Hoi-sa-won

"A Company Man" is an average, not especially original, but mildly entertaining, story of the everyday life of a hit-man, who (you can imagine) will rethink his lifestyle.

Ji-seob So plays Ji, who does his job very well and cares for his 'family'. But on one job, he kind of starts thinking too much (how come all those hit men always end thinking too much) and doubting about the lifestyle he has. Cue our man trying to figure out how to be 'human' will being also a 'killer'.

The plot, as said above, is 'hit-man-with-a-heart' 101, and someone should tell the writers of this kind of movies to be a little bit original (here the originality is that the assassin's company has a... well, company, in a building, where people 'work' as your average salaryperson).

But even lame plots can be made great by acting, production, direction, scenery, pace... Here all of this is more or less average, the best the acting (even if we still fall into the blank, expressionless acting for the hit-man). All enjoyable enough, with a couple of set-pieces that are good. However, the movie neglects its raison d'etre (action), because the direction and pace of the action pieces is not as good as it should. Especially, because the movie falls into the we-cannot-shoot-for-the-love-of-all-the-gods pit trap.

"A Company Man" will be an enjoyable one hour and a half for fans of this genre, but it offers absolutely nothing new.

5.8 ?! Are you kidding me ? I bet the ratings were given by women disappointed in the love-line of the story.I in the contrary was superbly entertained : Excellent cinematography , acting , action , sound and a story , which can be labeled as unique in the ocean of a pro-killer falls in love-wants retirement-pisses-his-employers-off-movies. To my great relief the focus wasn't placed on love but on THE company , something I never saw before. A corporation masked as yet another unit of the ,,normal '' business world. Bureaucracy , business meetings and boring office work ? HEll NO! Suits , guns and office women in tight skirts with the ability to kill you under the blink of an eye , coworkers aka. a deadly wolfspack ; ready to turn the back on you if the money is right ? H-E-L-L Y-E-A-H ! ! ! And this exact atmosphere makes this film very enjoyable. But the main highlight is the charismatic Ji-Sub So as the silent killer ,managing to draw compassion in spite being a murderer-for-money.

A Company Man is a neat movie , being able the fulfill its main objective of delivering a good piece of cinema and solid entertainment , but it lacks that little ,, something '' to make it memorable forever.

( But fans of heroic bloodshed can't skip it!)

The only thing these Company Men have in common with the other Company Men (movie with Affleck, Tommy Lee Jones and more), is that they're struggling to survive after they are fired. On a more serious note though: This is a really good action drama, with a central performance that is understated and played very small.

Of course you have to wait quit a bit for action pieces, after an initial amazing stung at the beginning of the movie. But while it is foreseeable most of the times, it does deliver on everything it promises. There is over dramatization a few times, but you'll either accept it as part of the movie or just hate it happening. Depends on your own view.

South Korean filmmakers are top of the field when it comes to pumping out incredibly intense, superbly directed action-thrillers with breakneck stunts and action sequences enlivened by super-fast editing and gritty realism. Such films are clearly inspired by the BOURNE movies directed by Paul Greengrass, yet they're very much the equal of those movies.

A COMPANY MAN is another instalment in this particular sub-genre and a film whose plot bears more than a passing resemblance to the Korean classic, A BITTERSWEET LIFE. There's plenty of room for social commentary as the main character plays a guy caught in a corporate world, unable to quit the job he's grown tired of and forced to work under his despicable superiors. The twist? That he's a hit-man.

What transpires during the film's running time is easily guessable and yet at the same time it's eminently watchable. Ji-seob So does a great job as the gaunt and tired lead you get behind, and the film features a sequence of top-class action sequences to keep it bubbling merrily along. It's a slow builder, this one, leading up to a taut, frenetic and mayhem-filled climax which truly doesn't disappoint. If only all movies could be this entertaining.

An impressive movie. More than just a crime-thriller/action flick, this film takes a hard look at the Korean/Asian work-ethic, underlining the dangerously soulless nature of 'Corporate Family'. That's what The Company featured in this film is, beyond it's cover as metal-traders and its hidden, darker nature. The young field employees all see their Boss as a father-figure, "I love you, boss." the literal mantra of their interactions with him, something they say with such casual ease as to suggest this is, in fact, a relatively common way to greet your boss in South Korea. The lieutenant of the Boss, who doles out and reviews 'assignments', is like the jealous older brother; his position assured by the hierarchy, but his self-worth frequently challenged by the skills of his underlings, for which he punishes them frequently, and for which they desperately apologize. The protagonist is immersed in this family, seeing it as his life entire. He truly does love his boss, and his devotion to The Company borders on the absolute. As he leaves youth behind however, crisis of conscience begin to afflict him. He begins to question the worth of his own assignments, the value of the lives he's taking, and more and more he comes to feel that living should mean something more, and his love and devotion to a Company so callous and cruel has been gravely, woefully misplaced.

It's rare to find this kind of social commentary hovering over an action/thriller film, and I found it to be treat. It gives one a window into a way of living that one otherwise might only hear about, and explores the emotional anxieties surrounding that way of living in a gripping, often very heartfelt way. There's plenty of blood, violence and gun-play to keep the viewer entertained, but the deeper themes running through it provoke real sympathy and hard thought in those receptive to such things. The catharsis of the film, the 'redemption' of the protagonist, comes in the simple form of a conscious decision to smile; to seek happiness over professionalism. It's an odd moment, hard to place in time and setting, but a potent and highly uplifting one.