It's Such a Beautiful Day

From his beginnings as the animator of absurdist comedic shorts like "Rejected" and "Billy's Balloon", Don Hertzfeldt's career has always been promising and he has now become one of the finest filmmakers working today, a mature mastermind with a sense of humor that somehow manages to create stunning works of art using stick figures.

"It's Such a Beautiful Day" is a tragicomic combination of fantasy and reality, portraying the life and death of a seemingly normal man named Bill, a relatable extension of ourselves who lives a confusing yet mundane life that seems to have been wasted by year after year of nothing. Featuring a deadpan and often hilarious narration by Hertzfeldt himself, Bill's psychological and physical collapse is portrayed through the unique usage of flashbacks, dream sequences, absurdist gags, surrealist science fiction imagery, etc. All of these fragments of memories and crises and sad moments and happy moments and funny moments and stream of consciousness style musings on existentialist concepts of death and love and life all culminate to form something inexplicably beautiful. This is the story of a fragile man taking place over the course of his most fragile days as life seems to vanish in his socially awkward grasp. Of course, this is not a conventionally sad work, although it IS extremely tragic and heartbreaking throughout, for Hertzfeldt's often dark and occasionally even slightly juvenile and slyly bawdy sense of humor shines through even the most melancholic of moments.

The result of this brilliant philosophical tale is a work of both intellectual and emotional mastery crafted by an underrated and unbelievably talented artist whose works can combine elements of comedy and tragedy and poetry using bland, almost poorly drawn stick figures. This filmmaker and this films are both movie miracles and prove that even in this modern age of repetitive corporate media cinema is not dead and can still be excellent and original!

Never has a movie had a greater impact on me than this one. In fact, I created my IMDb profile solely to rate this movie 10/10, because it is just that good.

At the surface it's a somewhat comically told story of a stickman, Bill, and his struggles in life. Don Hertzfeldt (the animator) narrates Bill's life through what seems like a series tiny excerpts plucked out from a bigger picture. It mirrors the animation style, which at times also seems to consist of excerpts; tiny portions roughly cut out from bigger scenes. All this is accompanied by classical music.

At the core of this simple exterior though, is an emotional roller-coaster that will make you think about the big questions. It will make you laugh at dark jokes amidst a sea of tears. It will reduce any hard man into a soft mushy pulp. And in the end, Bill the stickman will have a real impact on your life.

When I sat down to watch this, I had never heard of Don Hertzfeldt, the genius behind "It's Such a Beautiful Day." Since then, I've watched every single film he has made at least three times. This film changed the way I look at art; film, music and literal art, in the form of paintings. It is truly incredible. Hertzfeldt's animation style in one of the best in the industry, and has now become my favourite.

The story that is told in the series of shorts will make you laugh, cry and consider why you are even living. The way that the simple animation style is composited on screen is unique, and also works seeing as it is told from Bill's perspective. The main character, Bill, is a lonely, confused stickman, who suffers from depression and a mental disorder. The things he dreams up or the hallucinations he sees show Hertzfeldt's absurd humour, which will confuse you and also make you laugh. The questions that he asks will stay in your head for a very long time.

The fact that this masterpiece was produced entirely one person with no help from computers makes the film stand out even more.

I don't know whether I'll ever watch a film the same again.

This film is amazing. It's a beautiful, philosophical film that leaves you feeling paralyzed after viewing. Every time I watch it, I notice more and more of the great things about this film. The superb effects are even more amazing when you think about how there were no computers used in its filming. This movie feels like the longest hour of your life, but you wish the hour never ends. It is about a man named Bill. It starts of following Bill around with narration by Don Hertzfeldt. Hertzfeldt's narration sounds unconventional and unprofessional, but it adds to the effect of the film. You soon learn that BIll is struggling with some sort of disease never mentioned in the film that affects his mind. Most of the film is split into little windows across the screen, something weird, but original and interesting. All this, plus some darkly funny humor, makes this film not only a great one, but an artistic achievement that will make you do some major thinking about life. This film is perfect.

I haven't seen a film as masterful as Don Hertzfeldt's It's Such a Beautiful Day that I had to watch it twice in two days in a long time. Comprised of three short films, of which were released from 2006-2011, for an hour long feature. It details the life, perspective and ancestry of Bill, a nondescript stickman who suffers from deliberating mental illness. Although it has a minimalist animation style, with simplistic pencilled-in stick figures and fractured splotched split screens contrasted with live action footage, Hertzfeldt manages to dig deep into the bleakest caverns of the psyche of the human condition, whilst also pointing out its silver linings. Even though it's obviously painstakingly animated, there's a liberating stream-of- conscience style with Hertzfeldt's omnipresent and omniscient narration.

Despite Bill's erratic state of mind, ostensibly from his family history, he's an incredibly relatable character from his fears, dreams and insecurities. The film is so on point that it's hard to shake a disorientating sense of anxiety from watching it due to its existentialism. The film is a remarkably abrasive experience from its density, firing off small vignettes of Bill's life in just a few seconds at a time, paired with an unnerving use of classical music. But with its absurdist take on life, the grounded sense of humour comes from its irreverent and idiosyncratic observations of trivial social faux pas. However, the only aspect that holds the film back is that it gets too nihilistic at times especially during the family flashbacks without purpose, often forgetting the theme of the title.

What's most powerful about the film is the way it approaches mortality. Among all the morbid cruelty of life, it manages something deeply poignant and profound in its casualness. It suggests death as a dumb, awkward stupid moment and in its irony it finds comfort. The final passage explores the consequence of immortality taking a common fantasy on a grand scale. The unbridled creativity, insight and ambition of Hertzfeldt is unparalleled. Both hilarious and gut-wrenching in equal measure, it's a thoroughly inspirational film as Hertzfeldt probably made this on one desk maybe in his bedroom. I implore everyone to spare an hour of their life to watch this. I'll definitely be watching It's Such a Beautiful Day many, many more times.

9/10