He Never Died

"My landlord thought I was robbing my own apartment. Really? Isn't your landlord, like, 90 years old?"

A brilliant, original horror. That's what you might say after watching "He never died". A subtle mix of sometimes gory images and clever humor. And this shown in an even surprising way by Henry Rollins, the former front-man of the legendary punk band "Black flag". A bundle of muscles who already surprised in the past with his poetry. And now he shows that he's also capable to take a leading role for his account. His stoic calmness and indifference create hilarious situations several times. And the story on his own is contrived in such an original way. I watched with amazement and after a while I was wondering what the hell it was about anyway. Did it have something to do with vampires? Was Jack a solitary zombie (due to his grayish look) who attempts to remain anonymous? And what about those demonic and satanic sounds he sometimes makes?

Jack (Henry Rollins) seems depressed and drags on through life as a worn out man. The only things he does to fill his days is sleep, eat something in the same small restaurant and occasionally play bingo among the elderly. Waitress Cara (Kate Greenhouse) tries to change Jack's fatalistic attitude. But she isn't really successful in doing that. Jack clearly isn't enthusiastic about her flirting. Most of the time a quiet, nondescript look is his answer to it and then he turns his back on her without blinking. Also, his daughter Andrea (Jordan Todosey), who appeared out of nowhere, can't break down this erected wall of aloofness. It's obvious Jack isn't an ordinary, average citizen. The title of the film, of course, reveals much and isn't really a spoiler. Apparently Jack is immortal and needs his dose of blood on a regular base. When his blood supplier Jeremy (Booboo Stewart) (an intern who works in a hospital, I suppose) runs into trouble with a local gang of criminals, he's no longer able to provide Jack with the much needed blood. After his daughter is being kidnapped, all hell breaks loose with the obvious casualties. Except Jack, of course ...

Rollins is a performer and this movie was the appropriate stage for him. His imperturbable gaze and brute force gave him a Schwarzenegger-like appearance. The limited conversations with brief, evasive answers contributed to the overall tone of this absurd film. A fatal head injury made such an impression on him as a tiny splinter in his finger. Unmoved he uses pliers to treat the injuries. At that time I wondered whether it was meant humorously or creepy. He's an emotionless bloke who storms through a decaying society like a bulldozer, full of rage and aggressiveness. At first Jack seems to be a dull figure, but when his true identity is revealed in the end, his way of reacting and his world-weariness is justified.

I'm afraid that "He never died" will only appeal to a limited audience . And I belong to that limited audience. I appreciate such an absurd horror filled with brutal violence and a special storyline once and a while. The subtle humor was enjoyable. And above all, they made sure it didn't become a parody. "He never died" exceeds all horror-comedy up to now. And probably until eternity ...

Mythical entity or immortal is usually portrayed as suave gentleman with silver tongue in cinema, however it's utterly surprising that Terminator-esque robotic personality with tendency to be overly literal in his speech proves to be equally appealing. The whole set-up works due to the main lead Henry Rollins, who is truly an unorthodox cast as his works primarily consists of voice acting and hosting documentary in History Channel, yet he's displaying a knack for comedy and action almost effortlessly.

This is a sort of mix between the vengeance theme movies like John Wick or Equalizer from last year with incredibly odd lead character in Jack (Henry Rollins). He is straightforward and awkward in mannerism, nearly devoid of any formality yet still remains serendipitously humorous. Rollins can even be frightening if needs be, a complete package for comedy thriller.

It's an example of the actors fits the character so well that it can be amusing even when doing mundane things like playing bingo. The two supporting cast Jordan Todosey as Andrea and Kate Greenhouse as Cara are good addition. They make some of the more hilarious scenes simply because the contrasting nature against Jack's rigidity, especially Cara who tiptoes between silly love interest, reluctant accomplish and mild comedy relief.

There is a good balance of violence action for every humor thrown at the gritty tone. The blood and gore come out of nowhere, which just add to the shocking effect from normal setting of small city's diner and apartments. By utilizing the gap between humor and violence, it creates an indifference mood that might be overblown elsewhere, but with the deliberate presentation of the nihilist main character, the movie remains entertaining on both aspects.

This is an immortality angle done right, with intense excessive brutality, fun jab at humor and an impeccable actor as the near superhero and terribly jaded lead.

I am a big fan of Henry Rollins ever since he was rocking on MTV, but in this film he outdid himself. I cannot imagine a more perfect role for him than this grumpy indestructible man who just wants to be left alone... for your sake.

But it isn't only that. The script made me think of many things and very often made me laugh out loud. Maybe I loved the film so much because I identify with the character, but in so many ways it is a deconstructive story, and I always like what makes me question the way things are and makes me think on how they could or even should be.

Rollins doesn't seem to need to act, he just shows up, but look at the films he chose to be in: Feast, Suck and this to top them off. The movie is one of those rare art pieces where you enjoy every part of the story, every line of dialogue and you don't give a rat's ass about special effects or production values. I loved the movie!

And, the really amazing thing, is that the above line of dialog was just a throw-away, not even something important enough to build a scene around. That's the kind of movie this is.

Reviewers Notes:

1. The first legitimate successor to the quirky Canadian horror flick, Ginger Snaps, which is doubly ironic because the two "official" sequels to that film were OMIGAWD terrible.

2. Completely insane and unpredictable yet strangely charming. By coincidence, this reviewer just finished a review of Quentin Tarantino's THE HATEFUL EIGHT and, in said review, pointed out how far QT has strayed from the charm and sly humor which demarked his earlier films. This strange little film could almost pass for an early work of QT, that is how offbeat it is.

3. Henry Rollins is great, almost re-defines the "man with no name" anti-hero persona first created by Clint Eastwood in the 60s. He does not say much, he just wants to be left alone, women initially are torn between wanting to date him and/or calling a cop, picking a fight with him is INVARIABLY A REALLY REALLY BAD IDEA, and his mono-syllabic responses to every question walk the fine line between autism and efficiency.

4. Engaging, charming, and generally a fun ride. Deserves a cult following.

((Designated "IMDb Top Reviewer." Please check out my list "167+ Nearly-Perfect Movies (with the occasional Anime or TV miniseries) you can/should see again and again (1932 to the present))

I feel that so many people missed the point of this movie. To explain any more of his character or the world he lives in would simply dumb down the story and remove the mystery that makes this story so haunting. This movie depicts an immortal being that is totally detached from humanity. How could any person alive for 1000's of years still care about petty bullshit and after 1000's of years how wouldn't everything become petty bullshit. Henry Rollins has hilarious dead pan delivery that is funny without betraying his characters apathetic nature. This is brought across even in the action sequences which make them even more gripping and realistic.