Wanda quiere ocuparse de todos en su vida. Apenas tiene tiempo para sí misma, aunque no sabe qué hacer con él.Wanda quiere ocuparse de todos en su vida. Apenas tiene tiempo para sí misma, aunque no sabe qué hacer con él.Wanda quiere ocuparse de todos en su vida. Apenas tiene tiempo para sí misma, aunque no sabe qué hacer con él.
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Shannon Gannon
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Opiniones destacadas
I stopped watching when she started carrying the bike upstairs while all the other bikes were, wisely, outside the house. I thought nothing good could come of such a movie and gave up. After all, you want to see smart behavior, even if it's labeled as comedy. For the same reason, I don't watch silly Adam Sandler movies as I know his pants often fall down. Do not waste your time ,to se the gym exercise. Do not fall for the good actress as often they make mistake too. If the director would told me to carry the bike two flights up , I would refuse. Thus put on the old but good movies with Gene Hackman instead of this.
Wanda (Edie Falco) is always there for her needy family. Her mother is diagnosed with leukemia but unlikely to die from it. Her pregnant daughter is getting married, but her ex-husband is withdrawing his half of the money. Her son keeps complaining about her to his therapist who promptly quits on him. Her family keeps calling on her and she keeps answering.
The movie could do something more to drive the drama and narrative. In many ways, Wanda is just moving from one scene to another and they are all essentially the same. She is being burdened with everybody else's problems. It's a little funny but repetitive. This may work better if she is running around all day preparing for the wedding. That would allow the story to have a cohesive plotline. More than anything, this shows Edie's great acting abilities in doing simple work.
The movie could do something more to drive the drama and narrative. In many ways, Wanda is just moving from one scene to another and they are all essentially the same. She is being burdened with everybody else's problems. It's a little funny but repetitive. This may work better if she is running around all day preparing for the wedding. That would allow the story to have a cohesive plotline. More than anything, this shows Edie's great acting abilities in doing simple work.
The movie is entertaining. The protagonist character is relatable. Good acting.
1st huge flaw: Michael rappaport. Insufferable.
His acting is always bad. I saw him in several roles and he always does the same character.
2nd flaw: they call joining the army "an adventure". This normalizes violence. How is that they do not stop and think how terrible going to war is. Specially in the states, a country that uses going to war as a means to get power and economic gains, regardless of justice. It sounds like a game to their society, 'an adventure'. This description is an apology of war.
For the most part, actors are OK.
1st huge flaw: Michael rappaport. Insufferable.
His acting is always bad. I saw him in several roles and he always does the same character.
2nd flaw: they call joining the army "an adventure". This normalizes violence. How is that they do not stop and think how terrible going to war is. Specially in the states, a country that uses going to war as a means to get power and economic gains, regardless of justice. It sounds like a game to their society, 'an adventure'. This description is an apology of war.
For the most part, actors are OK.
Just saw this at Annapolis Film Festival and want to watch again immediately. This intelligent, witty, and pitch-perfect character study follows Wanda (Edie Falco), a woman who will drop everything to help out a family member... And lately, they just all seem to need way too much help. The title, "I'll Be Right There" perfectly sums up her character. Impressively, the film does not seek to reduce this type of person, and we all know someone like this, or ARE this person.
This film will give you a lot to reflect on, no matter where you fall on the scale of being a 'Giver' (If you're a 10, chances are you're not only neglecting yourself but also enabling bad behavior and making other people more dependent on you... If you're a 1, chances are you are so afraid of getting used that your relationships suffer).
This is a movie for adults, putting this question of "How much helping is too much?" at center stage. Edie Falco makes you feel the exhaustion and the worry, and keeps the audience from judging her choices, which constantly surprise. She is not an idea. Her character has layers of specificity and many sides that aren't apparent right from the start. This kind of storytelling is a delicate soufflé - and it flies in the face of a lot of pressure for screenwriters to amp up conflict and and give the audience big emotional signposts.
Based on reading the summary, I was expecting a different kind of film, one that had an agenda to criticize this kind of helicopter parenting and the way it can yield floundering, helpless adult children.
This is certainly a subtext of the story - How does Wanda's enabling behavior affect those around her? But Jim Beggarly's script in the hands of director Brendan Walsh has so much more on it's mind.
There were times early on where I felt resltess - "Where is this movie going?" A few scenes, including an amazing monologue by Jeannie Berlin as Wanda's mother, seem take their time and don't have a clear impact on the scenes that follow. By the end, it's clear that every lived-in moment, all the random details of Wanda's chaotic week, have created a tapestry so rich that it invites true reflection of very adult problems that we often never vocalize to people around us, even though they are central to our daily ups and downs.
I can imagine some people having life-changing conversations if they were to watch this movie with a sibling, a parent, or their own adult children.
Truly sublime filmmaking. It doesn't announce itself as important, or push buttons to get your emotions flowing. I hope it finds a devoted fans regardless. I count myself as one.
This film will give you a lot to reflect on, no matter where you fall on the scale of being a 'Giver' (If you're a 10, chances are you're not only neglecting yourself but also enabling bad behavior and making other people more dependent on you... If you're a 1, chances are you are so afraid of getting used that your relationships suffer).
This is a movie for adults, putting this question of "How much helping is too much?" at center stage. Edie Falco makes you feel the exhaustion and the worry, and keeps the audience from judging her choices, which constantly surprise. She is not an idea. Her character has layers of specificity and many sides that aren't apparent right from the start. This kind of storytelling is a delicate soufflé - and it flies in the face of a lot of pressure for screenwriters to amp up conflict and and give the audience big emotional signposts.
Based on reading the summary, I was expecting a different kind of film, one that had an agenda to criticize this kind of helicopter parenting and the way it can yield floundering, helpless adult children.
This is certainly a subtext of the story - How does Wanda's enabling behavior affect those around her? But Jim Beggarly's script in the hands of director Brendan Walsh has so much more on it's mind.
There were times early on where I felt resltess - "Where is this movie going?" A few scenes, including an amazing monologue by Jeannie Berlin as Wanda's mother, seem take their time and don't have a clear impact on the scenes that follow. By the end, it's clear that every lived-in moment, all the random details of Wanda's chaotic week, have created a tapestry so rich that it invites true reflection of very adult problems that we often never vocalize to people around us, even though they are central to our daily ups and downs.
I can imagine some people having life-changing conversations if they were to watch this movie with a sibling, a parent, or their own adult children.
Truly sublime filmmaking. It doesn't announce itself as important, or push buttons to get your emotions flowing. I hope it finds a devoted fans regardless. I count myself as one.
In wonderfully warm blue-collar drama "I'll Be Right There" middle-aged mum Edie Falco struggles under the weight of constantly running around her NY-state small-town after her mum (Jeannie Berlin) and her two young-adult kids (Kayli Carter & Charlie Tahan) that ex-hubbie Bradley Whitford's no help with. She's also juggling romantic relationships with Michael Rapaport (always great), Sepideh Moafi, and maybe even Michael Beach... it's all a bit much! Thru Falco's terrific performance, Jim Beggarly's pitch-perfect screenplay, & Brendan Walsh's rich direction, it is a gentle triumph - but will probably become a largely undiscovered gem. Discover it - it rocks.
¿Sabías que…?
- TriviaPaul Schulze (Reverend Peter) played Father Phil in The Sopranos with Edie Falco. He also played Eddie in Nurse Jackie with Edie Falco.
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- How long is I'll Be Right There?Con tecnología de Alexa
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- Tiempo de ejecución1 hora 38 minutos
- Color
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What is the Brazilian Portuguese language plot outline for I'll Be Right There (2023)?
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