, but a feeling of love which is excessively controlled, endured and sacrificed for a vital promise. It portrays a woman who lives most portion of her life, facing the typical difficulties which a widow has to face in orthodoxies and on the other hand, to aggravate her life, is perplexed at the mysterious and taciturn behaviour of a man whom she loves. What a wrath of feelings she would have undergone to control her emotions, and to be restless towards the never-to-end silence and towards the absence of justification of various actions which her brother-in-law carries out. The brother-in-law, the other central character takes an oath for a split second, but endures the ramifications of it for several years, with a conscious guilt of not expressing his feelings towards a woman, and also exhibiting sheer toughness and protection, which is difficult to be perceived and interpreted by the community. Sheer genius of how Sachin Khedekar's character Hari perceives the death of the woman Uma in those final delicate moments, only so that the oath is not broken. The supposed modernist who turns out to be deceptively orthodox and superstitious and selfless at the more larger and better causes of virtues and rituals. A movie, which keeps one disturbed after its ending.

This is a story set in the first part of the 20th century somewhere in Konkan. It's a complicated story of love, family, traditions and regret.

Sachin Khedikar was brilliant.

What a Movie! you get to see such a film once a decade. Brilliant acting performances from each of the character. A detailed & content direction. At no point of time, you will feel that the film is lagging in script or slowing down. The edit sequencing - the way things move from past-further past & present - is one of the best part. The climax is hair-raising. Maybe due to 'regional language' barrier the film might not get the response it deserves. Also a person watching the film should be aware/educated about the Brahmins morals – as international audience might lack the knowledge of it & thus might not understand the purposes of few of the things used in the films. Proud that such a film is made in India, and that too in Maharashtra. JAI MAHARASHTRA!

Such a Heart Crushing venture about a verbally unspoken love. I just love it. Watched it second time n it carried the same magic. Writing was sooperb. Direction was WoW. Both songs (which are mostly without much musical instruments but Magical) n background scores flow as good as blood in your veins. Soothing Cinematography. But what stands above all is the Acting by some knock-out Actors. Sachin Khedekar and Priya Bapat left me gasping at times. They were ssso good. Medha Manjrekar, there is such a motherness, simplicity and excellence into her that made me adore her. Then there is Savita Malpekar who also made an impact with her superb acting skills. Mahesh Manjrekar does wonders with the right script for him.

Excellent movie - very strong plot,accompanied by a very good acting... and very very good direction.

The movie doesn't linger on at any scene, moves fast and deals with all the aspects of the story grippingly and on many occasions conveys everything without words. Sachin Khedekar & Priya Bapat are awesome, and so is all the supporting cast.

Mahesh Manjareksr, hats off! Whenever we start thinking that Marathi film industry is losing it glory again because of the stereo-type comedies, movies like this bring us back to theaters! It is unfortunate that some really good movies, like this, don't perform that well at the box office.