CALIFICACIÓN DE IMDb
6.2/10
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TU CALIFICACIÓN
Un espíritu zorro se embarca en una búsqueda para convertirse en humano tras escapar de una prisión. Se une a una princesa desfigurada que busca el amor de un noble guardia mientras su reino... Leer todoUn espíritu zorro se embarca en una búsqueda para convertirse en humano tras escapar de una prisión. Se une a una princesa desfigurada que busca el amor de un noble guardia mientras su reino se desmorona.Un espíritu zorro se embarca en una búsqueda para convertirse en humano tras escapar de una prisión. Se une a una princesa desfigurada que busca el amor de un noble guardia mientras su reino se desmorona.
- Premios
- 11 premios ganados y 10 nominaciones en total
Shaofeng Feng
- Pang Lang
- (as Feng ShaoFeng)
Nuo Lu
- The Prince of The Tianlang
- (as Lu Nao)
Yilong Zhang
- Gong SunBao
- (as Zhang YiLong)
Bingyuan Li
- Zhao Gan
- (as Li BingYuan)
Gangte Mu'er
- The Lieutenant of Huo's Family Army
- (as Gang TeMuEr)
Jianhua Li
- The Lieutenant of Huo's Family Army
- (as Li JianHua)
Congyi Wang
- The Lieutenant of Huo's Family Army
- (as Wang CongYi)
Jiahui Liu
- Uncle Da
- (as Liu JiaHui)
Senggerinchin
- Drunk
- (as Sengerenqin)
Junjie Qin
- Young Huo Xin
- (as Qin JunJie)
Opiniones destacadas
Gordon Chan's Painted Skin back in 2008 had Singapore's Raintree Pictures as a production partner, with China born actor Qi Yuwu in one of his many overseas film forays, but the follow up film is a purely all-China affair, showing off what the Chinese film companies can do in terms of storytelling and effects, In all honesty, I prefer Painted Skin II over its predecessor precisely because it took its time to tell a proper story, contrary to the treatment of many mainstream China made films in the similar genre that had overemphasized less than stellar CG effects and sacrificed story along the way.
This is not a sequel, nor is it a prequel to the 2008 film, despite having to share the same title both in English and Mandarin. Most of the primary cast returned, and played totally new characters, where you can speak of this as if it's a spiritual companion to the first film, challenging the same cast in having to portray different characters in what would structurally almost be the same film, except with new themes and characters thrown into the mix, complete with breathtaking landscapes that only Western China could offer.
In this story, the power trio of Zhou Xun, Vicky Zhao and Chen Kun return. Zhou Xun reprises the role where she's the temptress foxy spirit Xiao Wei and the primary antagonist of sorts in this story, ripping out the hearts of man to devour and maintain her mortal looks. Being cursed and needing to fend off her icy prison, she got rescued by Zhao Wei's Princess, a royalty with an incredibly strong heart and a partially masked face, pining for the love of Chen Kun's General, who's at the frontiers to ward off the kingdom's enemies, which also serves as a refuge to hide his true feelings for the woman he believes he cannot deserve after being indirectly responsible for the mishap which led to her disfigurement.
Most of the screen time and plot development went to these three, and the camera just gorgeously captures them all in their romantic dalliances, especially when Xiao Wei becomes the de facto spanner in both the Princess and the General's love life no thanks to a little mesmerizing black magic that's cast to help Xiao Wei in her cause to obtain the Princess' heart, and become human. Sure it's a merry-go-round manner, but we learn certain rules of the game, where a transformation can only take place should a heart be willingly given up, as opposed to forcefully obtained by the demon. And in fact this issue is central and broached more than once in the film.
It revolves around the themes of unrequited love, sacrifice, and the long held belief that we are attracted to beautiful, flawless things, even if it's something a superficial as a woman's looks. The characters go back and forth in dealing with their emotions, and thankfully this served as sufficient back story to their individual characters, allowing a multi-faceted dimension to them, which of course worked wonders for its running time of over two hours. This in addition to the wonderful deliberate visuals that director Wuershan had given this film that the first one didn't possess.
