Apuestas Perversas

A dark, sadistic debasing experience in how low desperate people are willing to go to, ironically, raise themselves out of their dire life situation. This is a disturbing, yet compelling watch and draws parallels in how quickly society would collapse without order and is extremely depressing in that this kind of 'entertainment' is not something that would be discounted in a future society. We already have TV shows where people eat strange animal parts in the name of entertainment. It is depressing that this is a possible future game show in the making. All that said it is well acted and very hard to turn away as each dare gets becomes more extreme with a brutal finale. Well done to the director for keeping a realism to the film without wandering into fantasy.

Cheap Thrills has the type of concept which could easily live up to its title. Two rich sickos torturing a couple of poor strangers by daring them to do progressively twisted tasks could result in an exploitative B-movie designed to shock the audience for the sake of it. Thankfully, Cheap Thrills manages to offer much more than a few cheap thrills. It's actually an intelligent, engaging and darkly humorous little film with a few hints of postmodernism not too dissimilar to Funny Games.

Pat Healy and Sara Paxton made a terrifically witty duo in Ti West's limp, The Innkeepers and deserved to appear in a much better film. Cheap Thrills is that better film, and whilst Sara doesn't have particularly much to do, Pat puts on a similarly likable performance as the down on his luck protagonist, who we can all relate to. In fact, all of the characters manage to be engaging and interesting. I love how realistically the film progressed from a friendly encounter on a night out to a sick set of dares.

For a film largely set in one location with just four characters, it's never boring. Quite the opposite, in fact I was left wanting more and I think it could've pushed the boundaries more, but that's probably just my twisted horror nut coming out! Where the film actually succeeds is that it doesn't make the dares the focus of the entire film. Instead it's much more concerned with the characters and how they develop, thus making for a much better quality and more involving piece of filmmaking.

The comment it makes on society is quite heavy-handed but nevertheless an intelligent and relevant one. It's best to view the two rich psychos as symbols, rather than characters. They're obviously representative of the bourgeoisie and how they exploit the poor minority. However, the film also makes a subtle comment on the psychotic nature of audiences too. I thought that the ending kind of made out like the psychos were doing it all for us, the viewing public, thus adding another intelligent and postmodern layer to the film.

Overall the film is a striking debut and this E.L Katz bloke looks like he has a promising future in the horror movie industry. His directing was consistently intense and he managed to build some massive amounts of tension. Cheap Thrills may falter on repeated viewings (due to the lack of a surprise factor) but for a first time viewing there's very little to complain about. Perhaps it could've been a little more twisted, but really I was surprised by how intelligent the screenplay actually was. Cheap Thrills offers a lot more than its title suggests. It's probably one of the best horror-comedies we've had in a while.

An allegory of sorts for the Occupy generation, "Cheap Thrills" endeavors to answer the age-old question of just how far you would be willing to go for a boatload of cash. Especially when you've just lost your job, you're being evicted from your home, and you have a wife and toddler counting on you for support. This is the dilemma facing Craig (Pat Healy), an Average-Joe, mild-mannered urbanite who's genuinely trying to play by the rules but who just keeps getting dumped on by a world that seems dead-set against him ever achieving his portion of the American Dream.

On the night he loses his job as a mechanic at a Southern California garage, Craig wanders into a local bar only to hook up with an old buddy of his from childhood (Ethan Embry) and an obnoxious, borderline- sadistic millionaire (David Koechner) who keeps tossing money at the two men whenever they perform impromptu, trivial tasks for him. Things turn serious, however, when Mr. Moneybags ups the ante, throwing out ever more enticing financial rewards for ever more vile and degrading stunts.

Though fairly simple and straightforward on the surface, "Cheap Thrills," written by Trent Haaga and David Chichirillo and directed by E.L Katz, is really a modern-day parable about greed, desperation, exploitation and the dangers of unbridled macho bravado. It portrays, in miniature, a world in which a small number of people have virtually everything in terms of wealth and power, while the vast majority wind up with virtually nothing they can call their own. Craig and Vince have so little to lose, in fact, that they are willing to go to unimaginable extremes to get at least something to keep themselves from feeling like total failures in life. They sense that their very identity as men is on the line here and, thus, they will stop at nothing to assert their primacy over one another, the first step in securing that which they feel is rightfully owed to them and their families.

Colin, along with his equally amoral wife, Violet (Sara Paxton), on the other hand, represents the callous 1% who amuse themselves at the expense of other people's desperation, going so far as to pit the have- nots against one another for the sheer pleasure of watching them brawling in the dirt over the scraps that are condescendingly thrown their way. This is Darwin's "survival of the fittest" as it is played out in 21st Century America.

Crude, brutal, at times unwatchable even, "Cheap Thrills," nevertheless, manages to get under the viewer's skin, forcing him to face harsh truths about society and human nature and to ask himself just how far he would be willing to go to get what he needed to survive. It doesn't paint a very flattering portrait of us as a species, but, let's face it, sometimes you don't always like what you see when you catch a glimpse of yourself in a mirror.

I may be more twisted than most people because I really liked this movie. The fact that it is listed as a comedy of any kind is misleading. It's certainly not for the faint hearted crowd and I can imagine lots of people would find it very disturbing so watch with caution.

If you enjoyed "Would you rather" then this is probably for you.

Pat Healey of The Innkeepers fame plays a family man and blue collar worker who receives an eviction notice and is laid off on the same day. On the way home, he runs into an old friend at a bar, and the two of them run into an eccentric rich couple played by David Koechner and Sara Paxton (again of The Innkeepers) who propose a twisted series of games for money at their private residence.

To compete against each other for large rewards, Craig and Vince engage in more and more disturbing acts of depravity, self-mutilation and moral bankruptcy.

This is a shocker, and a hard-to-watch one at that. What keeps it bearable is that it's a very FUNNY shocker, particularly with Koechner providing most of the black comedy.

Ultimately this is an allegorical haves-and-have-nots tale that looks at the lengths people will go to in the name of financial desperation. The climax is disturbing and had me doing some sharp self-reflection. Not bad for a first-time director and a tiny budget.