Fresh Meat

There are so many jokes to be made with that title, that I'm sure you'll think of some pretty good ones yourself. And as the title suggest, you will be in the loop before one of our main characters is. So the viewer is ahead on a few things (also the "arriving"/"clash" is something you'll be expecting too), that the characters aren't.

The movie will not be everyones taste (no other way to put that), but it is funny. Does it have flaws? Of course it has. But you would do the movie unjust to critique it because of it and you would hurt your own movie viewing experience by being to observing of those mistakes and flaws. Try to enjoy a fun little movie with a wicked sense of humor

I saw this at Pifan 2013 in South Korea, and well, I wasn't expecting a horror comedy but got one. There were funny moments in the movie but well, the gore wasn't necessary.

I also wanted to see the actor T. Morrison but this was far from his finest hour. This film is basically a mix of gore, sex and a series of one-liners and while I didn't regret seeing this, I'm not sure I can recommend it.

I gave it seven out of ten points because there were entertaining moments, but I sure hope Morrison gets better roles to befit his acting talents.

Fresh Meat is that rare beast that you never find elsewhere in New Zealand cinema: a film that unashamedly knows its purpose is to entertain, and thus spends 90 some minutes trying to blow our heads off doing that with a heady genre mix of action, horror, black comedy, pink hot pants and even lesbian school girls.

From the opening frames- seeing a young Maori girl 'discovering' herself (and a female friend) in the shower you realise you're not in for your normal NZL film (you know… plodding… artsy… bleak… BORING AS HELL). The filmmakers seem to have their tongues firmly in cheek and want us to have a great ride. And we really do.

The pacing is excellent: it's ferocious, and doesn't let up. It reminded me of a cross between Tarantino genre homages, Bound (the Waschowski brothers' lesbian crime romp), Wes Craven's Scream, and Once Were Warriors (but only if it was remade as a zombie film). It's a heist caper crossed with a black comedy crossed with a cannibal thriller, but to pin it down to any one genre feels limiting.

The performances generally all work. However, Kate Elliott is amazing as the tough-as-nails bi- sexual co-leader of the Tan Gang, Gigi. She's hard, sexy, and talented enough to bring a great deal of heart and depth to a role in which a lesser actress would be at risk of being upstaged by those (admittedly, amazing) pink hot pants. Watching her kick ass for 90 straight minutes is worth the price of admission alone.

Hanna Tevita is great also as Rina- the female protagonist at the heart of the film. Coming home from college, she discovers that her family are actually cannibals, yet before she has a moment to process this, she has to deal with a hostage drama in which she falls in love with her captor. Great stuff, and Tevita certainly provides the necessary eye candy.

But it's Temuera Morrison that (almost) steals this film. Poking fun at his previous hard ass characters, Morrison finds the right line between deadpan comedy and all-out psychopathic rage. The scene where he interrogates Rina's love struck vegan suitor by making him eat testicles at the dinner table is seriously good, and funny as hell. Good to see Tem nailing it.

Mulheron's grounding in comedy is on constant display. (The scene where the two girls are stuck in harnesses and try to 'eat' their way out is daftly brilliant.) Mulheron seems hell-bent on touching every overly PC nerve in our collective national consciousness (to have the words Maori and cannibalism in the same sentence is risqué enough, let alone making a film about it!) and it's this sense of manic, provocative energy that sets the tone throughout.

Great to see a film that achieves exactly what it sets out to. It's an unashamedly fun popcorn movie which gave me a great night out at the cinema. Go and see this on the big screen with a beer and a big audience. Anyone who doesn't like this film should go home and watch the Piano on DVD and have a good cry instead.

A lot of it was funny, some of it was just a bit dumb but I mostly hated the complete sexualisation and predation of the teenage girl. The 69 bondage scene was especially cringey.

But now you're seemingly nothing more than a pitiful caricature of the Maori culture and inheritance you once so proudly represented. Are you really that desperate for work that you have to star in this dumb, dull, tasteless and unfunny horror comedy?? "Fresh Meat" desperately aims to come across as fresh, inventive and light-headed but instead of all this it's just downright embarrassing. Bunch of mishap criminals invade the home of a seemingly model suburbia family during an amateurish prison break. The Cranes aren't the defenseless victims that they appear to be, since they just decided to switch to cannibal cuisine! The basic premise definitely shows some potential, but absolutely nothing in this production is handled the way it should. The characters are loathsome stereotypes, the jokes and gimmicks entirely miss their effect, the plot twists are idiotic and far-fetched (even for a comedy about cannibals) and the overload of blood and gore isn't the least bit exhilarating. New Zealand already proved in the past that it can come up with ingenious and high entertaining horror comedies, like "Black Sheep" and the early Peter Jackson triumphs "Bad Taste", "Meet the Feebles" and "Braindead" (besides, writer/director Danny Mulheron is one of the creative minds behind the concept of "Meet the Feebles), but this is a total misfire.