Zhou Xun plays it cool this time round as the scheming Xiao Wei who would discover that being human isn't all that easy given that she has had powers easily taken for granted. Zhao Wei continues in her roles as warrior princesses from Red Cliff and Mulan, and plays to perfection the role of a woman willing to give up anything to be with the man she truly likes. And with two strong female leads playing opposite him, Chen Kun could well be regarded as the current Mr Popular with real acting ability, given license to brood most of the time as the conflicted General who isn't too aware that his eyes were stamped and cursed, leading him away from, and providing him reason enough to stray. The performances of these three together can go on forever.
Granted though with the increase in time dedicated for a special effects showcase, and an unwavering focus on characters, what had to give was the martial arts and fight scenes, which pale in scenes if compared to the first film. The martial arts practitioners were clearly reduced, and the antagonists in the form of the Wolf clan's Shaman (Kris Philips) and Queen (Chen Tingjia) didn't quite provide any real threat save for their sheer numbers of faceless army goons they bring to the fray. Their objective though brings the story full circle, with Mini Yang and Feng Shao-Feng's characters as Xiao Wei's bird companion, and a bumbling demon-slayer respectively, were in just to add to star power and for minor comic relief, being in tangent sub-plots that serve little to the main story.
Still, Painted Skin: The Resurrection actually revived some hopes that the Chinese film industry is capable of coming up with visually attractive, action-adventures that tap on the Liao Zhai sources, if elements in the film were well balanced with an adequate story, backed by solid cast members. And having some really sensual scenes in the film didn't hurt it at all given enough of them to highlight the man-demon transformation which was almost extreme Face-Off like, but in a sexier fashion. Recommended!
This is not a sequel, nor is it a prequel to the 2008 film, despite having to share the same title both in English and Mandarin. Most of the primary cast returned, and played totally new characters, where you can speak of this as if it's a spiritual companion to the first film, challenging the same cast in having to portray different characters in what would structurally almost be the same film, except with new themes and characters thrown into the mix, complete with breathtaking landscapes that only Western China could offer.
In this story, the power trio of Zhou Xun, Vicky Zhao and Chen Kun return. Zhou Xun reprises the role where she's the temptress foxy spirit Xiao Wei and the primary antagonist of sorts in this story, ripping out the hearts of man to devour and maintain her mortal looks. Being cursed and needing to fend off her icy prison, she got rescued by Zhao Wei's Princess, a royalty with an incredibly strong heart and a partially masked face, pining for the love of Chen Kun's General, who's at the frontiers to ward off the kingdom's enemies, which also serves as a refuge to hide his true feelings for the woman he believes he cannot deserve after being indirectly responsible for the mishap which led to her disfigurement.
Most of the screen time and plot development went to these three, and the camera just gorgeously captures them all in their romantic dalliances, especially when Xiao Wei becomes the de facto spanner in both the Princess and the General's love life no thanks to a little mesmerizing black magic that's cast to help Xiao Wei in her cause to obtain the Princess' heart, and become human. Sure it's a merry-go-round manner, but we learn certain rules of the game, where a transformation can only take place should a heart be willingly given up, as opposed to forcefully obtained by the demon. And in fact this issue is central and broached more than once in the film.
It revolves around the themes of unrequited love, sacrifice, and the long held belief that we are attracted to beautiful, flawless things, even if it's something a superficial as a woman's looks. The characters go back and forth in dealing with their emotions, and thankfully this served as sufficient back story to their individual characters, allowing a multi-faceted dimension to them, which of course worked wonders for its running time of over two hours. This in addition to the wonderful deliberate visuals that director Wuershan had given this film that the first one didn't possess.
Zhou Xun plays it cool this time round as the scheming Xiao Wei who would discover that being human isn't all that easy given that she has had powers easily taken for granted. Zhao Wei continues in her roles as warrior princesses from Red Cliff and Mulan, and plays to perfection the role of a woman willing to give up anything to be with the man she truly likes. And with two strong female leads playing opposite him, Chen Kun could well be regarded as the current Mr Popular with real acting ability, given license to brood most of the time as the conflicted General who isn't too aware that his eyes were stamped and cursed, leading him away from, and providing him reason enough to stray. The performances of these three together can go on forever.
Granted though with the increase in time dedicated for a special effects showcase, and an unwavering focus on characters, what had to give was the martial arts and fight scenes, which pale in scenes if compared to the first film. The martial arts practitioners were clearly reduced, and the antagonists in the form of the Wolf clan's Shaman (Kris Philips) and Queen (Chen Tingjia) didn't quite provide any real threat save for their sheer numbers of faceless army goons they bring to the fray. Their objective though brings the story full circle, with Mini Yang and Feng Shao-Feng's characters as Xiao Wei's bird companion, and a bumbling demon-slayer respectively, were in just to add to star power and for minor comic relief, being in tangent sub-plots that serve little to the main story.
