Bhooter Bhabishyat

The 'chhaya (shadow) chhobi' by Anik Dutta overshadows ghost films of both Tollywood and Bollywood taken together in recent times. The synthetic, eery and blood-curdling horror is not the mainstay here; instead, the ghosts - from several strata and time periods - try means of survival from their live counterparts who are overtaken by an inhuman changeover resulting in unwittingly chasing out ghosts from haunted mansions. How the real ghosts - an endangered species now - will drive away the real-estate sharks is not the attractant of the film. Though the film is not an unplumbed one as regards the delivery of message, yet messages run over almost all the delivered dialogues, mostly laced with puns, and make the piece a unique experience, heretofore unmatched by and large, presenting the changing face of the city of Kolkata gradually being taken over by promoters and reality agents; thus changing Kolkata's heritage into Hertfordshire.

Dutta borrows directly, bathing in the light of his own interpretation, from Ray - his Gupi Bagha trilogy, his style of dialogues, his range of humour and so on - and Dutta does this in a rather grandiloquent and rarefied manner heaping loads of honour and expressing allegiance to Ray along the way unflinchingly.

Story, screenplay, lyrics and direction amalgamate into a homogeneous mixture of great cinema. Aveek Mukhopadhyay's cinematography calls for praise though there are still vestiges of development. Arghyakamal Mitra has, as always, shown his craft here piecing together the various time- frames. Indranil Ghosh's work is flawless like in most other films, too. Kanan Devi's nasal voice from the by-gone era tones up the pathos of one of the messages the film seamlessly delivers - practice of clandestine concubinage by some spoilt upstarts and the well-off of the time. Coming down to the characters, their engaging idiosyncrasies and their pathos to boot make this seriocomedy a psychotherapeutic exercise giving the right directions and at the same time parodying the state of affairs in Kolkata and elsewhere. What we have to remember is that branches of development must not turn deadwood in the end.

This is very rare to watch satire bengali movies . Showing a good moral message , the movie is really Entertaining , Funny and Suspicious . Undoubtedly best creation of Anik Dutta. Everyone acted well in their roles . A must watch movie for all movie lovers. The songs ( actually the lyrics ) are also funny .

One of the best things to happen to Bengali cinema post Satyajit Ray is this particular movie,which builds up carefully with every attention to the minutest detail and continues that,till its end. The basic storyline is simple and revolves around a known haunted mansion in Kolkata.The choice of characters by the director,and their portrayal by very capable actors along with mind blowing one liners are the very essence of this movie.The music throughout the movie,the cinematography,editing,use of lights in few particular settings,and over all its simplicity in presentation are all its plus points. It is one of the very few current movies in any language whatsoever,that one can see again and again and again,and still find its superb flair and charm as the very first time.

Hey, this movie is entertaining especially for it's fatuous relationships among the ghost family members. Veteran actor Paran Bandapadhyay acted so keenly and pulled my attention till the end. Enjoy the musical horror entertainment.

Oh my god! I have never seen a combination like this or nearer to this in Bengali films. I don't like comedy films. But it's representing a 100 year (nearly) history & a extraordinary combination of it beyond the comedie. It has screened 5-6 generation in the same screen. It's a sign which indicates that Bengali films are improving day by day. A very interesting & marvellous storyline. Excellent writing, thinking and direction by Anik Datta. Acting was also very perfect. Glad to see Shabyasaci, Parambrata, Poran, Mir, Saswata & Swastika in the same screen. I'm too late to watch this film 🙄