Atentado en París

I always use subtitles since I don't hear well.

The spoken English was subtitled, which was helpful, but the long spoken exchanges between the French police/tactical/intelligence was spoken in French, but NONE of the French dialog WAS TRANSLATED and SUBTITLED.

Maybe not a huge issue except that the 'good guys' had maybe ten pages of dialog between them. The French speakers provided about 80% of 'The Take's' total spoken word.

Now, Idris Elba is the caliber of actor who doesn't need to chatter in order to get his thoughts out.

Still, with the Strong, Silent Type in the lead, there was no way to follow the plot. When we thought we'd identified the villians, we had to watch and wait for another character's confirmation of events.

I don't know who's responsible for subtitles...but really, our phones can transcribe a spoken voice message. We can speak to lock our doors, turn off our lights, and play our favorite music.

#pleasefixsubtitles

Ever wanted to know what happens when you mix 24, Bourne, Die Hard III, and Luther on a tight budget, and then you spice it all with a little Luc Besson? Then you have your answer right here.

It's a fast paced, no-nonsense action spy thriller, without a single piece of originality. But it manages to present all the borrowed bits and pieces in a way, to deliver a very entertaining experience.

The main character is almost a carbon copy of the title character in Luther, so Elba naturally revels in the role. They even managed to include one of my favorite lines from Luther, the little thieves. Which is funny since the second main character is actually a thief in this. Self irony maybe? The movie never slows down, not for a minute. I haven't seen anything like it for quite some time. There is less Neutral Gear in here, than in Luc Bessson's original Taxi.

Of course you shouldn't expect a masterpiece. The characters are all shallow, and the story is predictable. It doesn't even try to be clever, it just gives you everything at face value.

I'm torn between a 6 and 7 for this film. This has everything a good thriller should have, but nothing notably unique about the film or the way it's done past the protagonists and some of the cinematography.

The film is a spiral into chaos and the characters are very likable, forming an unlikely friendship between a thief and a CIA agent. Idris Elba and Richard Madden show off some great acting that really drives the film, with the dialogue between the two easily being my favourite part of the film. The directing is great, too, with a riveting chase sequence that looks and feels exciting and some lovely cinematography in France.

The premise isn't anything amazing, but throwing a sly, witty pocket thief into the mix of what would be an ordinary every-year thriller is what drives the film and makes it anything worth noting. If you're going to see this film for any reason, it should be for the two leads. Bastille Day is nothing unique, but it's definitely a good film if you're in the mood for a thriller (however I'd recommend Eye in the Sky over this). This is a film for people that are into thrillers and fun character interaction.

This film (unfortunately) is most famous because it was set to come out at the same time as a Islamic terrorist attack in France, and one of the reasons I waited a while to watch this film was because I was wary of how Muslims would be portrayed in it etc. Let me without spoilers tell you this film is almost entirely unpolitical, with the 'Islamic threat' so far down the radar it can't even be said to be a theme.

Now on to the film! Do you like Idris Elba? If you don't, stop reading this review and never watch this film. This is his film. He plays a bad-ass CIA agent (there is an irony of a British actor playing a CIA man stationed in France) who does not like to follow rules, and he is on the trail of a master pick pocket (Richard Madden) who gets wrapped up in a plot to blow up France. Cliché, yes, but the film does avoid some obvious ones, surprising pleasantly at some points.

Elba is menacing, cool and always fantastic, and all of his co-stars pull their weight, but none are particularly likable, and they just have very little chemistry together. But, this is an action, thriller, so who really cares about that. The action is solid, but not mind blowing. The balance between action and thriller is about right, and the director does not get distracted with too many side characters or plots.

This is about as standard a movie as you can get, with the only real plus being Elba. He needs to do more action movies, he needs to be the next Bond. 6.5, but IMDb won't let me give it that score so I bump to a 7 on Elba's performance!

Granted, the inside bank heist plot is implausible in 'Bastille Day' (retitled 'The Take' for its USA release), but the director James Watson paces the film so well with non-stop tense moments, and taps Idris Elba's innate tension-building talents and ability to deliver quick dialogue (as he does with Sorkin's trademark banter in 'Molly's Game'), that one overlooks the spectacularly unrealistic story of the intended heist.

This is a pure entertainment escapism - an action film that does not pretend to be more than it is.

Therefore, I'm giving two thumbs up 👍👍 for a good fun-to-watch action flick. Grab a dish of popcorn and enjoy. Note my 7 Rating means it's good (like an 8 by most User standards).

Richard Madden and Jose Garcia are well-casted.

Is it just me that thinks Garcia looks and acts a lot like Harvey Kietel in his 30s?!