Still, Painted Skin: The Resurrection actually revived some hopes that the Chinese film industry is capable of coming up with visually attractive, action-adventures that tap on the Liao Zhai sources, if elements in the film were well balanced with an adequate story, backed by solid cast members. And having some really sensual scenes in the film didn't hurt it at all given enough of them to highlight the man-demon transformation which was almost extreme Face-Off like, but in a sexier fashion. Recommended!
Life has been good but at times it gets to be mundane, and boring. So I need to escape from reality and get lost in another world. Many films, such as 'Pan's Labyrinth' and 'Kwaidan', offer me a channel to another world for a couple of hours. 'Painted Skin II' does an equally good job in this regard with its dose of fox demons (the good kind), a princess and warriors.
I watched the film on a BluRay disc. The colour, the imagery, the landscape, the costumes, the feminine sexuality - all visually stunning and often poetic. There are also two love stories in there too, and these are no conventional love stories - they are the very complicated kind. The action sequences, often done in slow-mo, are satisfying. Acting is great, especially by the two leading ladies. This film offers all I need from a fantasy story.
It appears that not many in the North America are aware of this film or have seen it. That is indeed a pity. I hope director Wuershan will move on to do Painted Skin III. Something I very much would look forward to.
I watched the film on a BluRay disc. The colour, the imagery, the landscape, the costumes, the feminine sexuality - all visually stunning and often poetic. There are also two love stories in there too, and these are no conventional love stories - they are the very complicated kind. The action sequences, often done in slow-mo, are satisfying. Acting is great, especially by the two leading ladies. This film offers all I need from a fantasy story.
It appears that not many in the North America are aware of this film or have seen it. That is indeed a pity. I hope director Wuershan will move on to do Painted Skin III. Something I very much would look forward to.
It would be much better if the writers don't force the story by many unsuitable details.
I wasn't expecting much from this movie. But it surprised me. The story (already well documented on this site) was not overly complex yet it did have some deeper themes about sacrifice, being enraptured by physical beauty and yet being hollow inside.
The hardest thing for me was that Princess Ying (Vicky Zhao) was supposed to be depressed about her facial scars - hidden by her golden mask. But I find her to be extremely attractive so to imagine her as some horrible ugly thing was hard to swallow. Even when she reveals her mask the scars don't look all that bad.
Actually all three main actresses were very attractive and did very well in their respective roles. The only minor complaint would be the wooden performance by the actor portraying the general. He livens up towards the end so I guess I'll give him a pass.
8/10
The hardest thing for me was that Princess Ying (Vicky Zhao) was supposed to be depressed about her facial scars - hidden by her golden mask. But I find her to be extremely attractive so to imagine her as some horrible ugly thing was hard to swallow. Even when she reveals her mask the scars don't look all that bad.
Actually all three main actresses were very attractive and did very well in their respective roles. The only minor complaint would be the wooden performance by the actor portraying the general. He livens up towards the end so I guess I'll give him a pass.
8/10
This movie had me teetering on wanting to say it was excellent in the vein of Crouching Tiger Hidden Dragon/Hero or feeling like it wasn't quite up to par. Visually many of the scene were art in motion (a la Hero), but then they have shoddy computer animation (the bear that attacks the Princess and the bird played by Mini Yang). As for a love story it is one of those long suffering epics that sort of grabs and tears your heart. The Princess has a lifetime never ending love for the Warrior and would do anything for him, even "sell her soul to the devil". The Warrior, because of his honorable service to her denies his own love for her. When demons get involved everything is twisted and complicated. My buddy & I gave it a "thumbs up" after watching it.
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- ConexionesFollows Hua pi (1966)
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- How long is Painted Skin: The Resurrection?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- También se conoce como
- Painted Skin: The Resurrection
- Locaciones de filmación
- Pekín, China(Mentougou)
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- CNY 150,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 50,425
- Fin de semana de estreno en EE. UU. y Canadá
- USD 17,791
- 19 ago 2012
- Total a nivel mundial
- USD 2,455,359
- Tiempo de ejecución
- 2h 11min(131 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1
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