La partida

A tough and gritty insight into young gay life in Cuba. Milton Garcia ("Yosvani") a small time rent boy and Reinier Díaz ("Reinier") an aspiring footballer live and work in poverty selling whatever they can - including themselves - just to keep their heads above the water. Needless to say, whilst their prostitution is accepted to some extent; any sort of homosexual relationship with affection, let alone love, is still very much a taboo. Antonio Hens gets the two young men to deliver strong, convincing performances as they take us through a fairly hairy story and try to give their love a chance to thrive. It's quite a tough watch and it doesn't pull it's punches...

"The Last Match," directed by Antonio Hems, delicately navigates the complexities of love, identity, and societal expectations in contemporary Cuba. The film chronicles the clandestine romance between Reinier and Yosvani, capturing the tender intimacy and passionate trysts amidst a backdrop of economic hardship and cultural norms.

Hems artfully portrays the evolving relationship between Reinier and Yosvani, highlighting their differing attitudes towards love and commitment. While Yosvani falls deeply in love, Reinier appears more reserved, perhaps influenced by societal pressures and his own uncertainties.

The film skillfully weaves in details about the characters' lives, such as Reinier's mother's approval of his relationship with Juan, adding depth to the narrative. Additionally, Hems explores themes of masculinity and sexuality, shedding light on the complexities of Cuban machismo culture and the challenges faced by individuals navigating their sexual identities.

The performances by the central male actors, García and Díaz, are captivating, conveying the emotional turmoil and vulnerability of their characters. Hems' casual portrayal of nudity underscores the raw emotions at play, adding authenticity to the film's portrayal of intimacy.

However, "The Last Match" falters in its melodramatic climax, which feels forced and detracts from the otherwise compelling narrative. Despite this misstep, the film remains a poignant exploration of love, desire, and the human experience in a challenging social context.

Overall, "The Last Match" is a thought-provoking and visually arresting drama that resonates long after the credits roll, offering a glimpse into the complexities of life and love in contemporary Cuba.

#TheLastMatchFilm #miltongarcia #reinierdiaz.

The background, the carachters, the acting, the script, the photography and the lighting are above the average of most gay films. It lacks in the fields of direction (the use of the camera in some dialogs), the sound (some words are missing due to the lack of vocalization of the actors and the level of sound) and a more elaborated and credible ending. Anyway, it is worth watching this Spanish film.

Sure, elements of this are maybe reminiscent of other gay titles, but these themes are based on real trends of the gay experience, so it's important to be patient with similarities across films from different cultures, each of which deserve their own nuanced stories told. Reiner and Yosvani's love story is memorable in their acting, the circumstances, and their decisions. Homosexuality is portrayed here not as fully forbidden but in a state of simultaneous acceptance and denial, which makes the story so unique. Both character's female partners and some family members are aware of their male lovers. I think the sad ending falls just short of being necessary based on the plot that leads up to it, but when I went back and rewatched it I felt like it did make sense the way it all played out.

I am sure life was not easy in Cuba before the Castros, but in spite of their nice slogans and levelling activities (often compelling), living conditions have worsened, particularly after the collapse of the socialist camp since 1990ies. So many continue or have been forced to live in poverty, and those wealthier are often engaged in dubious trades.

All this we can see in Spanish-Cuban La Partida, where daily life is ruled by earning and adoring money, and even sexuality is subject to this, no matter what God or nature has determined. And deviations from this, including feelings and caring, do not end / work out as in fairy-tales... Performances are brave and distinct, at least 1 point from me for that, plus the viewers obtain images how living and infrastructure in present Havana look like, and probably would feel pity and sad.

In XXI century, Cuban people deserve much more than doddering revolutionaries are willing and able to offer.