Road to Paloma

Robert Wolf (Jason Momoa) is a native American from the Mojave reservation. He's wanted by the law after killing his mother's rapist. He is joined by unstable fellow rider Cash.

Jason Momoa is the star, the director, and also co-wrote the script. He has basically made a 70's biker movie, probably inspired by Easy Rider. It's not bad but I wouldn't call it great. It has some interesting moments but it doesn't have a real direction. In a way, that's the movie and the road trip. There are interesting sections like the bare knuckle fight and carrying the rape victim with flares. It does need to show a snippet of the inciting killing incident at the start of the movie. It's missing that and the movie struggles to get into gear at the beginning. If I had to dissect Momoa's abilities, he's a charismatic lead and his directing style is functional biker flick. There is a bit of art to his work but nothing exceptional. The writing is the one main aspect lacking and quite frankly, one can only guess at what he actually wrote for this movie. Next time, he should get a better writer to polish off his script.

Jason Momoa's mother was raped and killed, and the authorities didn't care; she was an Indian, after all. So Momoa. That's a different matter, since the rapist was White. So Momoa gets on his motorcycle and rides through the American Southwest, dodging the FBI and spreading his mothers ashes.

In his ramblings, we get a view of the underclasses that inhabit the character's world, trying to live their own, casual lives while avoiding the iron fist of the Authorities. It's a bleak, inhospitable world with flashes of beauty and violence, and although mostly derivative, is a pleasant watch. With Lisa Bonet (she and Momoa married in 2017), Lance Henriksen, and Michael Hayes.

This is a great film for those who honor the journey. With a beautiful display of desert landscapes, this movie let's you feel the freedom of living life moment to moment. I don't think that the point of the story was to examine morality in any great way; aside from the pain of suffering loss and the injustice that often prevails. The film does a good job of contrasting the shortcomings of western culture with the simplicity of a more ancient one. As a result, you get a story of blended and contrasting themes, filled with the tension of an impending doom.

I enjoyed the characters as well. Jason M. created a lovable hero that is easy to empathize with. His friends and family all admire the depth of his character, drawing the viewer into their world. It helps that he's a good looking dude, with all of the swagger you could ask of a mystery rogue biker. It's hard to imagine a woman who would say no.

This movie won't rock your world or change your stance on anything. It's simply a great indie flick into a world that most of us will never see, with freedom that we will never experience. It will leave you with lingering images of endless highways cut through a land that would rather forget about us.

I would have liked to give this a higher vote, but it's just a simple story and I feel that it tops the scale of it's own potential. Otherwise, I didn't think that it lacked much. I'll be recommending it to friends who care about something more than the latest superhero flick.

Robert Wolf is on the run and on a mission. along the way we laugh, play and cry with him. we get frustrated. we fall in love. we get scared and heartbroken. what a journey.

i was so impressed with this feature length debut from Pride of Gypsies. cinematography, mood, tone, cast, dialog all fit (though dialog was light). there was deeply felt emotion throughout, but balanced with much appreciated levity. Jason Momoa directed a well-rounded experience. under Momoa's direction, i have to say that Chris Browning (Schaeffer) and Michael Raymond-James (Irish) stole it. they were wonderful and so perfect in their roles. Chris Browning, well, i have only seen him play sleazy characters, so this was a treat to see a different side of him. Linden Chiles (Bob, may he RIP) and, of course, Momoa (who basically played himself) were great to watch. Robert Mollohan (Cash) was...well...you gotta see lol. wish there was more Wes Studi though.

i especially loved Brian Mendoza's cinematography. scenes by firelight, by morning light, by dusk and storm, by flare. i don't believe i have seen such brilliant use of natural light on earthy human beings since "Girlfight". i like the way he fills his shots with equal attention to foreground and background. this could easily have looked crowded, but in a movie with sparse dialog it was smart to keep the eye moving in almost every frame. there were some grainy moments that sort of added to the low-budget flavor of the piece. but then there were shots that looked like they would cost a fortune to recreate.

heartfelt, poignant, relevant...i recommend this one highly to those who care about good stories. if you keep producing this quality (or better), PoG you got me.

Takes you on a man's journey of what consquences lead up to when you chose to take the law into your own hands for family. Jason shines and shows promise.